New Arrivals
Live at Opus 40
*100 copies limited edition* ⎤⎤⎤, the duo of Chantal Michelle and Grace Villamil, are interested in what they term "sound obliteration"—a paradoxical process that, in their hands, reveals teeming masses of sonic detail. The pair works in a variety of modes, including composition, installation, and performance. Live at Opus 40 begins with machinic drones that expand and dissolve into the warm, open-air environment where it was recorded, initially anchored by the site's rock formations. The piece …
Zep Tepi
"The duo of Samantha Flowers and Tyler Hicks have been perfecting their dulcet tones for over ten years now. Combining, as if in a cauldron, blender, or analogous mixing device equal parts Detroit basement blues, Wackie's style studio murk magic and an old hard drive packed to the brim with Mutant Sounds downloads, they have managed something truly rare in this most dismal of decades: sonics recognizably their own.
These Kosmischen Kuriere also excel at another uncommon trait given time/place, r…
River Transcription
Gently lay your palm on the warmed belly of a flat stone, and skim your humming thoughts across the murmuring divide. The opposite shore is a shadowed encampment of slowly stirring shingle. Autumn effervesces and spreads in a calm blanket of diffused musk, looping around two shallow mouthfuls of sunshine. A stave is transcribed along the tilted stasis of shoreline - silence holds a seance in the clay and the river intones its folly in electric bursts, ingesting the fretted, lemony light, and uns…
Cordial
On ‘Cordial’, Ursula Sereghy traces the sensation of home; not as a place, but as something fleeting and deeply felt. Comfort appears in glimpses, nestled between moments of dissonance and unraveling structure. There is joy, but it carries the weight of absence, the quiet grief of realizing what was missing all along. A laughter that is both liberating and bittersweet.
Sereghy’s music moves with no fixed center, shedding hierarchies and opening itself to the unknown. Sounds unravel and reform: f…
Reverb
Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.
Meido
This 2025 album by sound artist Yengo is a haunting exploration of sonic landscapes. Oscillators rise as if drawing curses from the depths of the underworld, surrounded by collage noise that drifts, vanishes, and gradually intensifies in ferocity. The album weaves a chilling atmosphere reminiscent of Japanese horror films with an experimental and avant-garde auditory sensibility, converging towards a sonic catastrophe. The cassette tape edition is uniquely packaged in a sleeve wrapped in bamboo …
Enjoy Country Music
Tommaso Rolando and Domiziano Maselli met at the release party for Emilio Pozzolini's latest album, thanks to Emilio's invitation. This proved to be a pivotal moment; Tommaso's planned tour of southern France had been cancelled due to COVID-related disruptions within Orchestra Bailam. Since that concert, the duo has shared common ground—stages, rehearsal spaces, video calls—and a shared goal: developing a genuine and personal musical vocabulary.Despite their different backgrounds and generationa…
Then I Heard The Clear Voice Of The Flute
"Then I heard the clear voice of the flute" is the 10th solo album by Ido Bukelman. In the last ten years, all of Bukelman's albums have been recorded live, during his solo tours in Europe, and this album is his first studio album since 2014. The new album consists of improvised pieces for bowed banjo and acoustic guitar, but includes one vocal piece with lyrics, as well as one old folk song "The Flute" - a debut expression of Bukelman's many years of exploring into folk music from the Middle Ea…
Jasnovidec & Tarnovski
During hot and mid pandemic August 2021, duo of Daniel Jakeš and Michael Nechvátal, know under their stage moniker of Jasnovidec, went to Pardubice for artist residency at notorious location of Divadlo 29 (Theater 29), key Czech location for worldwide avant garde experimental music and theater. During four long days and nights, the duo went onto several intense recording sessions, on which both Jakeš and Nechvátal played solely just their modular synths setups. On a few of the occasions they wer…
dustsceawung
"Pressure relief..... these are the sounds to listen with caution. dustsceawung is a well used pot on the stove with a locking lid. The broken gauge configured with a crack that looks suspiciously like a smile. A worn rubber gasket creating a seal far past it's expected life by the manufacturer. Still this is not enough. There is no measure to how much force lies within. A hiss escapes, a rattle or knocking comes and goes. The process continues with thoughts of the contents within. In this case …
Slow Dense
broken velocities & miss understood micro fractions ⋆.ೃ࿔*:･Henrique Vaz ~ :() # define ':' — whenever we say ':', do this: { # beginning of what to do when we say ':' : # load another copy of the ':' function into memory... | # ...and pipe its output to... : # ...another copy of ':' function, which has to be loaded into memory # (therefore, ':|:' simply gets two copies of ':' loaded whenever ':' is called) & # disown the functions — if the first ':' is killed, # all of the functions that it has …
Dirty
Live recording from Mamer's solo performance 'The Imitator Series Ⅷ: Dirty' on June 25, 2024 at Old Heaven Books.
Imitate Sky
Track A1, B3 and B4 are original compositions by Mamer, track B1 is composed by Ashim Dongxeuly, track B5 is a Tatar traditional folk tune, the rest are based on Kazakh traditional folk tunes. Live recording from Mamer's solo performance 'The Imitator Series Ⅵ: Sky' on June 19, 2024 at Old Heaven Books.
Fake Jazz
Live recording from Mamer's solo performance 'The Imitator Series Ⅺ: Fake Jazz' on July 3, 2024 at Old Heaven Books.
Live In Meetkerke
"This tape is the registration of a session I played on invitation by Knotwilg Records on Saturday, June 8, 2024 at the town hall of Meetkerke, a one street village tucked away between Bruges and the North Sea in the midst of Flanders flatlands. The session was broadcasted live during the Kneautwilg radioshow on Studio Néau that afternoon. I recorded the air waves on magnetic tape with a Korg CR-3, two SM57 mics and two AKG C1000 mics. This tape is the result of those analog recordings." - Knotw…
Alien Space Wreck
"As i was looking for tracks for our monthly Kneautwilg radioshow i jumped into my cdr collection and stumbled upon a pile of those mini-cdr's so fashionable in the first decade of this century. Without prelistening i played it on the show resulting in juvenile state of enthusiasm. The hints towards a young Dead C are there, sure. But it sounded different: maybe younger, wilder. So who else can make such a nz guitar assault? I should have known the answer being a long time CJA/Futurians fan. Sur…
Vielle-Electronica
"The first time i stumbled on a hurdy-gurdy was as a little boy on a holiday during a 'bal populaire' in a small village in Brittany (France). Later on i discovered the term hurdy-gurdy from a Donovan track which returned in my adolescent years as a Butthole Surfers track. But somehow the instrument kept returning in my life. Lise Barkas being a good example, and obviously the whirlwind France. Mining deeper i bumped into the traditional play of for instance Claude Flagel.
And the story goes …
Dentro
*2025 stock* Dentro is an album created using the pipe organ and electronic audio processes. It is a work that explores the concept of the materiality of sound and the representation of space through it. The packaging consists of a handmade cardboard box with a foil print. It includes a tea light in a home-made holder and matches showing the credits.
Of Form And Formlessness
*2025 stock* Both sides recorded live in single takes during October 2022. The packaging is a multi-layered collage based on coffee packaging, photographic paper, prints and adhesives. The prints are based on a self-justified stamp and are each a section of the overall image. The artwork was conceived and realized by Moritz Böckmann.
Le Flétrissement
*2025 stock* The degradation of a tape loop and the saturation of a driven tube created an idea of sustain, meditation and patience. Embrace the overtone. Conceived in Clermont, France and recorded in Cork, Ireland Summer 2022.