New Arrivals
A Cat In The Brain
For those who don’t know, A Cat in the Brain (Un Gatto Nel Cervello) is horror master Lucio Fulci’s take on the Director in turmoil sub-genre made popular by Frederico Fellini’s 8 1/2. Composed by frequent collaborator Fabio Frizzi (The Beyond), the soundtrack is everything you want out of an Italian horror score: bizarre, haunting and fun. Fabio Frizzi’s work is a huge part of the reason we got into the soundtrack business in the first place. Mondo is proud to release this soundtrack for …
Lizard In A Woman's Skin
Ennio Morricone has produced masterpiece after masterpiece, but none so creatively unsettling as his score to the 1971 Lucio Fulci giallo, "Lizard in Woman'€™s Skin€ (aka Una Lucertola Con La Pelle Di Donna€). Like many of Fulci'€™s movies, €œLizard blurs the line between dreams and reality, with hedonistic nightmares featuring narcotic-fuelled orgies leading to real murder that may or may not have been committed during one of the dreams. Morricone’s music is …
Fog Tropes / Gradual Requiem
2015 restock. Essential piece of modern composition from American composer Ingram Marshall, using tape delay, Serge synth and foghorn field recordings reissued on Arc Light Editions. Described by John Adams as "the antithesis of the human voice against the vast becalmed presence of the natural world." Originally released in 1984 on Foster Reed's influential New Albion label (which also released work by John Cage, Pauline Oliveros, and Morton Subotnik) it has not, until now, been made available a…
Rio fun
Thomas Johansson, trumpet. Mats Äleklint, trombone. Julie Kjaer, alto saxophone. Klaus Holm, alto and baritone saxophone. Per Ake Holmlander, tuba. Ketil Gutvik, electric guitar. Tommi Kernen, electronics. Jon Rune Strom, double bass. Christian Meaas Svendsen, double bass. Andreas Wildhagen, drums. Paal Nilssen-Love, drums. Christian Obermayer, sound engineer. All music by Paal Nilssen-Love. Live at Bimhuis, Amsterdam 7th May 2015. Produced as a promo and tour record for the North American tour …
Wapassou
"With their first album, legendary French art-rock band Wapassou found a distinctive musical voice: well-developed melodies, rhythmic organ, prominent droning violin, and guitar doubling-up as a rhythm instrument. They often conjure up what it might have sounded like had John Cale and Stereolab formed a band in 1974, the year this album was released. The five tracks are highly original, varied and inventive, steeped in post-psychedelic rock. Although Wapassou are noted for playing without …
Le Tioko-Tioko
A classic and seldom heard LP from Bamako! Not just your average Malian LP, Le Tioko-Tioko features has to be heard to be believed organ, hypnotic guitar and amazing sweet vocals. A truly great LP and must have for fans of Malian music. A faithful reproduction of the original with the addition of liner notes by Florent Mazzoleni. A co-release with Singasongfighter.
Creekside: Cello Solo
Lurking around the Northwest music world for years playing with the likes of the Black Cat Orchestre, Earth, David Byrne, Terry Riley, Nirvana and a ton of other musicians, here we have Lori Goldstons' beautiful cello playing in its purest form - unaccompanied and acoustic. The pieces on this LP all carry a certain level of austerity and gravitas, though they never come off as cold. On the contrary, they are warm emotional pieces of music played by someone who really knows their way aroun…
Maha
The famous Japanese ritual industrial noise pioneers Grim are back with a fantastic new double-album! The album contains an insanely brilliant mixture of psychotic rhythms, schizophrenic vocals and powerful industrial songs in typical old school Grim style. This double-LP comes in a mega-heavy coated Japanese-style gatefold-cover, with an 8-page booklet in the middle and original Japanese innersleeves. Limited to 200 copies.
Uzbekistani Bizzare and Souk
Sonically, Bryn Jones's work as Muslimgauze often pulled in two directions at the same time. The one, towards what fans of Can might call an "ethnographic" kind of practice, especially with his use of vocal samples and percussion instruments from the Middle East and other regions of the world Jones was so interested in (obsessed by?). The other is toward, for lack of more polite phrasing, harshly fucked-up digital noise and beats. Many interesting Muslimgauze releases tend more toward that …
Once around the sun
Composed by jazz eccentric John Sangster, Once around the sun was the score written to feature on the unreleased 1970 film documenting the Australian Ourimbah Festival: Pilgrimage of Pop. Unheard for the last forty years, the music from this film sees Sangster blend themes of Space mythology and 60s counterculture to produce THE most expansive, heaviest and experimental piece of music ever recorded in Australia. Reminiscent in tone Sun Ra’s Space is the Place and Jean Claude Vannier’s L’enfant A…
Le Moire
The music of Bélibaste de Cocagne performed by Le Cercle des Mallisimalistes. Krzysztof Skapiec, bass clarinet, electronics, synthesizer. Nestor Désiré, drums, vocals, trumpet. Bernard Berdot, guitar. Bernardt Pauillac, guitar, vocals, Le Doc Torré-Trueba, harmonium, vocals. 'Mallissimalism (mallissimal art) is a musical tendancy wich appeared in the early 50's in St-Petresburg (Leningrad). The notion of mallissimal art has been created in the early 70's by young european composers strongly…
2
Golden Retriever 2, the second eponymous release from the Portland, OR duo of Matt Carlson and Jonathan Sielaff, gets its proper due as an LP on Debacle Records on July 10th 2015. This work of Golden Retriever, a pair who Redefine has called, "devout electronic musicians, in love with the lab, with the possibilities of sound, and of machines" is a documentation of players jamming out the blueprint for their project, loose compositions that still demonstrate two masters of their craft. Originally…
Doppeldoppelganger
Doppeldoppelgänger, a compilation of tracks by poets and sound artists selected by David le Simple and Vincent Romagny, was created on the occasion of the three-exhibition Doppelgänger cycle at the Centre Européen d'Actions Artistiques Contemporaines, Strasbourg, France, curated by Romagny. The double LP is a purely subjective compilation of sound works by artists (Félicia Atkinson, bruant&spangaro), sound from films by artists (David Lamelas), sound poetry and performances (John Giorno, Karl …
Syntoma
LP version. These recordings pull back a curtain to reveal the mysterious world of Syntoma and early-'80s underground Mexico. Syntoma was founded by Alex Eisenring in 1980, made use of synths and drum machines, and was driven by a freedom-seeking DIY ethos informed by a "rock-jazz-prog-experimental" background. These '70s-born influences throw crazed funhouse mirror reflections onto later Kraftwerk, UK synth-pop, post-punk, and pure pop forms. The first five tracks are instrumental, evidenci…
Bernard Vitet, Jean Guerin in bundle
the two LP's on black vinyl at special price. Bernard Vitet was a key figure in the French free jazz and improv scene of the early '70s. This mythical avant-jazz LP, originally released in 1972, is the result of a truly magical session he put together in December '71. Not just free jazz from the '70s, the music has some 20th-century elements that recall some of the most memorable albums on the Italian label Cramps Records. This first-ever officially-licensed vinyl reissue is the fifth in…
To Beat Or Not To Beat
Special double set of COH's To Beat album (released previously as CD) featuring exclusive remixes by Matmos, JG Thirlwell, John Parish, Ryuchi Sakamoto, and Drew McDowall. Vinyl-only. No digital. Original To Beat notes: Picking up right where the last track on the previous COH release RETRO-2038 (EMEGO 172CD/LP) left off, the new album is focused on the use of beats within the similar aesthetics. While most of the previous COH records openly shy away from accentuated beat structures and inste…
1965/1 (Spur Der Zeit)
Edition of 160 copies. Roman Opalka (1931-2011) was probably the most insisting conceptual artist of the last century. In 1965, in his studio in Warsaw, Opalka began painting numbers from one to infinity. Starting in the top left-hand corner of the canvas and finishing in the bottom right-hand corner, the tiny numbers were painted in horizontal rows. Each new canvas, which the artist called a 'detail', took up counting where the last left off. In 1968 Opalka introduced to the process a tape reco…
MOCA/FM: Exhibition Of One Minute Soundworks From The Museum Of
Slowscan editions presents a new lp record edition It concerns a registration of a broadcasting from 1971 by KPFA_FM, Berkeley on March 1971. Twenty six one minute audio art pieces from a variety of performance artists from that era were presented as an exhibition for the radio,curated by Tom Marioni, director of Museum of Conceptual art(MOCA),some artists involved in this project are Terry Fox, Charles Amirkhanian, Robert Ashley, Werner Jepson and others. The lp record was made in a smal…
Flapper That
Concentrated, Bendy Acid From Computer Rave Hooligans Evol, debuting their first release for Diagonal. RIYL: Belgian Techno, Licking Batteries, Coloured Plastic Discs!* "‘Flapper That’ sees Diagonal invite EVOL — arch propagators of “computer music for hooligans” — to their own, unique establishment for a proper headshrinker of a session. Since Diagonal’s incarnation, EVOL’s hardcore aesthetic and sense of absurdity has been a key influence on the label and Powell’s DJ sets. In effect, 'F…
Piteous Gate
Following his acclaimed 2014 Scythians EP (PAN 052EP), M.E.S.H. returns to PAN with his debut album, the opulent and dystopian Piteous Gate. Alongside fellow members of Berlin's Janus collective, behind nights at Berghain and Corsica Studios, M.E.S.H. is known for his futurist approach to club dynamics and production. On Piteous Gate, tightly gridded and sculpted sound juts up against loose-wristed improvisation, automated processes, and collage. Standard club syncopation is twisted by slidi…