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Whenever the term “Free Jazz” gets mentioned, the same questions more or less present themselves: “Is this easy to listen to?” “Is there structure, or is this just a few friends playing over each other?” “Is this another Coleman/Taylor/Dolphy homage?” Yes; yes; maybe—who cares? Free Jazz is (in my definite opinion) the last bastion of music (and maybe even art as a whole) where true innovation is not only still possible but also extremely well-executed—if done right. Enter “Second Sight” by Oslo…
With solid training as a classical musician, Sophie Agnel took a close interest in modern jazz before committing in the early Nineties to the shifting, deliciously uncertain ground of free improvisation, thanks to her fascination for the powers of expression displayed by a few great keyboard-heretics such as Keith Tippett, Fred Van Hove or Christine Wodrascka. She began reworking the prepared piano techniques imagined by John Cage and transformed her instrument into a sort of extended piano. Com…
Holy Basil Records reissues Piero Umiliani’s “Il Ponte Dell’Asia”—a rare, remastered vinyl with original artwork. Celebrated for blending jazz, funk, and world music, this deluxe edition honors Umiliani’s visionary legacy.
Watt’s clarinet-driven soundscapes hypnotize, thicken, and circle endlessly. 2021 collaborations—edited on infinite tapes—blur time and unity in a vinyl collective composition.
One Flight Up by the legendary Dexter Gordon. Recorded in Paris on June 2, 1964, this album stands as a testament to Gordon’s leadership and the vibrant European jazz scene of the era.
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**Belgian artist Elisabeth Klinck’s “Chronotopia” marks a new artistic phase, blending violin and voice in song-based, intimate soundscapes. Recorded in the Pyrenees, it playfully explores time, duality, and transformation, balancing improvisation with melody-led structure.**
Oren Ambarchi, Johan Berthling, and Andreas Werliin return with Ghosted III, their most immediate and adventurous collaboration yet. Recorded at Stockholm's Studio Rymden, this third excursion into spontaneous rhythm creation blends ambient neo-jazz, postkraut, and minimal funk with newfound looseness and wild exuberance.
Incl. printed inner sleeve & 4 page fold-out insert ** Spittle Records resurrects a dangerous ride through Japan's experimental underground with the first vinyl reissue of this 1985 masterpiece. Four decades after its original Japanese release, Mizutama Shobodan's sophomore album A Skyfull of Red Petals finally receives the vinyl treatment it deserves, emerging through Spittle Records as a testament to one of Japan's most fearless and uncompromising experimental units. Mixed by master Fred Frith…
Incl. printed inner sleeve & 4 page fold-out insert ** Spittle Records resurrects a dangerous ride through Japan's experimental underground with the first vinyl reissue of this 1985 masterpiece. Four decades after its original Japanese release, Mizutama Shobodan's sophomore album A Skyfull of Red Petals finally receives the vinyl treatment it deserves, emerging through Spittle Records as a testament to one of Japan's most fearless and uncompromising experimental units. Mixed by master Fred Frith…
Orchestroll’s "Corrosiv" critically examines New Age’s commodified mysticism and the disintegration of meaning under late capitalism. Utilizing ambient and experimental sound, the album embodies audio corrosion, merging decay, transformation, and cultural critique. Featuring collaborators and shaped by a residency at EMS, it explores confinement, emancipation, and the slow, inevitable erosion of ritual—leaving only silence to decay.
Environments 12 reimagines field recordings for the digital age, blending real and synthetic voices in speculative soundscapes. Machine Listening’s debut LP challenges reality, blurring nature, tech, and human creativity into a mesmerizing, genre-defying sonic experience.
Room for the Moon Live captures Kate NV’s one-off concert, uniting friends in a vibrant reimagining of her sophomore album. The performance expands tracks with improvisation, joy, and community, offering healing and wild, playful energy.
Deux Filles, the elusive French duo, captivated audiences with ambient, melancholic music and a tragic myth—until revealed as a fictional project by Simon Fisher Turner and Colin Lloyd Tucker. Their two albums, “Silence & Wisdom” and “Double Happiness,” remain haunting, genre-defying gems.
In an 'ecological' process of recovery and reuse of musical materials and obsolete electronics, 'Unfall' (German for “accident”) lays its research focus on the encounter between improvised music, electroacoustics, free jazz, dixieland, and minimalism, filtered and recomposed through techniques typical of musique concrète. Referencing Burroughs' cut-ups and methods derived from tape music, 'Unfall' experiments with intertextuality, establishing a dialogue between seemingly distant musical languag…
After Caspar Brötzmann’s 2024 LP with Bass Totem, Caspar Brötzmann Massaker releases new live recordings of “All This Violence.” Founded 1986, the band’s intense, influential sound shaped underground rock, inspiring acts like Sonic Youth and SUNN O))). Brötzmann’s unique, genre-crossing style remains radical and uncompromising.
The first-ever vinyl release of Gérard Grisey’s Vortex Temporum (to our knowledge). Movements I and II appear as a single track to preserve their spectral continuity. The LP features cover art by Dariia Kuzmych and comes with a zine of her ballpoint drawings, merging time and human tissue.
Ukho Ensemble Kyiv:::Dina Pysarenko, pianoInna Vorobets, flutesDmytro Pashynskyi, clarinetsRachel Koblyakov, violinAndriy Savych, violaRaphaël Ginzburg, cello
Conducted by Luigi Gaggero