*100 copies limited edition*  A restless voyage on an electronic ocean of infinite sound. With TED, Brooklyn's Daksina label delivers one of its most ambitious and unclassifiable releases yet - a sprawling two-part journey through LIN11C's dense universe of fractured electronics, spectral voices, and orchestral wreckage.

Across two extended pieces totaling over thirty minutes, TED unfolds like a transmission from some waterlogged future. Clarion calls ring out across cavernous spaces while ghostly vocals drift in and out of focus. Orchestral swells collapse into stuttering drum patterns. Field recordings bleed into pools of ambience, punctuated by whispered incantations that feel more like spells than words. When menacing electronic storms gather on the horizon, sparse melodic lines cut through like distant lighthouses. The album reaches its most striking moment with Yuko Otomo's haunting recitation, her voice emerging over a bed of liquid drippings and otherworldly strings - a foundation that feels simultaneously ancient and impossibly futuristic. It's the kind of moment that makes you question what century you're listening from.

What distinguishes TED from the broader field of experimental electronics is its seamless ordering - sounds and tones arranged in temporal relationships that feel genuinely unprecedented. This isn't collage in any conventional sense; it's architecture. Each element, no matter how fractured or unlikely, finds its exact place in a structure that reveals itself only through complete immersion.

Housed in a beautiful silk-screened sleeve by Alan Sherry at SIWA Prints, with artwork by Janice Sloane, and pressed in a limited edition of just 100 copies, TED continues Pat Murano's commitment to releasing some of the most uncompromising electronic music being made today. As Tom Surgal puts it: unlike anything ever heard.