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New Arrivals

Chance Operation
Originally released in 1981 on Jeep Records and reissued here for the first time, Chance Operation’s debut 12” EP stands as a bold statement from Japan’s avant-garde underground. This seminal recording, now available on Spittle Records, captures the raw energy and visionary spirit of a group that defied genre boundaries and predicted the sonic upheavals of the decade to come. Chance Operation emerged from Tokyo’s fertile experimental scene, channeling the restless creativity of the late 70s and …
Place Kick
Spittle Records reissues Chance Operation’s 1985 debut “Place Kick,” a genre-defying mix of post-punk, funk, and jazz, now on vinyl for the first time—restoring a vital underground classic for new audiences.
IV
Black Widow Records is thrilled to announce the official reissue of Black Widow – IV, the legendary lost album from the iconic British occult rock band Black Widow. Originally recorded in 1972 but unreleased until 1997, this definitive edition marks the first release of Black Widow – IV on the revered Italian label that bears the band’s name. Formed in Leicester in 1969, Black Widow became infamous for their theatrical live performances and pioneering use of occult imagery, earning them the titl…
Ella
With solid training as a classical musician, Sophie Agnel took a close interest in modern jazz before committing in the early Nineties to the shifting, deliciously uncertain ground of free improvisation, thanks to her fascination for the powers of expression displayed by a few great keyboard-heretics such as Keith Tippett, Fred Van Hove or Christine Wodrascka. She began reworking the prepared piano techniques imagined by John Cage and transformed her instrument into a sort of extended piano. Com…
A Prayer For Derek Jarman
Reissued after decades, this remastered Cold Spring collection showcases Psychic TV’s soundtrack work for Derek Jarman’s films. Featuring ritual soundscapes, field recordings, drones, and chants, it’s a haunting, essential document of avant-garde artistry.
Hijack
Endless Happiness reissues Amon Düül II's 1974 'Hijack'—Krautrock pioneers’ most eclectic work, blending psychedelia, funk, samba, and pop. Featuring reuniting core members, it’s a bold, experimental journey for fans old and new.
Nice People EP
Modern tech, cultural shifts, and economic pressures reduce kindness, fostering detachment. Still, small acts matter for a compassionate world.
Watt
Watt’s clarinet-driven soundscapes hypnotize, thicken, and circle endlessly. 2021 collaborations—edited on infinite tapes—blur time and unity in a vinyl collective composition.
One Flight Up
One Flight Up by the legendary Dexter Gordon. Recorded in Paris on June 2, 1964, this album stands as a testament to Gordon’s leadership and the vibrant European jazz scene of the era.
Seven Dreams
Dominique Pifarély, Lina Andonovska, and Izumi Kimura—three versatile, internationally acclaimed musicians—unite in a unique trio project born from a residency.
Canyon
Jerome Deupree, Sylvie Courvoisier, Joe Morris, Lester St. Louis unite for an album of explosive solos, profound improvisation—a canyon where all musical worlds collide in boundless synergy.
Ethereal Chant
The Lava Quartet—Berlin to Portugal—unites for free improvisation, blending creativity and extended techniques. Their debut album, "Ethereal Chant," showcases boundary-breaking, unpredictable soundscapes.
This Is Not Speculation
Long-time collaborators and legends of the British improvised music scene, the great saxophone virtuoso John Butcher and the master of the double bass John Edwards, join forces in a duet journey through a fascinating land of sounds, sometimes undiscovered, sometimes impossible, and always breathtaking.
Lights On A Satellite: Live At The Left Bank
Available for the very first time, the intergalactic icon Sun Ra and his Arkestra’s Lights On A Satellite: Live at the Left Bank was recorded on July 23, 1978 at the Famous Ballroom in Baltimore, Maryland by the Left Bank Jazz Society. The limited-edition 2-CD set contains audio from the Sun Ra Archives and was researched and compiled by Sun Ra archivist Michael D. Anderson. The critically acclaimed independent filmmaker Robert Mugge has also provided audio from the recordings he made at the Lef…
Chronotopia
Certainly! Here’s a 300-character abstract in English for your provided text: **Belgian artist Elisabeth Klinck’s “Chronotopia” marks a new artistic phase, blending violin and voice in song-based, intimate soundscapes. Recorded in the Pyrenees, it playfully explores time, duality, and transformation, balancing improvisation with melody-led structure.**
Unnameable Glory
Plume Girl’s ‘Unnameable Glory’ merges Hindustani, ambient, and pop, dissolving boundaries between language, sound, and feeling. Somanath explores the luminous freedom found beyond definition and the joy of shared, wordless experience.
Resta chi va
Antonio Borghini and Banquet of Consequences continue on their path of jazz, freedom, and rigor, in which writing, improvisation, tradition, and chaos coexist in a vital and surprising mixture. Well-organized music that uses disorder to its enrichment and is a harbinger of melodic flourishes and references many different kinds of music.
In Movimento
Tip! Two long pieces, a live performance and a rehearsal at home, make up this work by the Braida Locatelli duo, a new stage in their 30-year journey. Improvised music that often sounds composed. Improvised, decomposed, recomposed, composed? A true duo, where one plus one makes one.
Domino - Live At Radio Bremen Tv-studios 1963
On September 30, 1963, American saxophonist and multi-instrumentalist Rahsaan Roland Kirk and his quartet gave a small concert in the TV studios of Radio Bremen. The concert was broadcast on ARD in the spring of 1964 as part of the popular "Domino" series. Now the original tapes have resurfaced in the station's archives. Sensational! The former sideman of Charles Mingus, Gil Evans and Quincy Jones had come to Germany not only with his successful Mercury albums "Domino" and "We Free Kings" in his…
Time Machine & Electric Silence
Formed in 1972 as a quintet, Dzyan recorded their self-titled debut album after only two months and released it on Aronda, a small Bad Homburg label owned by producer Günther Müller. The original line-up, which never performed live, broke up after a few months. Bassist Reinhard Karwatky soon formed a trio that took the band's name. Karwatky, guitarist Eddy Marron and drummer Peter Giger signed a contract with Bacillus/Bellaphon, Peter Hauke (Omega, Nektar, Jeronimo, etc.) produced and Dieter Die…