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Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church, Berlin, careful attention was given to capturing the unique resonant acoustic offered by the airy, stone building, exhibiting the broad palate of aesthetic qualities the group are able to create. Subtly evolving sound worlds that evoke, at times, t…
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
This is a very unique electroacoustic work by an unknown French artist. Two records self produced that sometimes sounds a bit like the first Lieutenant Caramel."There is an outside music to the man, the wind, the sound of leaves, thunder and birdsong. In what he hears, the man develops the idea that sounds refers to forces that exceed it. The music of nature is a communication with God. Or with gods. [...]Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestr…
When Maserati first began performing new songs for their next album, the one that immediately stood out with audiences was “Pyramid of the Sun,” a chugging behemoth driven, as usual, by one of the best rhythm sections in underground rock. It was an instant fan favorite and quickly cemented itself as an institutional song that would surely show up in the set list virtually every night for years to come. Unbeknownst to fans, there was an alternate version of the song that took the head-nod…
This new long player finds the duo finally documenting something that is a bit closer to their very heavy live sets, w/ expanding peaks of white light distortion & enormous valleys of bottom end. Each side opens w/ a brief funeral dirge to set the mood, a precession of bare bones drum beats & bell like guitar statements that bridge the gap to the wider open spaces of the almost side long "Across The Desert Of Ash" & "Ancient Of Days."
Provocative Electronics is an exploration in analog synthesizers and recording techniques. As in the days of musique concrete and the beginning years of synthesizer development, Ortmann experiments with tones and his own brand of electronic tweakage. Provocative Electronics is not a homage, but yet another document in the ongoing history of Electronic Music. For fans of the 20th century Greek composer Xenakis, minimalist John Cage, or pioneer of musique concrete Pierre Schaeffer, Mort Garson, Mi…
This album is made up of one long jam session recorded live-in-studio at Inner Space in Cologne during the 1973 Future Days sessions. More ambient than their previous efforts, Future Days was also singer Damo Suzuki's final album with Can. Members of Can had first encountered the self-defined '20th century nomad,' Kenji 'Damo' Suzuki, a few years earlier on the streets of Cologne. It was shortly after original Can vocalist Malcolm Mooney had left the band and they were left without a singer…
For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…
Finally reprinted...Returning with a brand new album of arid, dustbowl blues and slow-motion desert-scapes, Evan Caminiti and Jon Porras resume duties as Barn Owl for a third album. Previously this band has tended to court associations with the sound developed by Earth for their Hex album; the overall effect is resolutely bleak and doom-laden, yet not entirely without some grounding in the language of grassroots Americana. Ancestral Star takes the Barn Owl sound to a new level of refinement, spe…
Limited to 455 transparent vinyl copies, including remixes from Vatican Shadow, Roly Porter and Kangding Ray* Violetshaped is a collaboration between the enigmatic Violet Poison and Berlin-based artist Shapednoise. "Violetshaped Remixes Part 1" is the first of a remixes series divided into several parts. This first instalment features remixes from Roly Porter (formerly of Vex'd) following on from his acclaimed debut album for the Subtext label, Vatican Shadow - aka Dominick Fernow, owner …
Limited Restock* Andy Votel and Demdike Stare inaugurate their joint project under the Slant Azymuth aegis for Pre-Cert's 4th release of acousmatic sound poetry and hyperstitious ephemera. For our P's it's the best Pre-Cert yet and easily one of the darkest projects we've heard Votel involved with. While each track bears traceable hallmarks of their individual tastes, Slant Azymuth is perhaps best regarded as a shared vision, triangulated from three shadowy perspectives. They offer no exp…
Project from Dominick Fernow of Prurient/Vatican Shadow and Kris Lapke of Alberich. "Released first as a limited 4 x cassette box set now condemned to vinyl. Among the trinity of electronic projects of Dominick Fernow's studies in anxiety and fear from the mythic natures of rainforest spiritual enslavement, the info wars of Vatican Shadow and the creator's observation of Christian Cosmos. Lightning drums pound the rhythms for lost souls as the fall from paradise abounds and the trumpets o…
Reissue of a classic tape from 1986. Bruno Cossano released 4 tapes thoughtout the 80s and appeared on various compilations such as the 'Hate's our belief' tape ion Aquilifer Sodality. Now for the firs time this Italian power electronics master can be heard on vinyl with some of his most powerfull and intense stuff.
**Limited edition of 300 copies on acid yellow wax with photocopied A4 insert** Rome, Italy's Sea Dweller make a gorgeous racket on their heavenly 2nd album of shoegaze dreampop. Returning to Upside Down Recordings after 2008's 'Underwater Town', they've seriously refined their sound in line with their too-obvious-to-mention influences. Head-flossing melodies made from reverb-effected and delayed guitar treatments swoon about vintage Alesis drum machines in clouds of old Crumar synths and…
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
LP version. “This latest project by the Hamburg-based musician, composer, and futurist, Felix Kubin, (his second release on Dekorder) is a collaboration with the contemporary music chamber group, ensemble Intégrales, and the reknowned German underground pop producer and sound engineer, Tobias Levin. Echohaus was recorded in and around Levin’s Electric Avenue studio in the basement of Westwerk, a former squat and cultural centre for non-commercial art and music in Hamburg. A special recording tec…
**Limited edition of 300 housed in handmade silkscreened sleeve. Tipped for fans of Atelecine, Carter Tutti Void, Factory Floor** Ninni Morgia and Silvia Kastel make their first appearance as Control Unit on Italy's freshly minted Backwards label. Guitarist Ninni Morgia is a respected member of the New York underground scene, known for his work with La Otracina for Holy Mountain and Ultramarine Records. His co-conspirator Silvia Kastel was a willing participant in his Ninni Morgia Control …
Since 2009 Grant Evans has been peering ever deeper into the kosmische abyss with his records as Nova Scotian Arms for Aguirre, Preservation and Hooker Vision. He's also known for the lush Quiet Evenings releases with his wife, Rachel Evans (Motion Sickness Of Time Travel), but in solo flight his sound is more wide-eyed, exploratory, reaching heady new climes on 'Cult Spectrum', arguably his most vivid vision yet. Perhaps it's thanks to an exquisite mastering job by Lawrence English, but …
a duo project by Karla Borecky and Scott Foust from the Idea Fire Company plus long-time collab-orator Mike Popovich. They were actice in the mid- to late-1990s and released the album »Our Pledge« on SWILL RADIO at the time. »Our Anthems« was recorded in 1996 but remained unreleased until now. The sound is somewhat similar to IFCO, although within at least some sort of a song structure. The 12 pieces on the LP present themes and sketches of atmospheric musical beauty created by synths, haunting …