New Arrivals
La journée de l'existence
Wyschnegradsky's visionary poem for narrator and orchestra, conceived in 1916 and first heard only in 1978: the live premiere with Mario Haniotis and the Orchestre Philharmonique de Radio-France, plus interviews with the composer.
Piano Trimba
Dominique Ponty (piano) and Stefan Lakatos (trimba), who knew and worked with Moondog for years, play his miniatures, known pieces next to unpublished ones mostly dedicated to Ponty. A faithful, detailed portrait.
Contes Sentimentaux
Eleven radio tales made by Brunhild and Luc Ferrari for Südwestfunk in 1990-1994: the couple talk in French and German around Luc's pieces, turning memories, anecdotes and music into new radiophonic works. 4CD box.
The Golden Mean
Charlemagne Palestine live at the Sorbonne chapel in 1979, playing two Bösendorfer Imperial pianos: forty minutes of slowly accumulating intervals and ringing overtones. Hand-made CD in a velvet box designed by Palestine.
Naldjorlak I, II, III
Éliane Radigue's complete Naldjorlak trilogy (2004-2009): I for cello (Charles Curtis), II for two basset horns (Carol Robinson, Bruno Martinez), III for all three. Recorded in Paris in 2011 by Daniel Deshays. 3CD.
The Great Learning
All seven Paragraphs of Cardew's The Great Learning by the Scratch Orchestra Strasbourg under Didier Aschour, an orchestra born from an open call and two years of shared practice: 4CD box with a 116-page booklet.
Martine Joste, Piano Solo
The complete works for ordinary piano by microtonal pioneer Ivan Wyschnegradsky, mostly unpublished, from the late Étude sur le carré magique sonore back to preludes written in Petrograd in 1916. Played by Martine Joste, who knew him well.
Electronic Music 1955-1984
Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.
Music For Solo Percussion And Electronics
First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.
Geophonics
Cello feedback through a bass amplifier set against a grand piano, whose strings answer in dense overtones: three long pieces recorded in a former convent in Belgium, between drone and spectral music.
A Minha Vida É Um Filme E Nele Eu Sou O Vilão: Carimbos E Vinhetas Dos Paredões Brasileiros
A mixtape of carimbos and vinhetas, the audio drops of Brazil's paredão sound systems, recorded between the 1980s and 2025, from Rio funk crews to São Paulo mandelão and the rigs of Belém. Compiled by GG Albuquerque.
Split Sous-Terrain
Split Sous-Terrain: Mårble, Dolphin Hospital and Tourbière recorded live at the AAE cave on December 20, 2025, four parts of experimental live electronics. Limited edition tape on Nazlo Records.
Holding Pattern
Holding Pattern by Melbourne composer and cellist Abby Sundborn: a single piece for cello and voice performed live to a small audience in August 2025, fragile music with a deceptive intensity. Cassette on A Colourful Storm.
Passiflora
Passiflora, the tenth edition of the Music To Watch Seeds Grow By series: KiF Productions follow the passion flower from seed to bloom and back to earth in nine collaged ambient pieces. Cassette.
Stu the Goat
Merzbow at pocket size: two two-minute parts of harsh noise recorded at Munemihouse in March 2026, cut into a 5" lathe disc in a folded cover sealed with a hand-numbered sticker. Fifty copies, a goat on the sleeve.
Washed And Waiting
Black Leather Jesus, the Houston harsh noise project Richard Ramirez started in 1989, on a white 8" lathe cut: two sides of almost seven minutes, Washed and Waiting, recorded in Pennsylvania in March 2026. Thirty numbered copies.
Welcome To My Obsession
Emil Beaulieau, the persona of RRRecords founder Ron Lessard and America's Greatest Living Noise Artist, on a 7" lathe cut: two untitled sides of turntable abuse and recycled sound, thirty numbered copies on black, clear and white vinyl.
Einsterbung und Entmenschung – Selbstversuche
Rudolf Eb.er, founder of Schimpfluch and once Runzelstirn & Gurgelstøck, in four self-experiments recorded at Om Kult in Osaka in 2026: psychoactive acoustics and cut-up decay on a white 9" lathe cut, thirty numbered copies.
Folkways Records: A Visual History
Large-format hardback from Soul Jazz on the sleeves of Folkways Records, most by designer Ronald Clyne: hundreds of covers for Woody Guthrie, John Cage, Lead Belly, Allen Ginsberg and many more.
I Figli Chiedono Perché
Morricone's 1972 score for Nino Zanchin's film, from the original mono masters: a love theme sung by Edda Dell'Orso and psychedelic harp pieces with echo, back on CD after twenty years.