New Arrivals
Blue Clouds
Some cream for your acid-folk tea - hitherto unreleased sides from the two and a half bards (well, two bards and a maiden - forsooth!) who self-released All On the First Day back in '72. These include studio recordings from later in the 70s, a couple live songs and an outtake from the legendary album itself! Well, the first legendary album anyway - for Blue Clouds is clearly another.
The Dusted Sessions
"Date Palms revolve around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar…
Seitz versus Gendreau
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
Goose vibrations
GOL (Jean-Marcel Busson, Frédéric Rebotier, Ravi Shardja, and Samon Takahashi). GOL was formed in 1988 in Paris by Jean-Marcel Busson, Frédéric Rebotier, Ravi Sharda and Samon Takahashi. The quartet embodies, within a post-dada spirit, a lost rural tradition. GOL plays flute, horns, guitar, violin, toys, selfmanufactured instruments, tapes, turntables, voices, various percussion instruments and electronics, an appropriateness of both traditional string instrument and handmade low fi equipment. G…
Real Sugar
"Ryan Garbes is the drummer of Iowa City bands such as Wet Hair, Dunebuggy, Trash Dog, and formerly Raccoo-oo-oon. His recordings under his own name represent a unique brand of solo multi-track recording with a seamless integrity; through a skillful use of instrumentation and recording technique, Garbes eschews notions of low fidelity for songs reminiscent of traditional American garage rock produced in the haze of an early '90s UK aesthetic. Genuine pop songs, cloaked in a comforting was…
Revelation
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
Doubled Exposure
D. Charles Speer, aka Dave Shuford, is a founding member of both Rhyton and No Neck Blues Band, and also known for his work with Enos Slaughter, The Suntanama, Egypt Is The Magick #, and Coach Fingers. On ‘Doubled Exposure’ The Helix take their loose and free country rock boogie and enhance it with the blistering psych Speer explores in Rhyton, and the traditional Greek melodies delved into on the Speer solo album, ‘Arghiledes’. ‘Doubled Exposure’ was recorded by Jason Meagher at the increasingl…
Four Years Older
A new set by the coolest chap in New York City, documenting the development process of a solo electric guitar piece that Alan Licht has been playing out for the last four years. Revered for his work in the Blue Humans and Text Of Light, and a key figure in the pantheon of experimental solo guitar players born in the late '60s such Jim O'Rourke and Oren Ambarchi, Four Years Older is his debut Editions Mego release, representing another peak in a career of mining the rich seams of minimalism, noi…
The End Of An Ear
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
Processes & potentials
So much music claims to capture the moment. But as Processes & Potentials proves, in-the-momentness can be a malleable concept. The result of three years of studio work, the album sees Bjarni Gunnarsson following his longstanding interest in exploring liquid states, transformational activities and the complex relationships between cause and effect. It is music which behaves differently, unexpectedly, veering off into surprising directions and never staying in one place for too long Ð it is certa…
Trente belles annes
Triumphal new CD, the first new recordings in an age, from one of the greatest bands on the goddamn planet, the trio of saxophonists Jim Sauter and Don Dietrich and guitarist Donald Miller aka Borbetomagus: this is a roof-raising performance, recorded live at Instants Chavires, France, 19th December 2009. Borbetomagus combine the elevated amplifier violence of Jimi Hendrix at his most combustible with the spontaneous free music polyphony of Ascension-era Coltrane and the ‘guitar smashing’ h…
Don't tell the driver
Finally, after 15 years, Big Mick Turner has turned in the big rock record we always knew he had in him. Yeah, Don't Tell the Driver is a different kind of record from all the Mick Turner records -- not just his own, but the ones he's done with Dirty Three, Bonny Billy, Cat Power, Fungus Brains, and Venom P. Stinger put together. So, what's so different about Don't Tell the Driver anyway? Well, Mick grew a mustache for this one. That must mean it's his Sgt. Pepper; a consolidation and developmen…
F/C
Michael Mantra creates Ambient music. But more than that, he creates audio tools for "brain hemisphere synchronization": going beyond the synchronization of mind and body, Mantra's techniques are a mean to release endorphins, which are part of the human body's natural pharmacy and work at the same level of opiates. Michael creates his soundscapes mixing modulating high and low harmonic synthesizers tones (low deep drones and high resonating harmonics) with didgeridoo, ocean waves, rain, water, …
Kilo
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
Untitled
This album is a return to brutality for Drumm and a continuation of the intense lo-end evil of Wiese. Needless to say it is amazing and an essential purchase for noise fans, Mania-inducing heavy waves of suffocating bass frequencies with ripping and tearing, hissing and speaker-destroying hell-storm; at times these guys indulge in noise in the service of the metal that has influenced them via hi-end frequencies, but for the most part this is an expansive record that will immensely satisfy fans o…
Ask the dust
Hailing from Northern California, John Davis is a sound artist, composer and filmmaker who has released music on labels such as Root Strata and Digitalis. With “Ask the Dust,” he offers up a moving suite of compositions made using a plethora of instrumentation including guitar, piano, tape loops, Max/MSP, field recordings and the newest addition to his arsenal, a complex assortment of Blacet synthesizer modules. Davis uses the synth not as the crux of his recordings but as a tool among many in h…
Ablation
Welcome return for Robert Hampson with the first Main album in seven years, new on eMego. Hampson founded Main with Scott Dawson upon disbanding Loop in '94, and while their initial releases still bore traces of their space-rock origins, the goal was always total ecstatic abstraction, and by the time of the Hz series, completed in '96, they'd pretty much achieved it. Main's music has been called many things: industrial, noise, isolationist electronica, dub, drone; the truth it, it's all a…
13
The first full-color Yeti in the new larger format, with a gatefold sleeve featuring artwork by Geneviève Castrée. Heavily illustrated throughout. Did we say already that it's full-color?On the hard vinyl 7-inch EP: rare/unreleased tracks from The Great Unwashed, Moon Duo, the Trypes, and Karen Dalton.INSIDE THE BOOK: groovy posters from Christchurch, NZ in the 1980s; Oral History of the Rock Band Codeine; Gisele Prassinos; Ben Bush; Ilyas Ahmed; Sarah Meadows; David Moreno; Quentin Rowan; Josh …
Navajo sunrise
Daniel Carter's relaxed phrasing moves naturally between Parker's earthly bass sound and Ughi's sensitive drumming. This trio's music seems to be possessed by a light and welcoming spirit. A constant flux of energy, a three way dialogue consumed within the time and space of one breath. Telling the story of the trio's origins, the musicians talk about dreams and desires while the body of this music takes shape within the human connection of the band's relationship which has grown over time, throu…
Giovanni Lami / Kenny The Chimp
Giovanni Lami (Ravenna, Italy, 1978) is a field recordist and musician who works within soundscape and sound-ecology boundaries. Since 2009, he has founded several projects, attended many workshops and tought others about soundscaping and field recording techniques. With his various projects, Giovanni has performed in several venues including: Conservatorio B.Maderna (Cesena), DalVerme (Roma), Mu.Vi.Ment.S. Festival 2010 (Itri), Fondazione Giorgio Cini (Venezia), Festival C/off (Faenza), Schiume…