New Arrivals
Tru Folk
Footsteps, car horns, a drawer sliding shut. wind chimes, family voices, street corners. bus stops, parks, a dog barking, a fight on TV. Los Angeles, San Francisco, Taipei, Oakland, Keelung, San Gabriel Valley, South City.
It draws from a 15-year ar…
Personal Rock
Twenty seven years ago, Jan Jelinek’s debut album Personal Rock was released by Source Records. Under the pseudonym Gramm, it brings together eight tracks that have not been available on vinyl since their original release. Faitiche is very glad to an…
Liaisons Dangereuses
*2026 much needed repress!* The only full-length from the West Germany trio known as Liaisons Dangereuses, this self-titled record (originally released via TIS records in 1981) is somewhat of a Holy Grail for fans of EBM and minimal synth. Thankfull…
I grow accustomed to the dark
*300 copies limited edition* The first resonant space Zosha Warpeha played in was the Emanuel Vigeland Museum in Oslo, Norway. Built as a mausoleum, its walls reach up into a gradual archway, creating an environment where sound expands and reverberat…
Dotolim (2023)
The score Dotolim was originally realized in 2009 and composed for the performance space Dotolim. The musicians, Jin Sangtae, founder of Dotolim, and Joonyong Choi also performed on the 2009 version of the score. While on tour through Asia in 2023, I…
Induction / Mutation
Tip! *200 copies limited edition* At the end of 2024, Eric's purchase of an electric cooker with induction hobs was the catalyst. Between auscultations and improvisations, Eric offered Francisco his recordings of the object in his kitchen. In return,…
Collection 1
*2026 stock* Compilation of unreleased material 2001-04. 4 colour screen printed sleeve. A1, B1: Recorded at Mansion Studios, Stavanger, Norway summer 2001. From Saemon Box, the first, unreleased Noxagt album. A2, A3: Recorded live at Checkpoint Char…
Record Players, Percussion And Sound Effects II
*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK yo…
Record Players, Percussion and Sound Effects I
*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK yo…
Two Daughters
Two Daughters marks a turning point. After several notable releases, Méryll has clearly taken a step forward with an album that finally captures the hypnotic madness of his live performances. His earth-shattering concerts, during which the artist phy…
Ich Bin Meine Maschine - Remixed
Ich bin meine maschine is a spiritual track / ich bin meine maschine is a musical track / ich bin meine maschine is a scientific track
To underline this tryptic statement and to demonstrate the diversity of one of atom™'s compositions that appeared …
The Boy And The Tree
The Boy and the Tree was composed after a visit to Yakushima Island, an outstandingly beautiful world heritage site off the southern tip of Japan, scored by a deep, lush and ancient ravine, home of the ancient 7000-year old ‘Jōmon Sugi’. Tree. Also t…
Sucre De Pastèque
Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited hi…
Arrigo Lora Totino. La parola come poesia segno suono gesto (Book)
Italian Language Edition Una monografia esauriente e completa di uno dei maggiori artisti e poeti visivi del secondo novecento italiano, Arrigo Lora Totino. Un catalogo ragionato di poesie, performances, libri d’artista, video.
Baudouin Oosterlynck & Bénédicte Davin
On their self‑titled LP, Baudouin Oosterlynck & Bénédicte Davin slip two late‑’70s vocal compositions into the present tense, turning Glasgow’s Tectonics stage into a resonant laboratory where Oosterlynck’s ultra‑precise scores and Davin’s live voice…
Rampe Amalgam
On Rampe Amalgam, Markus Oehlen extends his studio day into the night, turning the same unruly humour and visual overload of his paintings into skewed, concrète‑spattered electronics: half hidden beat, half dust‑storm, all deliberately “wrong” and fu…
De Vrije Loop
On De Vrije Loop, Mix Monster Menno raids the entire Ultra Eczema archive, flipping decades of uncompromising noise, improv and oddball electronics into a late‑night, After‑Hours‑style turntablist trip that feels like the label’s unconscious talking …
Actionreaction 2
On Actionreaction 2, Pippo Lionni, Sergio Corbini and Stefano Franceschini turn the studio into a single, improvising organism, where spackle knives and rollers become percussion, free‑jazz piano and sax tangle with electronics, and each canvas is wr…
Ponyo on the Cliff by the Sea
For Ponyo on the Cliff by the Sea, Joe Hisaishi pours big‑hearted symphonic colour, children’s choirs and unmistakable earworms into Miyazaki’s flood‑myth fairytale, crafting a score that’s equal parts tempest, lullaby and sugar‑rush theme song.
Nausicaa of the Valley of Wind
For Nausicaä of the Valley of the Wind, Joe Hisaishi builds a full mythos in sound: from early synth‑heavy image pieces to orchestral suites, his themes move between apocalyptic dread, ecological mystery and childlike hope with uncanny inevitability.