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Immersive field recordings of traditional Finnish chants, or Yoiks, sung by Ánde Somby, recorded and edited by Chris Watson. “Yoiking is the ancient chanting practise of the Sámi People - the indigenous peoples on the top of Europe. Yoiking originates from time immemorial - legend tells that it was the faires and elves of the arctic lands that gave yoiks to the Sámi People. Yoiking was an important element of the religious rituals in pre-christian times and has survived both christianity, imperi…
A piece for voice and electroacoustic with Thomas Hilbert, electroacoustic music and Iris Lancery, text and voice. An electroacoustic poem in tribute to the soundscape.A journey through the ear and the listening.
Rome. This century. Lola Hudson and Gloria Farr, two artist/performers moving in the darkest circles of the most pagan city in ancient history, decide to burst onto the scene and break the cultural hymen that human history has been creating over the last millennia. The vagina has returned to free souls of the dictatorship of the dance of the Father: patriarchs have been attempting to annihilate women’s sexuality since the dawn of time. Destroy the image and you shall control the story. Go …
Rafael Anton Irisarri's A Fragile Geography is a record cast in a climate of unsteadiness and transition, reflecting upon the current state of everyday living. Recorded over 2014 and '15, the record bears the marks of difficult terrain -- personal, political, social, and cultural. It tips its hat to the complex and unpredictable dynamics of the contemporary world, correlating concerns both macro and micro. Compositionally, the music mirrors the tensions of contemporary America, contrastin…
Orange LP version. Limited edition of 200. Souffle Continu presents the sixth release in its series of reissues from the catalog of the cult French underground Futura label. Triode was a French psych prog band from the early '70s. Their sole album, 1971's On n'a pas fini d'avoir tout vu, combines the fascinating flute playing of Michel Edelin, the psychedelic guitar sound of Pierre Chérèze (also of YS and a collaborator of Bernard Szajner), and the groovy rhythm section of Didier Hauck and Pier…
Black Rhythm Happening (the second Blue Note album by Eddie Gale) was released in 1969 and includes jazz heavy weight Elvin Jones on drums and sax man Jimmy Lyons. Again the mix is a blend of soul jazz, free form freak outs, and a gospel influenced street choir. Suggested listening for fans of Sun Ra & Brother Ah, John Coltrane's late 60's LPs, and Ornette Coleman and Albert Ayler's more groove oriented recordings. The original vinyl LPs go for big bucks on Ebay, this is the first time this Blue…
On Patrol, originally released in 2010, is a double album in two parts, and the fourth full length album from Sun Araw. An album for heavy-steamin' late nights in the city, inter-dimensional back alleys, ghost cabs; it creeps and tunes in on a much darker, sparser, and more classically minded channel than its predecessors: dark and deep steam-vent ruminations on Phil Cohran, lenticular objects, and fried Hot 92.3 R&B slow-jams. A cold bug makes a real 'live wire.
The Death Waltz Recording Company brings you another killer score to a gorehound classic, in this case Fabio Frizzi’s musical masterpiece THE BEYOND. The second in director Lucio Fulci’s “Gates of Hell” trilogy after CITY OF THE LIVING DEAD, THE BEYOND is an exercise in bone-chilling terror, atmospheric horror, and eyes being driven through by eight-inch nails. Chuck in an evil book, murderous spiders, and the zombie equivalent of Pippi Longstocking and you have a film consistently referred to a…
The songwriting side of Frizzi is also on display here; while his film score work is incredible he also created some pretty amazing vocal pieces that are featured, such as ‘Silver Saddle’ from SELLA D’ARGENTO, and ‘Movin’ On’ from I QUATTRO DELL’APOCALISSE. There’s also music from the crime thriller CONTRABAND and even a cover of Nino Rota’s AMARCORD. But his horror work is where it’s really at, and as such the cream of the crop is here: MANHATTAN BABY, CITY OF THE LIVING DEAD,ZOMBI 2, and of co…
Waxwork Records proudly presents the deluxe vinyl soundtrack reissue of Werner Herzog’s, NOSFERATU THE VAMPYRE. The album, composed by German prog legends POPOL VUH, comes from Waxwork as a deluxe, expanded double LP including four extra tracks from the film, and originally released on the Popol Vuh album, Bruder des Schattens – Sohne des Lichts. Waxwork has worked directly with the family of late Popol Vuh founder, Florian Fricke, to faithfully restore and remaster the soundtrack for vinyl. Inc…
Where to start with Eddy Detroit? Born and raised in Detroit, Michigan, it was there, in 1966, that he was in attendance for the first Iguanas gigs (Iggy Stooge's first band). He joined the White Panther party in Detroit and was "there" for the pre-punk sounds of The Stooges and MC5 ("We all smoked dope on the state Capitol and got beat up by the cops"). In the early '70s he traveled to London, where he stalked Marc Bolan and tried to seduce Tony Visconti's then-girlfriend Mary Hopkin. It was wi…
Shapednoise is Italian producer Nino Pedone, and since emerging in the early 2010s he's built a name for himself issuing music that bridges the gap between the basement and the club. Noise and techno are proven bedfellows at this point (for better or for worse), but Pedone pushes harder and further, and Different Selves, as the title suggests, is his most diverse and challenging work to date. Fusing the industrial grind of early Godflesh (Justin K. Broadrick even makes an appearance on openi…
"Roger Miller, king of many roads both known and unknown, has a long and illustrious recording history. As a member of Sproton Layer, Destroy All Monsters, Mission of Burma, The Din, etc., he has made many records that are definitive statements of powerful outsider rock music in many guises. But this, his third solo LP, originally released by Forced Exposure in 1988, remains one of the great lost chords in his discography. Although he'd been focusing mostly on extended keyboard techniques for a …
Oren Ambarchi and Johan Berthling are two masters of reducing music's peak intensities to their root meaning. Oren's early solo guitar works rendered this process with an instantly recognisable combination of sine wave throb and precisely controlled attack that has bloomed in maturity - concentrating the ecstatic potential of the guitar solo by folding it back on itself and stacking the points of greatest liminal intensity into waves of powerfully psychedelic excess while also encompassing…
2016 restock. Originally released in 1976, this collection offers a snapshot of Henry Cow as audiences would have heard it in the year before. In the chronology, Concerts came between In Praise of Learning and Western Culture -- that is, after Virgin had lost interest in releasing any more Henry Cow studio records and before the band quit to make one of its own. It was also the year of the 'merger' with Robert Wyatt for a series of concerts in which compositions were shared -- the last sho…
An exploration of warped, dream-like atmosphere and taught, noise-ingrained electronics, Paper Dollhouse has evolved from the solo work of Astrud Steehouder into an expansive, cinematic project now involving multi-media artist Nina Bosnic. Recorded with a stronger focus on electronic processes and with a deeper, light-starved aesthetic, Aeonflower’s emboldened use of crushed-noise dynamics takes the London-based group’s debut “A Box Painted Black” (2011, Bird/Finders Keepers) frame into …
Hermetically sealed and reveling in tumult, All Tense Now Lax is the most significant and developed work yet forged by Liberez. Based in main orchestrator John Hannon's remote studio No Recordings in Rayleigh, England, Liberez have expanded their palette from previous outings on Alter to produce a perfectly engineered machine that consumes the beholder. A tense, gut-wrenching listen wrought with carefully considered space, the range of techniques and the depth of atmosphere is staggering.…
2015 repress. In 1966, she replaced pianist McCoy Tyner in her husband John Coltrane's group. Coltrane's work became a spiritual wellspring for her, but she surely developed her own style on piano, organ, harp, and later, Indian instruments such as the tamboura. After Coltrane's death in 1967, Alice began recording under her own name for Impulse!, leading groups that included at various times saxophonists Pharoah Sanders, Archie Shepp, Joe Henderson, Frank Lowe, and Carlos Ward, double bass play…
Four tracks of instrumental acoustic guitar from the master songwriter. Starting out in London as a devotee of various blues and old time country musicians (Skip James, Dock Boggs, Robert Wilkins, etc) Dan Melchior soon found that slavish impersonation wasn’t the right route for him. After a period of mainly re interpreting traditional material, Melchior found a way to express his own concerns and ideas lyrically, and set about melding them to a backdrop of over driven, buzzsaw rock, with variou…
The score uses a basic ensemble of piano, drums, synthesiser, electric bass and guitar, a line-up similar to the one established by Fabio Frizzi in his scores for Fulci. The signature sound of The House by the Cemetery is a heavily flanged electric guitar, which seems to twist and curdle in the air like decaying filaments of some malevolent odour seeping from the cellar of “that Freudstein house… that Freudstein house”. “Quella Villa”, which underscores the film’s opening scenes, is a Morricone-…