New Arrivals

Francisco López offers a brand new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020. Internationally recognized as one of the major figures of the sound art and experimental music scene, Francisco has an ear-like gift to point his microphones (and our ears) to the most special and unlikely of sound sources. For almost forty years he has developed an astonishing sonic universe, absolutely personal …

*Limited edition of 150 copies.* Música Azul is a gulfstream of melodies originally written for Spencer Clark’s Avatar Blue exposition at Het Bos in Antwerp, march 2019. I got the original melody lines from a photoshop mock-up in which Spencer showed his ideas for the expo. I then performed the piece - partly improvised - on the opening night as to activate the several artworks that were displayed in the installation. Afterwards I edited and reworked the composition for optimal home listening.

An "anemic cinema" might not make literal sense, but a renowned avant-garde film bears this title, by French-American artist Marcel Duchamp, focused on images of rotating swirls and discs. Junya Tokuda's latest project takes its name from the film, and its highlight track, "Parallax View" stands out on Anemic Cinema. It's an auditory depiction of a parallax—the perception of an object's position changing depending on where it's viewed from. The continuous thumps create the perception of "Paralla…

Osaka-based DJ and female electronic musician who has been releasing dub techno-centric tracks under the name Midnight JJ since 2011. In recent years, she has been performing more noisy and experimental live shows under the name Juri Suzue. Her aggressive live electronic sound surprises you with its ultra-low profile. This is her first CD and a long remix of Japa-noise king Merzbow on the B-side.

This is a DJ mix that uses only material from Vanity Records and remodel, two labels founded by legendary music critic/producer Yuzuru Agi. As if to prove his extraordinary artistic sense , the two labels, separated by almost 40 years, blend together without any sense of discomfort, neutralizing the listener's time axis and distorting the space. This is a work that embodies the paradox that "truly radical expression is universal at the same time". Vanity Records, founded by Yuzuru Agi in 1978, i…

This is a DJ mix of more than two hours using only sounds from Vanity Records and remodel(Yasuyuki Nakamura, label owner of remodel), two labels founded by the legendary music critic and producer Yuzuru Agi. As if to prove his unparalleled sense of taste, the two labels, separated by almost 30 years, blend together without any sense of discomfort, neutralizing the listener's time axis and distorting the space. This is a work that embodies the paradox that "truly radical expression is universal a…

Founded in 1978 by Rock Magazine editor-in-chief Yuzuru Agi, Vanity Records captured the cutting-edge musical trends of its time, including new bands working with post-punk values, alternative approaches by musicians who had been in bands, and electronic and industrial music as the cutting edge of the times. Vanity Records is said to be one of the first independent labels in Japan, and is an indispensable part of the independent/indie music scene in Japan from the late 70s to the early 80s. The …

*Limited edition of 200 copies.* Susana López returns to Elevator Bath with the follow-up to her critically acclaimed album, "Crónica de un secuestro" (2020). That release showcased López's refined approach to audio exploration, which predominantly utilizes field recordings, electronically generated sounds, and layers of vocal harmonics. With "The Edge of the Circle," similar techniques have been employed, but the final product is an altogether more ominous affair, relying heavily on atmosphere …

Marek Pędziwiatr has been part of the scene for over a decade now. He has gained recognition thanks to projects such as EABS and Błoto & Jaubi. Still, he has never emphasized his name through the prism of these bands, betting instead on collective work. The time has come now for Marek to present his debut album entitled Marianna, featuring him alone as Latarnik performing in a piano solo formula.  Being sought after for years as a producer for other artists and as a composer and keyboardist for …

*In process of stocking.* 'Meth.O.Tapes' catalogue opens up on a programmatic framework in the form of Gil.Barte's first LP. Developped as an experimental exploration rather than a narrative, this object called « R.S.F » is a recollection of intriguing sonic pictures. Tracks neither really start nor they finish, pieces of an apparently unreasolvable puzzle like pages of a fantastic bestiary long forgotten.

*In process of stocking. 16 page booklet with Digipack.* ENDON (Blacksmoker, Daymare, Hydra Head, Thrill Jockey)'s frontman Taichi Nagura, a shamisen player of traditional Japanese nagauta music, and a guitarist known as one of the best noise players in the contemporary Tokyo underground Gojiro Sakamoto, an artist as known as creating and presenting their works in various places and forms based on screenprints, including paint on the walls of Shibuya's PARCO, Yuichiro Tamaki. These three-person …

*200 copies limited edition* Magazine is a new work for solo cowbell by Sean Meehan. It began with the serendipitous purchase of a small cowbell from the bric-a-brac section of a charity shop, and was composed initially on walks in the city and country, as the bell was an easy companion. As the piece was beginning to take form Meehan was visiting Governors Island, off of the southern tip of Manhattan. There he happened upon the powder magazine of Fort Jay and began finishing the piece over retur…

"As such, the music succeeds in maintaining a balance between cohesion and surprise, occasionally coming close to the jazz tradition, but always on its own terms. It gives the album a refreshingly unconventional approach, a counterpoint of ideas that consistently marches to the beat of a different drummer. " - Guy Peters

"Today and all the tomorrows is one of those releases that sounds like cinema for the ears, despite the fact that the ‘song’ order might seem random and that it might be hard to find a general arc. Verhoeven firmly stands at the center of this music, flanked by two guitarists that get caught up in six three-way conversations. There is no agreed method or set of expectations and fixed ideas, but listen carefully, and you will notice how each piece has its own characteristics and turns the combina…

Tip! *In process of stocking.* Adrianne Munden-Dixon and Leo Chang’s “Some Time” presents stuttering physical exchanges between Munden-Dixon’s violin and electronics and Chang’s amplified piri. These pieces are tense and tightly-woven, yet constantly unraveling and reforming. Chang’s “ampiri” is a Korean double reed instrument running through electronics and played in unconventional and non-traditional ways. Recontextualising the instrument “quasi-autodidactically” aligns with Chang’s approach t…

*Limited edition of 100 copies.* Recorded in a place of contemporary art on June 15th, 2019 (les drapiers Liège, Belgium). Pierre Gerard's project, thanks to Pierre and Antonin for agreeing.

*In process of stocking. Limited edition of 100 copies on clear vinyl.* New self-released album of Bertrand De Lamalle (sax alto) & Pierre Gerard (cello) Recorded & improvised under a bridge 2020.

*In process of stocking.  by various authors, 280 pages, hardcover, 17x24 cm, and written only in Dutch.  'BOH - De Komplete Uitgaven' is an off-shoot of 'I'm sure' and the previously published 'Abrahadrabra Letters' by Anthony Blokdijk (still available). Blokdijk was a member of a short-lived fanzine from Den Haag, BOH - short for Binnenlandse Ontwikkelings Hulp. The editors were active in various bands, and the fanzine published one compilation, 'Boh Sampler'. The fanzine is all in Dutch, and …

Rotterdam-based composer/pianist Reinier van Houdt created six pieces from March 22 to August 22, 2020 for a monthly 'quarantine' series of the online festival AMPLIFY 2020: quarantine, commissioned by Jon Abbey. Each of the six pieces on 'drift nowhere past' was recorded on the 22nd of each month (#18, #75, #128, #155, #194, #211). "I've made these pieces from what I played, listened to, recorded, played back, read, watched, heard, or imagined, each during one specific day in the quarantine of …

*In process of stocking. 200 copies limited release, CDr format* On Easter Monday of 2019, friends and colleagues reunited at London’s iconic improvisational space Café Oto. The four, Ken Ikeda (Synthesizer), Massimo Magee (Electronics, Saxophone), Joshua Weitzel (Shamisen), Eddie Prévost (Percussion) had met and played together many times in the years prior—usually in the context of Eddie Prévost’s London Improvisation Workshop—but had never performed a public concert together. The group's avan…

*In process of stocking* In Motions, Vol. 1, Francisco Mela and Shinya Lin create an album of improvised textures and thrilling exploratory sounds. Using drum sets and prepared piano, they create a lush soundscape of textures, imagining a scene reminiscent of a jungle, full of life, resources, and possibility. “It was a huge pleasure to have Mela’s presence and his mentorship was amazing, free of selves, the music came out just naturally from our souls,” says Shinya about their first collaborati…

'Amiri Baraka (LeRoi Jones) spoke the truth (and the truth under his tongue was sometimes a hammer, sometimes an anvil, sometimes a sickle, sometimes just a breath or a blast). Baraka had no tongue in cheek. Sometimes he drew his language (his thought) and in the barrel of his language (his thought), there was the cartridge of criticism, the cartridge of ranting, the cartridge of analysis, the cartridge of sedition, the cartridge of poetry, the cartridge of music. Heroes Are Gang Leaders have th…

'The Uproar in Bursts of Sound and Silence is a sort of emergent collage that came together over four years of composition, improvisation, and production. The foundations for this album were initially recorded in 2018 by producer/engineer Jack Endino (Nirvana, Soundgarden, Mudhoney, Skinyard) at Soundhouse in Seattle, WA with myself (Evan Strauss, electric bass and upright bass), 5-Track (Guitar) and Sheridan Riley (Drums). The initial foundations of this music consisted of my long-form graphica…

The American composer Christian Wolff (b. 1934) is the last living representative of the New York School (Rauschenberg, Rothko, etc.). Wolff was not even an adult when he studied with Grete Sultan and John Cage. Wolff’s music was much more politically motivated than that of Feldman and Cage, which is evident on this new Wergo album by Trio Accanto. The album features first recordings made in close collaboration with Wolff in the studios of Deutschlandfunk Cologne/Germany. Wolff's great “Trio IX …

*2022 stock* 'Halleluja, Peter Eötvös’s “stuttering oratorio”, with a text by the novelist Péter Esterházy, was first performed in 2016. It’s built around the historical figure of Notker Balbulus, Notker the Stammerer, a ninth-century Benedictine monk who was a chronicler and composer. But, Eötvös insists, “It is not so much a portrait of Notker as of the times in which we live … At first the choir represents a society that says ‘hallelujah’ to everything: they have to be satisfied with everythi…

*2022 stock* 'Hans Werner Henze was, during his lifetime, probably the most-performed composer of western modern music, and his advanced yet sensuously traditional music remains an important presence on stages around the world today. Henze was deeply attached to Italy, where he spent a large part of his life. The roots of this album go back to a personal meeting between Henze and the Italian double bass virtuoso Daniele Roccato when Roccato was attempting to obtain Henze’s blessing for a theater…

The EC Band is a collaboration between American Brussels-based painter, former grindcore singer and musician Luke Calzonetti and Belgian visual artist, performer and percussionist Stijn Wybouw. Their first EC Band outing sees them conjure up four transcendent tracks driven by improvisation. The instruments used and the way the EC Band naturally and fluidly edit their musical output, make for flickers of musical mirages, infusing everything with a sense of space and abstraction. On the edge of wh…

*2022 stock* “the music has kept me at the edge of my seat each time I’ve listened.” — The Free Jazz Collective "absorbing and vivid... guitar and piano in a beautiful collision... astonishing" — a Jazz Noise John Russell, guitarPaul G. Smyth, piano

This album is about the micro world of a garden in a small coastal town. For two weeks either side of the 2021 summer solstice Kieran Mahon routinely made field recordings of his garden from pre-dawn until the first stirrings of people beginning their days. “After ending up with hours of recordings”, Kieran explains, “I then spent a long period listening and immersing myself in the environment - the ebb and flow, the subtle changes in atmosphere, the conversations between birds and insects, the …

*300 copies limited edition. In process of stocking* Discrepant presents Istanbul based audio/visual artist Koray Kantarcıoğlu's follow-up to his debut album Loopworks (CREP59, 2018). Whilst the first volume used 60’s and 70’s Turkish records as it source material, Loopworks 2 expands the sampling pool to local records as well as snippets from 70's TV and 80's new age and jazz tapes. This disparate material is mangled and glued together with Koray’s very personal sampling techniques. This result…

Swedish duo Thunder Tillman come together again in healing harmony to produce a much needed LP for troubled times. Thunder and his life coach Pony bring their spirits in sync for 40 minutes of improvised soundtracks for mental and physical wellbeing. Recorded on Stockholm’s Wind Island, the pair have carefully selected specimens from their collection of vintage musical paraphernalia to channel these specific vibrations for maximum healing power. Side one is a gentle wake up call for the soul, wi…

Born and grown over the past two years, built on Bellucci's piano and Uggeri's sounds and beats, "The Soundtrack of Your Secrets" is a work that penetrates inside the soul of anyone willing to let go. Unreservedly, without any limits. Until we are naked... looking inside ourselves. Deep inside. "Ten lines to tell what goes on in here. Ten lines to find words for it all: for each of the panorama of shadows and color, for each of the thunderstorms of noise and sound and electric shocks, for this b…

Yiran Zhao makes use not only of musical elements but also of objects, bodies, movements and light-sources as compositional material. Many of her pieces inhabit the various boundary states between instrumental music, performance, sound-installation, and video-art. Leonie Reineke describes the composer in the CD-booklet as a “prudent researcher“, who encounters the sonic cosmos of her environment with great earnestness, and comes microscopically close to things. In the composition “Piep“ she focu…

*In process of stocking* Compiled and conceived by David Nerattini partnered by Pierpaolo De Sanctis. Between the late 70s and the early 80s, pop music was in a transitional phase. After a return to the roots of punk, rock was morphing into new wave, while disco was rapidly declining and the electronic revolution, already on the rise, was ushering in the transition from analog to digital. This period also saw the emergence and relatively brief flowering of a commercially dominant style that mixe…

The roots of 80s English psychedelic freak band The Tryp lie in a hoax perpetuated by Steve Lines’ indie mag Mardenbeat, based in the town of Calne in the Marden Delta, which reviewed a gig by a non-existent band; former JP Sunshine main man Rod Goodway and partner Christine Cotter then gave flesh to the beast with Lines and Paul Ricketts of Unhinged mag, cutting My Brain Collapsed! as an exploration of mushroom-fuelled mental instability. First issued on cassette label Mardentapes and later by …

Obscure prog rockers Second Hand began as the Next Collection, formed at a south London secondary school; engineer/manager Vic Keary scored them a contract with Polydor as the Moving Finger, but their legendary debut LP was credited to Second Hand, due to a rival Moving Finger. Channelling psych and spacey acid hues, there is blues-rock underpinning Bob Gibbons’ guitar and keyboardist Ken Elliott helps aim the sound towards deep space; this edition features rare tracks ‘James in the Basement’ an…

*In process of stocking. 200 copies limiteed edition* The four pieces on this CD were written during travels, moving between places or being on the move. The first rough sketches have been developed further in different situations until they reached the final shape that can be heard on the album. These formations came about after many mood swings and rethinkings. Sometimes, the way to the final results was long, depending o the mood in the very moment, while working on the music. The manifestati…

We Buy Records is a podcast dedicated to vinyl record collecting (and sometimes selling). From cleaning tips to city buying reports interspersed with new vinyl reviews and vinyl stupidity, plus interviews with musicians and collectors from around the world. If you're a crate-digger, this is the show for you.... Tim runs a record shop with his partner in East Sussex. When not hunting for records he enjoys composing melancholy electronic music and watching reviews of obsolete technology on the int…

*In process of stocking* This record is dedicated to Mark Hollis. It was thought for a long time and realized in four days of April in Quarto Escuro, in Porto. Everything at the first take, recorded with a lot of love and an unbelievable group of people. It was supposed to be ambient, but it ended up being free. The name is stolen from "Come Mellow, Love is Fine", a beautiful twistedfreak loop. Composed and produced by Sal Grosso. Performed by Sal Grosso (electronics, percussions and harmonica),…

*In process of stocking* Music For Listening, the sophomore album by Michael Scott Dawson. The album is comprised of twelve ambient works for guitar. It follows his 2020 debut Nowhere, Middle Of which was built around generative synths. Not wanting to repeat himself, Dawson entirely abandoned the synthesizer, his primary instrument, on Music For Listening. The resulting guitar pieces lean heavily on tape loops and manipulations, and are accompanied by field recordings and spare piano elements. T…