New Arrivals
Tim Maia 1973
Tim Maia’s self-titled 1973 album is one of those records that hits you from the very first groove and doesn’t let go. Originally released on Polydor Brazil, this was the fourth in a series of Tim’s self-titled albums and many fans and critics still consider it the crown jewel. Packed with irresistible hooks, lush arrangements, and that unmistakable Tim Maia swagger, the album captures the singer at the peak of his creative powers. If you’re new to Tim Maia, here’s the quick story: born in Rio d…
Kind of Blue
Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.
As Bill Evans …
Prophecy
*328 copies limited edition* Prophecy finds Eye in form familiar to those who've had the good fortune to hear their 2016 album Other Sky, but even more compacted and condensed, a band simmered and reduced to their pure essence. And then the volume increases. Prophecy is a pummeling din of guitar clouds shot through with electronic disruption. Stapleton's relentless motion drives Porteous' icy guitar streams in leaping waves. 'Catch Them' opens the album with Peter's vocals, croaking out from the…
Black Ships
*333 copies limited edition* As Stapleton's illness progressed over his last years, instead of lamenting what doors had closed to him, Stapleton with the truest, highest understanding of what free improvisation suggests, asked himself what doors remained open and walked through them. Stapleton entered a grand tradition of master improvisers for whom changes in physical ability were approached with the same practical acuity that a great improviser approaches their instrument with every time they …
Live at End Cole Ave 1969
In March 1969, the Velvet Underground, featuring Doug Yule now on bass, launched a nationwide tour that captured a pivotal moment in rock history. Among those dates was a memorable engagement at Dallas’ "End Of Cole Avenue" club—one of the rare live shows professionally recorded with a sound engineer on site. Previously, selections from these performances appeared in 1974 on the 1969: Velvet Underground Live album, but the sound was hampered by the use of third- or fourth-generation tapes, limit…
Kin
Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with…
No One Notices the Fly
On No One Notices the Fly, Zander Raymond turns marginal sounds into the main event, building fragile songs from scraps, glitches and room tone. Fourteen pieces drift between collage, improvisation and diaristic field recording, inviting the ear to lean closer until the smallest sonic twitch feels like a full emotional weather system.
Churchills
Cut in 1969, this self-titled album feels like the first fully immersive psychedelic rock statement from its own scene. At a time when local airwaves were ruled by polite pop and lightweight fare, Churchills arrived riding waves of fuzz and twisting studio gear to its limits. The lineup itself tells the story. Frontman Stan Solomon brought a raw, soulful presence; guitarist Robb Huxley carried deep experience of the classic rock songbook, its riff language and studio tricks. Alongside them, guit…
Soufflements Cardinaux
Soufflements Cardinaux invites the listener into a cartography of breath: Ensemble In(dé)fini map the four directions through extended techniques, hushed noise and prismatic overtones. Winds, strings and electronics trace invisible weather systems, turning each exhalation into a fragile, shifting architecture of sound.
Engravings
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, orga…
Déjà Si Mort
Déjà si mort is a manifesto of inconsolability. The eponymous title track is deeply moving. At its core lies a female voice of disarming authenticity, permeable and vulnerable. This creates an immense emotional density: pain that is not staged, but lived. This is underpinned by throbbing analogue drums, whose stoic pulse carries the almost liturgical synthesizer motif. The second track responds in its own way. And in general, Distoromance do things their own way – they sound like no one else.
Merzbeat
2025 Edition. 100 copies only! In collaboration with Wax Mage, Aurora Central brings you the definitive edition of Merzbow's groundbreaking album Merzbeat. Every copy features an incredibly beautiful hand-poured colored vinyl - each one unique - housed in an archival style sleeve and gatefold jacket, plus two inserts reproducing paintings by Masami Akita created around the time of the album's recording. Remastered by Masami Akita at Munemihouse, Tokyo 2021.
Originally released in 2002 on Importa…
Faust
Few debut albums arrive with the kind of self-contained logic and radical spirit found on Faust's self-titled 1971 statement. Released at the height of rock music's imperial phase, it marked the beginning of a project that would sidestep genre and expectation entirely, offering instead a fractured, exploratory take on what popular music could become. This Bureau B reissue offers a fresh opportunity to engage with one of the most curious and uncompromising records of its time. Faust emerged from …
The Original Quintet (First Recording)
From the original "Theme" to a series of beautifully reimagined standards by Duke Ellington, Benny Golson, and Isham Jones, The Original Quintet (First Recording) captures a seminal moment in jazz history. Released in 1956 on Prestige and engineered by the legendary Rudy Van Gelder, this album perfectly synthesizes Miles Davis’s evolving artistic vision, marking a landmark in the bop revolution.
Featuring an extraordinary ensemble including John Coltrane on tenor saxophone, Philly Joe Jones on d…
Caged
After 25 years, Ian Boddy and Chris Carter’s rare underground classic Caged returns, remastered and expanded.
Sargassum aeterna
Sometimes the most essential albums emerge from the most unexpected places. Serbian electroacoustic composer Manja Ristić, whose work has graced labels from LINE to mappa, has created something genuinely startling with “Sargassum aeterna” – a haunting four-track meditation on ecological collapse that reads like a transmission from the year 2221. Issued by Athens-based Rekem Records in a meticulously crafted limited edition of 200 copies, this isn't just another ambient release, it's prophecy ren…
Music By Lee Mason
Wewantsounds is delighted to announce the reissue of Music By Lee Mason, the cult classic from the Chappell Recorded Music Library, originally released in the UK in 1971. Credited to Lee Mason & His Orchestra, the album is in fact the work of renowned British composer and arranger Pete Moore—best known for composing the iconic “Asteroid” theme in 1968 for the Pearl & Dean cinema advertising company. One of the funkiest library albums of its era, blending cinematic tension, funky grooves, and jaz…
Vita Matata With African Fiesta
'The creation of the band African Fiesta, founded in 1963 by three well-known musicians, Nicolas Kasanda, Tabu Ley Rochereau and Roger Izeidi, and the contributions of the VITA label, established by Roger Izeidi, occupy an exciting chapter in the history of Congolese popular music. During the mid-1960s, African Fiesta consistently reached the top of the hit parade. The band, which back in the day positioned itself as a competitor to a current called ‘Fiesta Cubana’, breathed new life into Congol…
Jenifer
This exclusive vinyl edition features the haunting soundtrack from Jenifer, the unforgettable episode directed by Dario Argento for the acclaimed Masters of Horror series. Composed by maestro Claudio Simonetti (Goblin). The score fuses dark electronic tones with terrifying orchestral strings, perfectly capturing Argento's signature blend of beauty and terror. A must-have for collectors and fans of Italian horror cinema.
Viva
Viva is the seminal second album by the German band La Düsseldorf, originally released in 1978 and widely regarded as their most successful work to date. The album features the hit singles "Rheinita," which stands as their most popular track, and "Cha Cha 2000," an expansive and utopian composition blending hypnotic repetition, delicate piano passages, evocative chants, and rich electronic textures. This track has become the band’s signature anthem and a dreamy manifesto envisioning a more ideal…