New Arrivals
Atsusaku
Atsusaku is the collaborative output of Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek etc) and Japanese noise mastermind Masami Akita aka Merzbow. A massive wall of sound over two tracks that moves from the shifting low-end structures and the ricochet of howling reeds to the blistering haze of dense white noise and rapid-fire electronic tones. The title Atsusaku, suggests pressure or mechanical compression and it was from this starting point, the idea of Davis' reed sound…
Parallelogram
"Those lucky ducks at Three Lobed Recordings are living the dream. Everyone knows that being a record company is the single coolest thing anyone can do, and now they’ve taken that to a new level by assembling a box set of collaborative albums that seems to be more of a hypothetical wishlist come true.
The Parallelogram 5LP collection takes five musical pairings and lets each one put together a full-length slab of vinyl. And the pairings that Three Lobed has managed to pull off are the cream of t…
Sacred Flute Music from New Guinea: Madang/Windim Mambu
Recorded by Ragnar Johnson, assisted by Jessica Mayer, in Papua New Guinea, April-August 1976. Tape-to-digital transfer by Dave Hunt at Dave Hunt Audio in London, July 2015. Mastered and cut by Rashad Becker at Dubplates & Mastering in Berlin, August 2015. Notes and photographs by Ragnar Johnson and Jessica Mayer. First combined release. Originally released as two distinct LPs on Quartz Publications (!QUARTZ 001 (1977) and !QUARTZ 002 (1979)) by David Toop with the assistance of Sue Steward, …
Cue
First vinyl edition of Andrew Pekler's Cue, originally released as a CD by Kranky in 2007. Reissued by the Kiev, Ukraine-based Muscut label (founded by Dmytro Nikolaienko) under exclusive license from Kranky, Ltd. Limited edition of 300. From Andrew Pekler: "Typically, library music albums were not available to the general public but were marketed directly to film, TV and commercial production companies. Judging by the information provided on the record sleeves, these consumers of library music …
A Virgem De Saint Tropez
A totally wonderful little soundtrack from the Italian golden era, originally released as 'Magia Erotica' in 1974 on Aguamanda Records, an Italian label active in the seventies, founded by Augusto Martelli / the style is a great mix of Italian and Brazilian, modes run from some of the cooler, larger arrangements you'd hear from Marcos Valle – especially in his early 70s years – to some moments that are a bit more spare, and mix in rootsy percussion, sweet keyboards, and jazzy touches on Fender …
Box Os Mutantes
The birth of a legend – the first seven albums by Os Mutantes, packaged together in a single collection – all with original cover art, pressed on very heavy vinyl – and together in this very limited slipcover box! The first three records are amazing – and really represent the group at their peak – stretching out in a very experimental way during the key Tropicalia years in Brazil, and forging incredibly fresh music that's still as important today as it was at the end of the 60s! The albums easil…
Rare Music From The Cometa Library Vaults
As most library music geeks know, some of the finest, oddest and most sought-after library music comes from Italy. But collecting it is an expensive business, and one full of risks – many library LPs are one trackers but will still set you back hundreds. The second Pheon Records LP release is a trip through the Cometa library music vaults. To buy the originals featured here would cost you thousands of pounds today. How mental is that! So, here we present a twelve tracker – twelve killer …
Those Glorious Heights
At the time of this release, Kevin Verwijmeren is a 23-year old science student, living in Delft, Holland. Since 2013, he has used musical patterns and melodies to create contemplative landscapes of sound. Inspired by the sound and emotion of Loscil, Tim Hecker, and Pan American, Verwijmeren constructs a musical cocoon in which to imagine a vision of a different world. Through his dark but beautiful soundscapes, he tries to break daily routine and accept the dark side of life. Those Glorious Hei…
Endrhymes
Brussels-based group Razen present Endrhymes, a work of hardcore melodic minimalism and raw, dystopian deep listening. Exclusive artwork by Bryan Lewis Saunders. The four pieces on Endrhymes thrive on an almost compulsory focus and improvisation carefully developed during many concerts. As a trio, Razen erase the acoustic deep listening from their previous album to explore territory of raw, melodic, and psychedelic minimalism that refers to the massive works of Louis Andriessen. The first and la…
Floating
In most European cities you can find many canals that have been covered. Often though, underneath the cement and our frenetic lives, they still run. Constantly flowing water, unknown to us. Maybe we feel it. Maybe it influences us and we do not know it. It would be nice to lie down in between a 19th Century tram track among the windows of stores up for rent and wine bars offering refuge and put an ear to the cobblestones, like they used to do in the prairies to hear if a train was coming. I am s…
Psychillis of a Lunatic Genius
Though their music was beyond the ordinary, they were never able to release an album during their short lifetime. Pazop was formed at the end of 1971 by vocalist and flautist Dirk Bogaert, keyboardist Frank Wuyts, violinist Kuba Szczepansky, bassist Patrick Cogneaux, and drummer Jacky Mauer. Wuyts and Szczepanski had just left progressive rock band Wallace Collection, Wuyts had previously been involved with Bogaert, Cogneaux, and Mauer had been in another short-lived prog band, Waterloo. Cogneau…
The Back Room
Kevin Drumm is a Chicago-based experimental artist and one of the most important musicians in the electroacoustic noise scene. During his career he has worked with great improvisers such as Mats Gustafsson, producer Jim O'Rourke and saxophonist Ken Vandermark. Kevin Drumm's Imperial Distortion (HOS 134LP) and Sheer Hellish Miasmah (EMEGO 053LP) are must-hear albums of contemporary avant-garde.The Back Room is a vinyl reissue of a previously self-released album. Two years ago, Drumm prepar…
Tone
ini.itu is releasing a new vinyl LP, composed by Masayuki Imanishi. Masayuki is a Japanese sound artist using paper, a microphone, a radio, field recordings, various objects and any other things which catch his interest. He has collaborated with Leif Elggren, Kouhei Matsunaga, Vampillia, The Body and many others. . This LP “Tone” was built using radio, paper, tapes, debris and other objects. It is based on an experimental approach that aims at repeating the dismantling, rebuilding, amplification…
The Message: Live at Kargart
2016 limited repress, edition of 200. A meeting with the giant. In this live session recorded in 2014, the konstruKt quartet's basic lineup reunites again with Peter Brotzmann, with whom they recorded the amazing studio album Dolunay (rec. 2008, rel. 2011) and Eklisia Sunday (rec. 2011, rel. 2013; also with Huseyin Ertunç and Dogan Dogusel). As the title says, all are invited to listen to the message hidden in these rhapsodic vibes, where the energy of an elephant stampede is channeled into a…
Creation
Husband and wife team Johnima and Kalassu Wintergate are Lightstorm: globetrotting musical collaborators retransmitting messages of love from their teacher and Avatar Sathya Sai Baba: authentic 1970’s hippies on a spiritual space-journey. Most of the material gathered here was originally released on a small scale, so it is satisfying to see these oddities compiled and made available by Drag City. Since 1973, the Lightstorm discography has been issued under a variety of aliases (Creation E…
Terrain
A side, piano, live at Roulette, New York, 2013. Mostly inside piano in a dense stream.B side, clavinet, live at High Zero, Baltimore, 2013. The electric piano becomes like an electric guitar with lot of preparations! Based in Berlin, Magda Mayas doesn't so much play the piano as push it to its utmost limits. Both in her performance and compositions, Mayas jumps as freely between the free jazz and experimental genres as she does record labels. Records described by critics as powerful and breatht…
Kouen Kyoudai
Prolific Japanese artist Masami Akita aka Merzbow teams up with session musician, producer, and singer-songwriter Eiko Ishibashi for a work that showcases yet another side to Akita's monumental catalog. Kouen Kyoudai consists of two side-long tracks that could be read as a contemporary take on the traditional avant-garde. With its skittering electronics, percussion, piano, doom, and noise, Kouen Kyoudai seamlessly incorporates many strands of experimental thought and practice. The tension th…
Nosferatu
The story of the Nosferatu soundtrack editions through the years appears a little caotic. Several editions, with several sleeves and completely different tracklists have appeared in different countries. What we tried to offer here is the definitive edition of Popol Vuh's works for this fantastic Werner Herzog 1979 tribute to the old Murnau classic. When asked for a new soundtrack for Herzog's project, Florian Fricke and Daniel Fichelscher came out with a magnificent album that once again, as it …
The Man Who Died In His Boat
2016 reissue. Following a series of impossible-to-obtain releases for her own Yellowelectric imprint and a CD compilation of her gorgeous 'A I A' set, Liz Harris seems to have settled with Kranky who are re-releasing her classic Type album 'Dragging a Dead Deer..' and this new album of previously unreleased material drawn from the same period: 'The Man Who Died In His Boat'. It's not so hard to believe but we'll say this straight away - the material on this new set is just jaw-dropping, a …
Kobaia
180-gram vinyl. "In the late sixties, Christian Vander founded Magma and stated his commitment to produce a different kind of music. Released in 1970, Magma's début album Kobaïa succeeded beyond anyone's wildest expectations. The group's sound blended diverse influences from Bach to Coltrane to produce a brand new musical style. While the instruments were familiar, they were used in unconventional ways, and the vocals, which called on an invented language, only heightened the otherworldly…