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Features six extended tracks from the Golden Age of the Moroccan record industry. 'Kassidat', the Arabic word for poetry, is one of the essential ingredients in Moroccan song. Despite the bewildering array of musical styles in Morocco, the Moroccan sense of poetry is found throughout the music, regardless of the style or language. This isn't the language of high art, but an often impenetrable vernacular poetry of oblique references, symbols, metaphors, and double entendres that describes the liv…
Black Dice bod returns to DFA with a playful solo LP of sample-splitting psychotomimetic grooves. Like an unhinged, PCP-huffing cousin of Smith 'N Hack, Copeland deranges plunderphonic globs into stomping, jerry-rigged and unstable structures, equal parts garage rock, wayward blues, disco, techno and avant-garde noise collage. Yet far from being a total mess, 'Joke In The Hole' is possibly his most "musical" effort to date, enriched with fragments of melodic hooks that give something to hold ont…
Acid Mothers leader and Reynols legend meet once again for a wild psych out explosion! Kawabata and Courtis previously worked together on 2006's Kokura for Riot Season, here they return for a raging trip of psychedelic noise rock recorded in February 2011, in Osaka, Japan. Both Kawabata and Courtis are playing guitar, but with Anla bringing tapes and vocals to the mix and Makoto bow and effects. Namba Lightbeam, the first of two 20 minute pieces, opens with a eastern sounding drone sound,…
The sound/video installation-project 'Eye Contact with the City' (recipient of an Honorary Mention at PRIX Ars Electronica 2011) was the outcome of an artists' residency in Bangalore in the autumn of 2010. The primary materials used in the installation were the field recordings made and video footage shot at various locations in Bangalore. Materials also included retrieved audio from old reel-to-reel tapes found at the city's flea markets. The extensive repository of field recordings and other a…
Of course we know Bocian since their earliest releases, which was all on 7". Now, an impressive catalogue further, they suddenly return to this format, and make two of them. On one hand Bocian is a label for strictly improvised music and on the other hand for radical experiments in electronic music. This 7" is clearly a product of the first interest. These four pieces were recorded earlier this year in Vienna and has Nilssen-Love on congas and Gustafsson on slide and brass saxophones. This is th…
Voice by Pete Simonelli, guitar by David Grubbs, organ by David Maranha, percussion by Andrea Belfi. Selection of texts follows that of Harry Partch's „Eleven Intrusions” Texts by Ella Young, Ella Young and Lao Tzu, Tsurayuki, Willard Motley, George Leite, Giuseppe Ungaretti
Jean-Marc Foussat (VCS 111, voice). Jean-François Pauvros (guitars). Makoto Sato (drums). They recorded this studio album a few years ago. Brillant and inspired, as always!
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…
*Numbered edition of 206 copies pressed on 180 gram Menstrual Blood Red vinyl* Reissue of the private LP edition of 300 copies from 1981; the pyramidal construction of these two 'suites,' with its intentionally brutal and grotesque deformations, elaborates on overflowing and apocalyptical collapse, dragging a completely dissolvent conception of the world and of the para-industrial sound. Bonus tracks: 'Milan Bruits' from the Fix Planet! comp (Ata Tak) and the two tracks first issued in the v…
Breathtaking slab of the black stuff from peerless drone/noise (de)composer Kevin Drumm - with "spectral editing and time domain consultation" by Russell Haswell. We shouldn't need to tell you that this is a big deal. But, in case you're a bit daft; it is. Haswell helps out on the wormholing A-side 'Repetitive Algae'; a single tract of cacophonous, morphing rhythmic noise reminding of Philip Corner's 'Coldwater Basin' - a home recording of cold water running from a faucet into a basin - b…
Immer Etwas is the first full length release from this one man bedroom recording project turned full on 5-piece live band. Nice Face have been turning out singles, comp tracks, and cassettes at a steady clip over the past two years and change. This LP is a solid thirteen tracks of drum-machine driven blown out hook-laden punk rock that one reviewer prone to curmudgeonly ranting proclaimed “locks Blank Dogs in the pound, erases ‘Psychedelic’ from Psychedelic Horseshit, makes purses and boo…
A sequel to last year's eponymous debut as a duo, this new Drag City LP from Espers cellist Helena Espvall and Ghost's Masaki Batoh delves even deeper into traditional and ancient musics, making use of an armoury of instruments that extends beyond 'mildly obscure' (renaissance harp, sho, hurdy gurdy, etc) and enters into the realm of 'are you sure you haven't just made that up?' (auschpfeife, crumhorn, cornamuse, rig and darbuka). On hand to assist in this piece of instrumental archeology is anc…
M.B., also known as Maurizio Bianchi doesn’t need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of ‘industrial music’. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, My…
Telmegiddo was the last tape-decomposition by Maurizio Bianchi and was recorded in February 1983 after the Armaghedon LP. Apocalyptic echo-sounds, originally decomposed at Mectpyo Studio in February 1983. Unofficially issued as cassette tape in 1990 with the given title of "Extreme Man 2". Bakterihabitat by M.B. contains sound sketches that were later used in Telmegiddo. Mixture of bacteriological wall of noises, originally decomposed at the Mectpyo Studio in May 1982. Unofficially issued as cas…
gorgeous LP by this Leeds duo whose first half lives in London (and loves Whitehouse and Rush) and the other in Berlin (and loves Farley Jackmaster Funk). With several releases on labels such as Chocolate Monk, American Tapes, Troniks, Hospital Productions, or their own: Alcoholic Narcolepsy, Luke and Steven have been crafting and sculpting their psychedelic-electronic-noise-drone sound for over half a decade. But who cares and what does that sound description mean anyway? If you ask them,…
*Orange Vinyl* Like a would-be soundtrack to some forgotten Wagnerian saga, Mythical Beast's debut full-length unleashes sonic elements akin to trudging minions in an epic struggle for tonal supremacy. This bloodless battle is for hearts and minds though, and is shot through with majesty and pathos. It's no wonder that a trio commanding this type of simple yet nuanced compositional energy would risk life and limb crossing the New Orleans "security" perimeter one month post-Katrina to rescue thei…
Jason Kahn : drum set, voice, metal objects, radio, mixing board, contact microphones, magnetic coil, speaker, computer, chairs, plastic bags. Recorded in Kunstraum Walcheturm, Zürich, Switzerland on April 14, 2013. Mixed and mastered May 2-31, 2013. Cover design Jason Kahn. Audio CD, 6 panels digipak. 'Back in 1981 I was studying at the University of London in the School of African and Asian Studies. One lecturer had us read Chinua Achebe's novel 'Things Fall Apart.' Aside from the book moving …
With nary a praising documentary, coffee table photo book or tribute band to their name, The Dead C are nonetheless one of the most respected, longest surviving groups in the history of rock. Still sporting the original band members (Michael Morley on guitar, vocals, Bruce Russell on guitar, Robbie Yeats on drums) from their first assemblage in 1987, The Dead C's renown has a lot to do with their stubborn unwillingness to compromise in any form. With a varied and challenging discography, the ban…
Homicidal Texture was released by Slaughter Productions in early 1995 in a bizarre packaging consists of a metal mesh that completely envelops the cover. The four tracks on the tape are based on obsessive synth drones. The smell of death is soaked in every sound produced by the brilliant and twisted mind of Marco Corbelli. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power…
Two unreleased long tracks recorded in 1982. These tracks were originally submitted for the Mail Art Music Project compilation LP. Only one minute of each track was published on the now extremely rare compilation album.Remastered from original master tapes. Cover photo taken in 1982 in Milan. Numbered edition with paste-on cover.