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Massive discount on a large selection of items from the Aguirre Records catalogue until stocks last. 🔥

New Arrivals

Tardo Pede In Magiam Versus
Black Widow Records reissues Jacula’s 1972 Italian prog classic, Tardo Pede In Magiam Versus, on 180g vinyl. This cult favorite blends gothic organ, haunting vocals, and occult themes—now revitalized for new listeners and collectors.
IV
Black Widow Records is thrilled to announce the official reissue of Black Widow – IV, the legendary lost album from the iconic British occult rock band Black Widow. Originally recorded in 1972 but unreleased until 1997, this definitive edition marks the first release of Black Widow – IV on the revered Italian label that bears the band’s name. Formed in Leicester in 1969, Black Widow became infamous for their theatrical live performances and pioneering use of occult imagery, earning them the titl…
Second Sight
Whenever the term “Free Jazz” gets mentioned, the same questions more or less present themselves: “Is this easy to listen to?” “Is there structure, or is this just a few friends playing over each other?” “Is this another Coleman/Taylor/Dolphy homage?” Yes; yes; maybe—who cares? Free Jazz is (in my definite opinion) the last bastion of music (and maybe even art as a whole) where true innovation is not only still possible but also extremely well-executed—if done right. Enter “Second Sight” by Oslo…
Ella
With solid training as a classical musician, Sophie Agnel took a close interest in modern jazz before committing in the early Nineties to the shifting, deliciously uncertain ground of free improvisation, thanks to her fascination for the powers of expression displayed by a few great keyboard-heretics such as Keith Tippett, Fred Van Hove or Christine Wodrascka. She began reworking the prepared piano techniques imagined by John Cage and transformed her instrument into a sort of extended piano. Com…
Il Ponte Dell'Asia
Holy Basil Records reissues Piero Umiliani’s “Il Ponte Dell’Asia”—a rare, remastered vinyl with original artwork. Celebrated for blending jazz, funk, and world music, this deluxe edition honors Umiliani’s visionary legacy.
Hijack
Endless Happiness reissues Amon Düül II's 1974 'Hijack'—Krautrock pioneers’ most eclectic work, blending psychedelia, funk, samba, and pop. Featuring reuniting core members, it’s a bold, experimental journey for fans old and new.
Nice People EP
Modern tech, cultural shifts, and economic pressures reduce kindness, fostering detachment. Still, small acts matter for a compassionate world.
Watt
Watt’s clarinet-driven soundscapes hypnotize, thicken, and circle endlessly. 2021 collaborations—edited on infinite tapes—blur time and unity in a vinyl collective composition.
Prepare Thyself To Deal With A Miracle
Endless Happiness reissues Rahsaan Roland Kirk’s experimental 1973 album, “Prepare Thyself to Deal with a Miracle”—a visionary, layered jazz masterpiece showcasing Kirk’s multi-instrumental mastery and boundary-pushing sound.
Phase III
Endless Happiness reissues the 1968 British jazz classic Phase III by The Don Rendell/Ian Carr Quintet, showcasing their creative peak and innovative spirit.
One Flight Up
One Flight Up by the legendary Dexter Gordon. Recorded in Paris on June 2, 1964, this album stands as a testament to Gordon’s leadership and the vibrant European jazz scene of the era.
Exuma
Exuma is the debut studio album by Bahamian folk musician Exuma. It was originally released in May 1970. In the early 1960s, Exuma (born Macfarlane Gregory Anthony Mackey) had moved to Greenwich Village, New York and started playing guitar and singing in the cultivating folk rock scene developing in that area. After producer Bob Wyld came up to him offering a record deal, he chose to adopt "Exuma, the Obeah Man" as his name. Wyld adopted the pseudonym "Daddy Ya Ya" and recruited a few musicians …
Chronotopia
Certainly! Here’s a 300-character abstract in English for your provided text: **Belgian artist Elisabeth Klinck’s “Chronotopia” marks a new artistic phase, blending violin and voice in song-based, intimate soundscapes. Recorded in the Pyrenees, it playfully explores time, duality, and transformation, balancing improvisation with melody-led structure.**
Armageddon
Victoria One reissues "Armageddon" by The Maze, digitally restored for new audiences. Featuring original 1968 tracks plus rare bonus content, this release offers the definitive psychedelic legacy of late 60s San Francisco.
Other Worlds And Habitats
The Sorcerers' latest long player lands in perfect time for the summer, offering a further progression into their unique take on Ethio-inspired jazz.
Ghosted III
Oren Ambarchi, Johan Berthling, and Andreas Werliin return with Ghosted III, their most immediate and adventurous collaboration yet. Recorded at Stockholm's Studio Rymden, this third excursion into spontaneous rhythm creation blends ambient neo-jazz, postkraut, and minimal funk with newfound looseness and wild exuberance.
乙女の祈りはダッダッダッ!A Maiden’s Prayer
Incl. printed inner sleeve & 4 page fold-out insert ** Spittle Records resurrects a dangerous ride through Japan's experimental underground with the first vinyl reissue of this 1985 masterpiece. Four decades after its original Japanese release, Mizutama Shobodan's sophomore album A Skyfull of Red Petals finally receives the vinyl treatment it deserves, emerging through Spittle Records as a testament to one of Japan's most fearless and uncompromising experimental units. Mixed by master Fred Frith…
満天に赤い花びら A Skyfull of Red Petals
Incl. printed inner sleeve & 4 page fold-out insert ** Spittle Records resurrects a dangerous ride through Japan's experimental underground with the first vinyl reissue of this 1985 masterpiece. Four decades after its original Japanese release, Mizutama Shobodan's sophomore album A Skyfull of Red Petals finally receives the vinyl treatment it deserves, emerging through Spittle Records as a testament to one of Japan's most fearless and uncompromising experimental units. Mixed by master Fred Frith…
Corrosiv
Orchestroll’s "Corrosiv" critically examines New Age’s commodified mysticism and the disintegration of meaning under late capitalism. Utilizing ambient and experimental sound, the album embodies audio corrosion, merging decay, transformation, and cultural critique. Featuring collaborators and shaped by a residency at EMS, it explores confinement, emancipation, and the slow, inevitable erosion of ritual—leaving only silence to decay.
Environments 12: new concepts in acoustic enrichment
Environments 12 reimagines field recordings for the digital age, blending real and synthetic voices in speculative soundscapes. Machine Listening’s debut LP challenges reality, blurring nature, tech, and human creativity into a mesmerizing, genre-defying sonic experience.