New Arrivals
Orgies of Crime
Long unavailable 12" single with the spaghetti-Whitehouse sound of violence by The Sodality. 50 discs of the original 1989 release (of some 500 copies) were found without the original sleeve and were re-packaged as '25th Anniversary edition' in occasion of The Sodality's concert in Rome at the beginning of 2014. The new cover is made of two xeroxed drawings by Bruno Richard pasted on the innersleeve, housed in transparent plastic sleeve. Edition of 50.
Dance Classics Vol. III
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Empty holes, empty homes
Empty holes, empty homes, the sixth book from GX Jupitter-Larsen, is an amathopaedia of nonfiction, fiction, poetry, & cryptograms. Printed and perfect bound in the United States using traditional offset methods with recycled inks and fine recycled papers. Housed with tear out double sided flexi-disc. Edition of 400 copies with black flexi or numbered edition of 100 copies with clear flexi.
New Slave Part II: Essence Implosion!
Further to their acclaimed 'New Slaves' LP of spring 2010, Zs offer 'Essence Explosion' backed with new remixes on vinyl from Thee Majesty (Genesis Breyer P-Orridge and Bryin Dall), JG Thirlwell (Foetus) and Cex, plus a download code for mixes by Gabe Andruzzi (The Rapture), Zebrablood (Excepter), Weasel Walter (Flying Luttenbachers), and Ecstatic Sunshine redeemable directly from the label. It's hard not to be wowed by the velocity of their explicit noise skronk on the original version, …
Jazz Sahara
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
Jedwabnik
More music involving the seemingly always-at-work Wojciech Kucharczyk (does the man ever sleep?), this time in a quartet alongside B a ej Król, Jerzy Mazzoll and Radek Dziubek. The project's title Dwutysi czny translates as 'two thousand' - referring, according to a brief recent interview with Easterndaze, to the year when Król first came across the music of the other three players, a discovery that eventually led him to write to them to ask if they'd donate him some of their recorded sounds to …
Recur
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
Guff Vout Mulch
The Smegma & Blood Stereo collab LP "Guff Vout Mulch" on Nashazphonehas finally landed. Old fashioned postal collab finished up in 2009, sweet printed colour sleeves and bonkers liner notes by the noise soulman John Olson.Good old fashioned Trans-Atlantic postal collaboration LP between Smegma and Blood Stereo, recorded in Brighton, Pasadena and Portland. The whole shebang was finished in 2009, but Cairo's Nashazphone label didn't think you dinks were ready for it then, now they reckon yo…
A Gourd of Gold
2013 release "From the time we started Latitudes, we’ve held a secret wish list of bands that we intended to lure into our studio. We’ve cut a major notch in our bedpost by finally scoring with Arbouretum, a band that meets universal approval at Latitudes HQ. Arbouretum offer up four cover versions of the brilliant Gordon Lightfoot, the oft-overlooked Canadian singer-songwriter who helped define the folk-rock sound of the Sixties and Seventies. The highlight of the session is unsurprisingly the …
Don\'t Tell Me Stories
Compilation of the early german dark-wave-legends with their Monogam-Hits such as „Casualties, „Radio War", „Don't tell me stories" and so far unreleased material. Very rare
A big circle drawn with little hands
A big circle drawn with little hands was created from a box of things sent to Steve Roden by label owner Sylvian, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken airline headphones, notes, a bottle opener, a noise maker of wood, a small electronic toy shaped like a butterfly that offered tones and animal noises, cardboard, a fan, and other things. i also used a banjo in the first track, and my voice in…
Corporate Laughter
Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon. One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…
The Blackout
Thrill Jockey seem to be snapping up lots of underground faves, Barn Owl, Eternal Tapestry, Wooden Shjips, Sun Araw, and now Tunnels. For several years, Tunnels has been the moniker for the solo output of Nicholas Bindeman. Over time Bindeman's sound has evolved from the slow, breathing landscapes of his earlier ambient/drone releases (Colour Seance, Vexations) to completely fried-out bedroom psych explorations (Astral Collage, In Between Dreams). The Blackout delves into a world of sound un…
Character
Opportunities for introspection have come few and far between for Canadian-born, New York City-based cellist Julia Kent. After coming to prominence as a member of the cello-driven group Rasputina in the ‘90s, she went on to arrange and play on numerous recordings and tour extensively as a member of Antony and the Johnsons, among other projects.The opportunity to explore her own emotional and creative world came with her solo LPs, Delay (2007) and Green and Grey (2011), and it is something she ap…
Here Come The Cars
A year after the Clean's reunion LP Vehicle (also their first proper album ever) put them back on the international-pop radar in 1990, guitarist David Kilgour retreated with his new Revox tape machine (which he'd been singing about rapturously in his side-project Stephen and elsewhere: "Have you seen my new tape machine?!") and cut his first solo album, Here Come the Cars, issued by Flying Nun in 1991. From the jarring cover image of David through to the last note, Here Come the Cars is a specia…
The Somnambulist's Tale
An early and one of the most special Gnod recordings is out now on Aguirre. The Somnambulist's Tale consists of two sidelong adventurous pieces which are carried by an incredible loop. The haunting ambience in combination with electronics, distant guitar layers, conversations between the band members, a typewriter, and other sounds from found objects makes this quite an atypical Gnod release, but definitely a great one. Influenced by early Krautrock bands like Can, Hawkwind and Ash Ra Temple, G…
The Celebrate Music Synthesizer Group
The Celebrate Music Synthesizer Group is a spice-hunting collective formed in Rotterdam in the summer of 2012, when multi-media cultural center The Worm graciously opened their world-class synthesizer studio to the current incarnation of Sun Araw Band. Cameron Stallones (Sun Araw, Magic Lantern), M. Geddes Gengras , Tony Lowe (CEO Raw Tings), and Butchy Fuego (San Gabriel, Boredoms) spent a week amidst Syrinx, Serge, and Surinamese victuals, tracking the self-titled double album live to two-trac…
Metz
Some will find it hard to believe that a glamrock band with a gritty urban veneer came from Texas and stuck together long enough to release this milestone record. Indeed, I was startled to learn that they're from Texas and not NYC or London. Clearly the underground music scene throughout Texas is fertile with talent and enough socio-cultural diversity to support any genre, including mid-70s glamrock. Metz take on glam includes some of the associated clichés like heavy chunks of chord strokes and…
Infinite Hum
Intense, squally noise drones from Dublin's Where Is This, his first for The Tapeworm. To date Mark Ward aka 'Where Is This' has released a slew of his own recordings on his Bored Bear label, along with countless others by the likes of Black Orgasm, Piss Gag, Female Harikiri and other such friendly-monikered miscreants. His 'Inifinite Hum' opens The Tapeworm's 2014 catalogue with a bracing 20 minute blast of viscous, vicious white noise licking up high peaks of blizzard-like distortion in hypnot…
One four and two twos
John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!