We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Important collection of recordings documenting and preserving "fringe" or under-represented folk cultures and voices from a unique region at the crossroads of Europe and Asia. It spans a diverse cross-section of music by Armenians, Azerbaijanis, Georgians, Chechens and many other ethnicities which fall outside their country's definition of national folk music - Azeris from Georgia, Kurds from Tbilisi, Avars and Lezgis from Azerbaijan, or Molokans in the South Caucasus - giving room for al…
Alo Girl is an obscure Italian noise project that keep with-in deeper roaring and at times almost subterranean obsessive & paranoid tones through-out the piece, as well as managing to keep the sound tinged with a nice sleazy and airless atmosphere.Last Rape is a Richard Ramirez project that saw its debut in 1995. This harsh noise/HNW project remained untouched until 2005 relaunched with Naoki Chisato (ex-Forced Orgasm). In 2008, Sean Matzus (In The Land of Archers) replaced Chisato and is…
Emeralds co-pilot Steve Hauschildt follows up his 'Tragedy & Geometry' album for Kranky with the plush new age disco dreamscapes of 'Sequitur'. Arguably, Steve is the lazy one in Emeralds, conjuring only three solo album to date compared with the gazillion respective works from bandmates John Elliot and Mark McGuire. But, as evidenced here and previously, he's also the canniest and most pop-wise, honing a more concise, richly rhythmic and melodic style of composition still rooted in cereb…
By now, the significance of Sam McKinlay's extensive body of work is undeniable. After having begun his mapping of the depths of monomania, fetish, addiction, and vice, in the mid-1990s with his flagship project, The Rita, McKinlay briefly halted his work in the early 2000s. Though it was unforeseeable at the time, McKinlay's return to substantial recording output and live performances around 2004 would quickly and permanently alter the landscape of Harsh Noise. The Rita became one of the most …
2013 repress. "Originally released in 1968, Scott 2 made it all the way to number one on the UK pop charts, perhaps the strangest number one hit in pop history. Continuing with his orchestral obsession, Scott 2 features over-the-top string and horn arrangements, occasionally veering into dangerously schmaltzy territory. This production style is in drastic contrast to the lyrical content, songs of despair, prostitution, homosexuality, and brutal honesty, indicting the same glamorous and gli…
The audio on this LP was inspired by early efforts to explore extreme locations on earth, and the clash between the will of humans, the limits of their bodies, and the immutable laws of the natural world - the latter which can easily destroy both of the first two. The 11° 22.4'N 142° 35.5'E side is based on the 1960 dive by Jacques Piccard and Don Walsh in the bathyscaphe Trieste to the Challenger Deep in the Mariana Trench, the deepest known point on earth. This side aims to mirror the …
Newest Nico Vascellari trio (WW stands for Women in the Woods), an amazing hypnotic industrial soundscapes housed in a beautifully packaged LP released in a handful of copies, comes with an insert
2012 Re-release "The Spanish Suite was written to magnify the contribution that Moorish Spain made on the European Renaissance. The relationship of music to cosmic rhythms and harmony was altered from the original state of Spanish music and eventually distorted down to the 12 tone equi-temperment system of tuning. The Artistic Heritage Ensemble was taught to play outside of the 12-tone system and to recognize natural tone relationships. The musicians had to be dedicated to music for life …
Nigeria Special 2 is the second part to the best selling Nigeria Special album released to critical acclaim in 2007 and further extends the look at the most exciting period in Nigeria’s recording history. The range of styles vary from highlife to Juju and Nigerian blues in the languages of Yoruba, Igbo, Bini and Ijaw. With a peppering of ‘afro’ experimentation the same musical stew pervades volume 2 as it’s predecessor – some artists appear again alongside some new …
Tape-warped phantom band Rangers finally unleash the lush, soaring, expansive prog-pop opus we always knew was floating inside the fretboard (and imagination) of multi-instrumentalist mystery maestro Joe Knight. The north Dallas-raised, San Fran-residing head Ranger grew up taking classical guitar lessons from a dude who claimed to have 'toured with the Dead,' and some of that brain-wonked jam agenda obviously seeped into the young Knight, who began recording his own loose, lo-fi jangle s…
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
Beautiful new work from Lawrence English. Pressed in an edition of 500 copies.Somewhere after dark, before dawn, in a place where natural light is shunned and organ is singing. It's voice is that of an arcing clouds of tone, emerging and falling with an uneasy sense of pace and direction. The voice warbles, a vibrato of shifting pulse and subtle variation. The room around it is filled with a dusty ash; smoke in haze like proportions. Eyes are blood shot, sunken below the rim of a glass. …
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
'Dutch Tvashar Plumes' seems to map the changes in Lee's approach to music making over the last 4/5 years. From his initial exposure and subsequent immersion into Jungle as a teenager, he soon began experimenting with structure and sound design which led him to a more 'academic' approach with 'Computer Music'. There were many self-imposed rules he adhered to during this time. These last few years he decided to break with that and make an intuitive venture forward. This record is the first real d…
Mouthus are professionals. Not that their music is a full-time job, or is made out of obligation. Rather, Brian Sullivan and Nate Nelson approach every recording seriously and diligently, never bending their methods to fit expectations or pander to an audience. Often this devout methodology produces a glorious alchemy; other times it results in workmanlike exercises in sound excavation. But every Mouthus album comes with an implicit seal of quality craftsmanship. You may not find an epiphany in …
Back when I was about six months older than I am now, I used to see these bumper stickers around town that said, "There is Nothing Like a Grateful Dead Concert." My first reaction was to say, "Thank fuck," since the last Dead show I saw (Jersey City 8/6/74) pretty much blew. Then I remembered that last goddamn Dead show anyone saw was almost 20 years ago (Chicago 7/9/95) and it makes me wonder what kinda stupid pills the cars' occupants have been snorting. 'Cause Jesus, there're all sorts of thi…
The past two years have found Austin’s Lone State dark lord Xander Harris (aka Justin Sweatt) on a heavy transfigurative trip, overhauling his live rig, detouring through an expansive soundtrack project celebrating the 20th anniversary of Neal Stephenson’s Snow Crash, touring outside Texas (from New Orleans to the Netherlands), plus a host of other inner life turmoils and metamorphoses. All of which seems to have seeped into the synthesizer soil of his stunning second full-length, The New Dark A…
Electrocuted Moon Hair, Cone Headed Space Punks in Fast Forward Neo Tokyo's Virtual Flat Screen Pop Stars, Jetset Tabloids Zebra Print Moon Boats Splattering Ketchup Packets are just some of the themes that pour out of the Musical Imaginarium of James Ferraro's highly anticipated, fully restored and remastered version of the 2009 limited edition CD-R classic On Air, featuring the online hit singles 'Cinderella,' 'On Air,' 'Flashy Kamikaze' and more! Take an electric bite out of the Space …
Ingar Zach, percussion. Martin Küchen, saxophone & pocket radio. Nikos Veliotis, cello & video. Looper's unique combination of floating sounds provides the spectator with a suspended environment to sink in, dislocating him from the casual perception of time and space.
Limited double LP version. Recorded live on December 8, 2006 at a memorial event for James Tenney at California Institute of the Arts, Perhaps is Harold Budd sublimely distilled. Striking in its restraint and simplicity yet profoundly resonant in its depth and message, it is both eulogy to a departed friend and defining statement from an artist at the apotheosis of his career. Originally available only digitally (and only from Samadhisound's web site), Perhaps sees its first-ever and much-de…