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After 4 intensive days of recording with Steve Albini (WTF!?! Thought he didn't like jazz) The Thing created Bag It!, a new mastodon of ecstasy music. The Thing is well known for their free jazz versions of rock classics from artists such as PJ Harvey, White Stripes, The Sonics, Yeah Yeah Yeahs & Lightning Bolt. This time the band is only doing two rock interpretations, one by Japan's 54 Nude Honeys & one by the The Ex/ Muzsikás. The rest of the tracks on the album are written by Mats Gustafsson…
Two related classic Saturn LP reissues on a single CD, both recorded at the Detroit Jazz Centre - in 1980 and 1981 respectively. They share an excellent sound quality and great playing - there's a classic version of Rocket No.9 and plenty of otherworldly Moog and electronic keyboards - up there with Ra's best on record. Rocket excepted, all the pieces are original to these LPs and don't appear elsewhere (though the first track of Purple is heard again at the end, with another name (exactl…
Over 4 hours of improvisations were recorded over these two days in april 2010. We then trimmed the sound sequences and the silence, while keeping our specific interactions and phrasing of sounds between us and with the location. But sound is a flexible material and what remains of this session are frequencies that are like vestiges to be reinvented. To help this there is some 'presence'. The acoustic character and the intense immobility that fill the air of the chapel of Las Planques, in the da…
For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…
A beautiful acoustic-based record featuring careful, melancholy arrangements in the tradition set by his famous previous record - but with a few unpredictable musical touches. Seconds weaves black threads of lyrical reflection into its sleeve in the short-lived Higgins tradition. His was never a hippie-dippy perspective - back in the day, his songs featured a thoughtful, but worldweary, occasionally even paranoid perspective. Accompanied by his fellow travelers (including a couple Red Hash playe…
It was a cavernous tone that broadcast from a ventilator duct that inspired Patrick McGinley to begin collecting field recordings and working them into his slow-arc compositions. At the time when he heard that particular tone in that particular city at that particular time, he had no gear to recording device on hand. Over the next fifteen years (and counting) McGinley has eased into a peripatetic lifestyle, wandering the European countryside and forests (but never straying too far from th…
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
"During his lifetime, classically trained composer, cellist and disco legend Arthur Russell studied and performed with a wide variety of musicians and artists including The Flying Lizards, David Byrne, Rhys Chatham, Ali Akbar Khan, Allen Ginsberg, John Hammond, Peter Gordon, Jon Gibson, Jerry Harrison, Garret List, Frank Pagano, Andy Paley, Leni Pickett and Peter Zummo. In 1979, Russell, working under the name Dinosaur, wrote and produced Kiss Me Again -- the first disco single to be released by…
Fans of Sun Ra, take notice -- there is a new American original on the scene who hails from Birmingham, Alabama. Lonnie Holley's music is unlike anything ever heard, and these recordings are a welcome addition to the continuum of music. This album marks the first time Dust-to-Digital has taken an artist into a recording studio. Lonnie Bradley Holley was born on February 10, 1950 in Birmingham, Alabama, the seventh of twenty-seven children. From the age of 5, Holley worked various jobs: pi…
Joint release by Italian ambient musician FABIO ORSI & SEAWORTHY, a 3 piece collective from Sydney. Each artist contributes a solo track which in turn bookend a collaborative composition that forms the album's centerpiece.
The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…
The Preservation label presents From The Ground, the debut album from Portland, Oregon’s Heather Woods Broderick. Growing up in the relative quiet of the Maine countryside while learning a range of instruments and being sung to sleep by her parents playing folk songs, natural and rural sounds became central to Heather’s sense of song, falling into a deeply personal realm.
The subtlety and nuance in Heather’s music also comes from her inclination towards ambient and experimental sounds, con…
An epic concept album narrated and performed by Akira Sakata, Heike Monogatari ("Tale of the Heike") is the most disturbing entry so far in the DoubtMusic catalogue. This work is an expression of the philosophy of impermanence. It's also a vision of Hell. Woodwinds signify madness. Bells accentuate silence. And Sakata's voice unleashes a phantasmagoric torrent of shomyo (Japanese Tantric Buddhist chanting), death metal growls, and pure pandemonium. Is he serious? Or not? One thing is cert…
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
Karl Naegelen and the Risser/Rühl duo share a common interest in the quest for new sounds and sound illusions. Creating a confusion of sources, suggesting various acoustic spaces, evoking the sound of a sewing machine or a hard shoulder, making a rubbing sound sound like breath and making breath sound like creaking, this is the type of urge that stimulated collective research. The grand piano had to become a wind instrument and the clarinet a water instrument ; the pianist had to play per…
"Produced by Centre international de recherche musicale, Nice, France. Project involving 22 instrumentists featuring Pierre-Yves Artaud (flutes), Alexandre Ouzounoff (bassoon), Daniel Kientzy (saxophone), Vinko Globokar (trombone), Elisabeth Chojnacka (harpsichord). Puzzle 1999 (14-17) commissioned by INA-GRM." (Discogs)"An extension of the 'virtual orchestra' in which composer Pascal composes music out of gathered individual instrumental tones and lines (with the musicians never having met …
“All music by Sharif Sehnaoui – no cuts & no overdubbing. Recorded by Fadi Tabbal on the 9th of june 2009 at Bustros palace, Beirut. Mixed & mastered by Fadi Tabbal at Tunefork studios, Beirut. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh.” label info
'Japanese percussionist Seijiro Murayama has been working in France since 1999. His musical approach is based on extreme attention to the performance space, the energy of the audience and the quality of silence. He is interested in how continuous sounds and microscopic events can delicately revitalize the environment. Now established in Beirut (Lebanon), french saxophonist Stéphane Rives has spent over last ten years developing new sonic array of extended techniques on the soprano. On thi…
After excellent reviews and endless touring all over the world, supporting bands like Deerhoof, Xiu Xiu and Sic Alps, the Italian weirdos Father Murphy are back with a brand new album titled “Anyway your children will deny it”. It is the latest, boldest installation of an ongoing series of albums investigating the band’s favorite themes: life, death, love, religion and even more death. For this album, the Italian trio comprised of Reverend Freddie (vocals, guitar), Chiara Lee (vocals, keyboards,…
Cracked Refraction ties its complex knots with infectious vigor and a predilection for playfulness. Wrack’s melodies are slithering and serpentine, and the music is built of smaller segments assembled in what can seem a slapdash manner, with all sorts of jutting ends and unexpected collisions. What Bruckmann’s done, though, is intentional, placing his players on different planes, with straight lines failing to meet, runs of notes ricocheting at impossible angles, and expected avenues folding in …