New Arrivals
Souvenez-Vous De L'Homme
Michel Houellebecq is, of course, well-known for his novels, translated into more than 40 languages, and his Goncourt Prize (The Map and the Territory, 2010), but perhaps less so for his debut album, released exactly a quarter of a century ago on Tricatel label. One can sense the influence of Serge Gainsbourg's L'Homme à la Tête de Chou, a disillusioned Procol Harum and a world-weary Burt Bacharach hovering over Houellebecq's poems in Présence Humaine, a now cult classic album orchestrated by Be…
Lost Themes
The first solo album from the legendary director and composer of Halloween, Assault on Precinct 13, The Snake and many more! With the 15 films he has directed and composed the soundtracks for, John Carpenter has single-handedly defined the sound of the horror genre. The film music alone manages to instantly conjure up, in the musical memory of the devoted fan, the menacing figure lying in wait for the babysitter, the ghost-filled mist, the kung fu fighters with their lightning-fast fists, or the…
Domingo
Domingo is the groundbreaking debut album by legendary Brazilian singers Caetano Veloso and Gal Costa, released in 1967 by the renowned Polydor label. This album captures the essence of traditional bossa nova, presenting smooth melodies and sophisticated rhythms that define the genre's timeless appeal. Although Domingo predates the tropicalist movement that Caetano Veloso would later champion, it offers a captivating glimpse into the early artistry and vocal interplay between two of Brazil’s mos…
Keith Tippett: Mujician
Bomb! 328 pages hard-cover book, large format + 2CD of previously unreleased recordings. Keith Tippett (1947-2020) occupies a singular place in the history of British improvised music - a pianist of extraordinary range whose work moved fluidly between free jazz, large-scale orchestral composition, and solo improvisation of rare depth. Born in Bristol and trained first as a chorister, Tippett arrived in London in the late 1960s and rapidly established himself as a central figure in the city's cr…
Gryning Kommer Röd
On Gryning Kommer Röd, Stenhjärta - the duo of Gustaf Dicksson and Magnus Jäverling - fold Swedish prog‑folk, occult pastoralism and underground tape‑hiss intimacy into a set of songs that feel both timeless and faintly troubled at the edges.
Last Live 1983
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. Onna Last Live 1983 includes the final performance by the original line-up of Onna, the psych-rock project of revered Japanese manga artist, Keizo Miyanishi. Onna's legend has largely rested, until now, on one self-released and self-titled seven-inch from 1983. Reiss…
The Path Where Fairies Pass
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. 妖精の通る道 (The Path Where Fairies Pass) is the debut vinyl release by Reimaki, the duo of Rei Yokoyama (Triggers Flowers, Stakaidan, Lapiz Trio, 新井薬師自警団, and Fujio, Chiko Hige and Rei), and Maki Miura (Tsubamegami, Les Rallizes Dénudés, Shizuka, Fushitsusha, Ohkami No J…
De Reditu Suo
In this sonic journey, the cello gets lost and finds itself again within the folds of electronics—like an ancient soul echoing through the chaos of the present. Inspired by the words of Rutilius Namatianus in De Reditu Suo, this work unfolds as a pilgrimage between past and present, between whispered voices and archaic melodies that dissolve and reassemble in the reverberation of primordial frequencies.
Distorted Gregorian chants, deep drones, and fragments of lost voices intertwine to form a so…
Quartet
"Composition and its performance can have an organic relationship, a balance between written and the improvised. Muriel Grossmann’s wide compositional and performing talents are clearly reflected in four-voice pieces such as Diversity and Quintessence, suite-like compositions such as Flügel and Echo, as well as brisk, energetic works like Andrew. The quartet composed of Radomir Milojkovic on guitar, David Marroquin on upright bass, and Marko Jelaca on drums, has become a sound lab — a group wher…
For The Space You Left
This solo prepared piano record grew out of periods of isolation and solitude, shaped by two very different emotional landscapes. The music began in 2017 during a residency at MacDowell, where I applied with the intention of experimenting with piano preparation and confronting a long standing fear: playing solo piano. I had always been uncomfortable exposing myself alone at the instrument, and creating a solo project felt like the most direct way to face that fear — and grow through it. At the t…
Iterae
Iterae is issued as a multi-disc edition designed for both shelf and wall—referencing the scale of the vinyl LP while quietly subverting its familiar expectations. The format distributes the album's material across four 80mm compact discs. Each disc can be played independently or sequenced freely, extending the music's own recursive methodology into its physical presentation. A full-sized compact disc is included on the rear for continuous playback. The design incorporates an integrated rear wal…
Divora Eco
Nothing that Fera commits to tape can really be considered a stopgap affair, nothing is temporary, everything is bustling, committing is breathing. “Divora Eco” is Fera’s latest pursuit into the inbetween hours after night and before dawn, the simple sounds left ringing in the ear after days of feasts and noise, a quiet roar against division and an immersive view into intimacy and resistance through sound. Tossing away as much embellishment as possible, melodies unfurl into drones, drones rot in…
Egg Shells II
*2026 stock* Egg Shells is a compilation series by the label Biardo Records. These compilations bring together various musicians and producers, blending different sounds and textures into a unified flow. The series isn’t tied to a specific genre — it primarily conveys a certain state and mood.
The second compilation turned out to be gothic, summery-contemplative, and warmly analog in both sound and spirit. Vocal and acoustic instrument samples, fourth world music, audio collage, loop deconstruct…
Strigiformes
*2026 stock* Concrete Colored Paint is the moniker of Peter Kris of German Army. On Strigiformes, he turns noise into a vessel for reflection—romantic yet raw, tracing the hidden processes of nature. These pieces are not built on beauty in a conventional sense, but on textured contact: the exploration of a sonic field through noise, where meditation arises from immersion and harmony behind it.
Released on Biardo Records, Strigiformes embodies our vision of music as a space that is immersive, spi…
Intégrale Acousmatique
50 copies. Comes with a A5 photo SIGNED by Liliane Donskoy. 3LP special edition in screen printed linen box + 8 page booklet + download code. Metaphon is pleased to present this première edition, which brings together a near-complete collection of the acousmatic works of Liliane Donskoy, recorded in the 1970s and 1980s. Liliane Donskoy (*1933) is a French, classically trained pianist, music teacher, and composer of both instrumental and acousmatic music. She began her musical training at an earl…
Karma
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…
Panorama Vol. 2
On Panorama Vol. 2, Various Artists from the golden age of French cinema and library studios resurface in 11 lush, long‑buried cues, all moody strings, flanged funk drums and prowling basslines wrapped in a deluxe archival edition.
Is It Really Goodbye? More Ryūkōka Recordings, 1929-1938
Exquisitely melancholy, pre-war Japanese Ryūkōka Recordings, 1929-1938, delving deeper into the style’s fusion of traditional and classical Japanese and western blues x jazz on Death Is Not The End.
Double Beat Sequencer Vol.2
Double Beat Sequencer Vol.2 continues Merzbow’s deep dive into a particularly vicious corner of his archive: mid‑2010s sessions built around a relentless “double beat” framework, then buried under signature torrents of noise. Where Vol.1 sketched the template - rigid sequencer patterns hammered into shape and then abused - this instalment feels even more single‑minded. A handful of cycling pulses become the spine for entire pieces, driven by a strict, mechanical insistence that Masami Akita trea…