New Arrivals
Piano solo
Recorded live at Cafe OTO in March 2009 during Otomo Yoshihide's first residency here. This was one of only a handful of solo piano performances Otomo has given where he uses the instrument as a control matrix for harmonically rich feedback tones and devastating clusters of complex noise. Beautifully rendered with maximum dynamic range by Lupo's 45rpm cut!
Arsonicide
The two LPs are straight reissues of the first two Kleistwahr cassettes released by Broken Flag in 1983 - BF3 and BF15. They are the first two volumes in a series of four releases cataloging the early Kleistwahr recordings. Kleistwahr was the solo project of Gary Mundy which he ran alongside his main band Ramleh. "Edition of only 250 copies reissue of what was originally a limited 1983 cassette release (BF15) on the legendary Broken Flag label. Kleistwahr is the solo project of BF head Gary Mu…
Stanza Nera
Newest Nico Vascellari trio (WW stands for Women in the Woods), an amazing hypnotic industrial soundscapes housed in a beautifully packaged LP released in a handful of copies, comes with an insert
The Island Of Taste
'IFCO follows up our highly ignored Stranded LP with an equally, if not more so, strong statement. Core members Karla Borecky and Scott Foust are joined by an all-star cast: Meara O'Reilly and Jessi Leigh Swenson from Stranded, as well as Frans de Waard, Graham Lambkin, and Dr. Timothy Shortell. The island of taste depicts a manoeuvre in which The beauty becomes more beautiful as The desperation becomes more desperate. A stark and romantic mission to The rocks. Lavish package featuring an excell…
Ask the dust
Hailing from Northern California, John Davis is a sound artist, composer and filmmaker who has released music on labels such as Root Strata and Digitalis. With “Ask the Dust,” he offers up a moving suite of compositions made using a plethora of instrumentation including guitar, piano, tape loops, Max/MSP, field recordings and the newest addition to his arsenal, a complex assortment of Blacet synthesizer modules. Davis uses the synth not as the crux of his recordings but as a tool among many in h…
Lieu
FaravelliRatti is a duo comprised of Nicola Ratti (guitar) and Attila Faravelli (computer) who play with a tower of different prepared speakers and a taper recorder in between them. The idea is to fed speakers with different languages in the same space and have them resonate with the phisical space. Every speaker is prepared and positioned so the resonance can be controlled by the players, moving their bodies around the sound totem in between them. Their live set represent this idea, of building…
Blues Sermon With Congregation
The first vinyl document of the Dredd and MV & EE collab recordings, this is a reissue of two deep sides originally released in 2004, as companion volumes to Kissing the Contemporary Bliss, in extremely limited runs. The sessions behind this record represent a singular apex of high in the catalogs of both Dredd Foole and MV & EE, where the playing and being of each of the three individuals involved coalesces into a singularly cosmic perception and extrapolation of the blues doctors' truth…
Minimal Milan
Lovely compilation selected by Xiu (Oksana Rodionova) consisting of contemporary minimal electronic and deviant-techno artists based in Milan, Italy. Here's the label's mission statement as you could say: "The musical aesthetism defended by the label admits connections with post-modern qualities and challenges conventions for an innovative musical conversation between analogue instrumentation and technologies." The label will host various types of electronic music always seen throught a dark and…
The Letter
This is the first album by Liberez, a group formed by recording engineer John Hannon and Pete Wilkins in Southend. The project began life exploring a deconstruction of the traditional "band" form before expanding to a quartet with the addition of vocalist Nina Bosnic, and multi-instrumentalist Tom James Scott. Musically rooted in improvisation, the band sought a progression from the loosely described "noise rock" sound at their inception into more abstract territories. The tracks were recorded a…
Outside/Inside
Charlie Nothing was the fractured-psyche pseudonym of author, father, horsekeeper, organic farmer, beekeeper, philosopher and clown Charles Martin Simon, inventor of the dingulator (guitar sculptures made out of the metal from American cars). Charlie's only visible offering to the record buying public was really anything but. Due to its rarity, The Psychedelic Saxophone of Charlie Nothing, issued by Takoma Records in 1967, has been a source of consternation for in-the-know types for years. …
Bronze Age Subway
"Fruitful meeting of two very consistent mainstays in the southern drone hemispheres... The recordings took place in Buenos Aires when Antony recently was on a trip to South America.. Dark and broodling, yet also soothing and narcoleptic drone works from these two masters of their fields.. Guitars, violins and organs create buzzing forcefields and nocturnal sonic transfixions.... Top shelf trans-continental drone extravaganza from these highly prolific gentlemen. Don't miss out!"
Tomorrow's Achievements: Parry Music Library 1976-86
This is Tomorrow's Achievements, an exclusive Public Information foray into the Canadian Library institution, Parry Music. With access granted by founder John Parry, Public Information have selected twenty-five of their favorite electronic tracks, an early autumn heat-wave of perfect melody. Parry Music was founded in 1974 in Toronto by John Parry and Chris Stone. John was formerly a manager of revered UK library Chappell Music and Chris was a Canadian music consultant; both brought some familia…
A World Out Of Time
Both words in Eternal Tapestry's name say something about their music, but it's the first that's key. This Portland band's expansive psych rock sounds like it could go on forever, and most of their releases have in fact been culled from longer, open-ended improvisations. The way they slowly build these jams-- adding parts, increasing volume, and cresting in unison-- you get the feeling they're always playing, and their records are just glimpses of an endless stream.For A World Out of Time, Etern…
Moths
Michael Morley, Nina Canal, Sara Stephenson : electric guitars. Recorded by Roland Groenenboom at De Player, Rotterdam, August 2009 mixed at My Pit, Port Chalmers, 2011. Artworks: Eric Claridge Owl Moth & Mothface 2012 oil on canvas 30,5 x 30,5 cm each. Limited to 300 copies. Labels: Bimbo Tower Records & Dilettante Courtoisie.
Crowded
Breathtaking slab of the black stuff from peerless drone/noise (de)composer Kevin Drumm - with "spectral editing and time domain consultation" by Russell Haswell. We shouldn't need to tell you that this is a big deal. But, in case you're a bit daft; it is. Haswell helps out on the wormholing A-side 'Repetitive Algae'; a single tract of cacophonous, morphing rhythmic noise reminding of Philip Corner's 'Coldwater Basin' - a home recording of cold water running from a faucet into a basin - b…
Time of the Last Persecution
Time of the Last Persecution is Bill Fay's second and final album for the Deram label, originally released in 1971. An absolute classic of melancholy (borderline morbid) folk-rock that falls somewhere between Pearls Before Swine, Leonard Cohen, and a suicide prevention hotline. Time of the Last Persecution is almost single-mindedly obsessed with end times so it's fitting that this brilliant album would be his last release for over 30 years. Now that Fay is back with a new and highly laude…
Rules of the universe
Kye is proud to announce the release of Rules Of The Universe, a fully authorized anthology of archival audio work by the renowned Dutch artist Anton Heyboer (1924-2005). Heyboer's stature in visual arts is well known and internationally celebrated, but documentation of his audio work is scant and difficult to locate. Heyboer's only previous vinyl release - 1976's ill-fated 'She And She As One' LP (EMI) introduced a music so resolutely personal and uncommercial in nature that EMI ordered …
The End Of An Ear
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
Bridges
Duane Pitre's new album, Bridges, features two pieces taken from a suite of analogous compositions by the same name, and was composed by Pitre in 2012. The two pieces that comprise the album are meant to work together in sequence as a composite work; or they can be isolated and listened to on their own. The title derives its name from the original concept for this work, which was to bring together aspects of traditional Eastern music (such as compositional form and tuning) with Western musical t…
Drawn and Quartered
"A selection of rarities from 2008-2009. Track one originally released on an OPN/Outer Space split CS (Arbor, 2009). Track two originally released on Ruined Lives CS (Young Tapes, 2008). Track three and four originally released on Transmat Memories CS (Taped Sounds 2008). Track five and six originally released on A Pact Between Strangers CDR (Gneiss Things, 2008). Track seven originally released on Young Beidnahga CDR (Ruralfuane, 2009)." Includes a digital download code.