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This one-time limited edition of 750 copies comes from Austria's Comfortzone label and catches Mika Vainio in swaggering backroom dancefloor mode again for a 2nd, Jukebox-styled 7". A-side is a corrosive, killer slice of Industro-Bashment called 'Rasputin 3000', all skeletal rhythmic swagger and elemental distortion. B-side features an even more stripped down and haunted number called 'Devil Arrives To Finspång'. Nobody does this thing quite like Vainio - miss out at your peril!
Sound and video artist MPLD works in a world of sentiment and detachment, creating a Lost & Found aesthetic uniquely his own. Lost are the old Kodachrome slides which make up the foundation of his work. Found are the feelings of misplaced memories the slides conjure, as well as the sounds — processed and amplified — of the projectors that bring those images back to life. What’s seen on lacunae is a straight shot of the screen during a rehearsal for a concert, although that might not be clear to …
Cindytalk - Five Mountains Of Fire: Gordon Sharp (electronics), Paul Middleton (drums), Dan Knowler (Guitar), Gary Jeff (Percussion) and Sherrill Crosby (Electronics). Pre-mixed and re-played by GS at Roi Vert, Okamoto, Japan, March 2009. Robert Hampson - Antarctica Ends Here: Dedicated to John Cale. Recorded and Mixed at Thirst 2007Ð2009 in London and Paris. Design: Dave Coppenhall. Cindytalk's Gordon Sharp and Robert Hampson (Loop. Main...) are 2 characters of legend circulating on the …
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
'In 2004, the Netherlands-based Basta label released Popular Electronics - Early Dutch Electronic Music from Philips Research Laboratories. The four-CD (and seven-booklet) box set meticulously chronicled the pioneering electronica that Henk Badings, Tom Dissevelt, and Dick Raaijmakers recorded for Philips between 1956 and 1963. Since these recordings had originally been released on vinyl, collectors petitioned Basta for a vinyl edition. After consulting with Dick Raaijmakers, Basta decide…
Based exclusively on end grooves from vintagerecords, 'untitled #205' is a straightforward and joyful exploration of the potential for reincarnation of these unintended sonic structures into new life. More a tool than a final product, it delves into static, noise and rhythm with a hopeful perspective.' The untitled #205 mix on the a-side brings us 18 minutes of hissy, textural sound in dissolution, ranging from ryhthm to noise. The b-side has the 20 original loops López constructed out of…
Brethren Of The Free Spirit combines the considerable 12-string guitar talents of James Blackshaw with the lute skills of Dutch instrumentalist Josef Van Wissem. Those of you who picked up the excellent Blackshaw-curated Garden Of Forking Paths compilation on Important a couple of weeks back will already be familiar with Van Wissem's abilities, dexterously coaxing his baroque instrument into the modern age. The two musicians compliment each other beautifully - there's no treading on toes here, b…
Sherard Ingram - DJ STINGRAY - has been an active member in Detroit's electronic music community for nearly 25 years now. Never shy of a collaboration, Ingram spent much of the '90s teaming up with Carl Craig, Anthony 'Shake' Shakir and Kenny Dixon Jr. to create a rich downtempo sound as Urban Tribe, with culminated in the release of 1998's much-lauded The Collapse of Modern Culture album. He was then recruited to be the tour DJ for Drexciya in their final days, taking to the decks as DJ Stingra…
A picture disc featuring artwork by David Horowitz and music from Xiu Xiu and Father Murphy. You get Xiu Xiu's "I Luv Abortion," backed with Father Murphy's "In the Flood With the Flood."
Touch presents a 7" from Mike Harding as part of the Touch Sevens series. Recorded in West Wittering in Balham using DPA 4060s onto a Nagra Ares P-ll digital recorder. Cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
Finally arrived, very few copies available left, both wooden Boxes (VOD74 and VOD75) delivered in deluxe silk-screened and embossed fine-linen folder to complete and protect the 2 wooden boxe. Already sold out at source, an extraordinarily beautiful and monumental release from Vinyl on Demand
Following on from previous collaborations between Robert Horton and Charalambides Tom Carter on fine labels such as Important, Preservation and Digitalis, Carter and Horton come back to Blackest Rainbow (both we have previously worked with but not as a duo) for their first duo recording in a while. The 3 tracks result in combinations between outsider improvised trips and swirling head drones created via a wide array of instruments and non-instruments. Carter takes hold of the guitar, ebow…
jeph jerman + albert casais, ting ting jahe, richard garet, alfredo costa monteiro, ben owen, lawrence english, jeph jerman, civyiu kkliu, tommy birchett, ilya monosov, mpld, andy graydon, and ben scott. edition: 350 7" black vinyl record letterpress sleeve and insert. custom die cut sleeve. designed and printed by ben owen.first in a series of compilations for winds measure. these collections focus on the work of past, present, and future collaborators with the label…
It may well be the case that the whole modern classical scene suffered from a possibly fatal case of over-familiarity and over-exposure these last few years, but it would be a shame if a genuinely gifted musician and composer like Iceland's Ólafur Arnalds was lumped in with the vast majority of his contemporaries - the guy is just the real deal. And if there were any doubts about his talents, Arnalds created and released a new song a day for one whole week during the month of October this …
First solo album from bass player extraordinaire Michael Francis Duch, exploring 1960’s experimental works as vehicles for contemporary improvisation. Duch is a highly generous musician and improvisor. This is equally audible as he moves in the outskirts of reductionism, flirts with noise, engages in the domain of contemporary composition or happily endulges in the joys of free jazz. Mixing a keen and exploring sense of sound with firm and insisting formal thinking, he approaches his bass …
In recent years, there has been a surge of electronic artists, for the most part new comers, who have rejected the digital approach which had dominated since the nineties in favour of the more organic analogue textures pioneered during the late sixties and well into the seventies by German experimental musicians, from the most exploratory, with the likes of Emeralds or Oneohtrix Point Never, to the bulk of the Scandinavian disco scene, spearheaded by Lindstrøm, Prins Thomas and DiskJokke.…
FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG handmade clear screen-printed cover on holographic paper, killer modular synth experiments by Brooklyn's "Venezuelan in-exile" and No Fun label boss Carlos Giffoni
Fennesz's first solo release since Black Sea (2008) is a 4 track 10 vinyl, with a CD version soon available. Using acoustic and electric guitars, bass, synths, computers, Fennesz continues to engage and entrance us in equal measure.'Liminal', 'July', 'Shift', 'Seven Stars' (with Steven Hess on drums).Fennesz writes: Seven Stars was recorded in Vienna in January 2011. I recorded and mixed the album within 3 weeks. Liminal and July were existing pieces which I have reworked. (I wrote an early ve…
Long awaited new album by the enigmatic composer Angelo Petronella, in a superb piece of electroacoustic microsound, intertwining scrupulous minimalism, environmental recordings, and an intense drone nebula. The liner notes to Rimandi E Scoperte are esoteric to say the least, with statements like "In my place there is an arch, both an entrance and a barrier, both a passage and a wall" which clarify little in terms of how this music was made or what processes are involved. That's probably the wa…
Berlin Fields is a sonic journey not limited by national boundaries, city limits, or material limitation. Roden perambulates, recording as he goes with the immediacy and quirks that come from using both portable recorder (a Sony PCM-D50) and phone. Exploring intuitively, Roden brings together 19 sonic vignettes via “finds”: things discovered; and “activation”: objects performed on site.Using intuition as a guide, Roden's interactions and sonic interventions – “play” in every sense of the word –…