New Arrivals

A solo improvisation and composition by Lionel Garcin (on soprano saxophone) inspired by listening to natural environments and built on exploring the harmonic possibilities of the instrument.

On Elyria Sound, Michael A. Muller reduces his language to one guitar, one room, one storm‑lit reel of tape, turning newly invented tunings into a hushed cycle of lullabies and laments that hold both the comfort of home and the certainty of its passing.

*40 copies limited edition* On Lila, his debut LP, Moroccan artist Karim presents a series of undulating electronic rhythms laser-etched into tessellated form: drumless techno from the pre-Sahara, built for communal psychic expansion. Drumless, yes, but not percussionless. There are shakers, castanets, stabs, plonks, thuds. There are insistent basslines propelling forward, pulsing with energy, rippling in time. There are tones interlocking, rolling, fluttering, pattering. Dancing within, around,…

With its second release, Fleur Sauvage stays true to its opening premise: no calculated moves, no outside logic, only work that could not reasonably exist anywhere else. Daniel[i] has been part of the La Nature and NoName fabric for years, as co-curator, resident, and crew, one of those people whose presence shapes a space long before a set begins. This album is the natural continuation of that relationship, extended now into a more permanent form. Where FS001 captured the charge of a live momen…

*Back in print ! 2026 repress* "The Tropicalia art movement of the late 1960s, with flourishes in visual art, poetry, theatre and music, is one of Brazil's most adored cultural concoctions. It was a movement which began out of necessity, shortly after a repressive military dictatorship seized power after 20 years of peaceful democracy. The term Tropicalia first came from the mind of Brazilian visual artist Helio Oiticica, whose eponymous piece consisted of a sandy maze bordered by tropical Brazi…

'May Spring Last a Lifetime’ is the first duo release from improvising tenor saxophonists Tom Challenger and Evan Parker. The album emerged after years of informal practice sessions; then, following two live performances, the duo recorded this session at Arco Barco in Ramsgate. The album is Evan Parker’s fifth appearance on the False Walls label. Evan: “Duo is the simplest form of group playing. And so it’s the simplest, the purest in a certain sense, and the most challenging. There’s nowhere to…

*2026 repress* Souffle Continu records is thrilled to present Byard Lancaster – Exactement, one of his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum c…

*150 copies limited edition* On the website fancymoon.com, CON himself describes 'Windmills' as Electro Cosmic Metal Industrial. It comprises 33 tracks and represents a continuous body of electronic music. The album was recorded and performed in the same vein as 'III Kugeln', serving as its predecessor, and is made up of four “solo electric pieces”: Sack, Turbine, Raumknoten, and Fenster. As FdW noted in his review of 'III Kugeln', this is not ambient, not dance music, not musique concrète, not …

*265 copies limited edition* With Akvoturo, Kohoutek is delving into a more experimental form of their brand of US psych/space jams, a loose concept album sonically examining the consequential role that water has played in nascent civilizations, starting from our ancestral habitats. The title is in Esperanto, in theory a language as universal to humanity as water is to its diet, as well as an homage to the label ESP which is a substantial inspiration on the Kohoutek ethos, informed by revolution…

This tape is the culmination of a series of collaborative performances between Kevin Coleman and J.W. Bird that took place in the latter half of 2024. It is meant to encapsulate the spirit and energy of those performances; spontaneous and communicative. Musical conversations between banjo and fiddle that left no language off the table. A great combination of elements from avant-garde classical, to American Traditional/Primitive, and free improv, exploring improvisational spaces of widely varied …

*300 copies limited edition* Bay Area based experimental metal entities Sutekh Hexen and Seattle’s Hissing unveil SH:HS, a long-awaited collaborative release capturing the raw intensity of their joint improvisational project, SH:HS (Sutekh Hissing Arkestra). Originally conceived as a live convergence of both bands’ full lineups, SH:HS documents two volatile and distinct performances recorded in 2017 and 2019. These recordings, born from spontaneous interaction and unrestrained sonic exploration,…

*300 copies limited edition* Returning after the introspective descent of The Sarajevo Spiral, Cyclic Law presents Antimon, the latest ritual transmission from the long-standing collective Nam-Khar. Founded in 2009, the project has continuously navigated the liminal intersections between ritual ambient, psychoacoustic exploration and esoteric introspection, employing an arsenal of ethnic instrumentation, analog synthesis and immersive visual elements to construct deeply transformative sonic envi…

Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there’s an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primari…

Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…

Setpieces captures Cath Roberts & Olie Brice at a new peak of focus and invention, distilling their long-running musical rapport into a set of raw, finely tuned improvisations. Roberts’ baritone lines carve out bold shapes and sudden whispers while Brice’s bass grounds and disrupts in equal measure, creating a vivid, unpredictable dialogue. A striking next chapter for two of the UK’s most distinctive improvisers.

“Selections from the Gutter” brings NYC saxophonist Michael Foster with the longstanding rhythm section of Swiss bassist Christian Weber (of Sudden Infant), and German drummer Michael Griener, a longtime fixture of the Berlin scene. The trio brings shocking, visceral energy to a distinct structural awareness; drawing suspense from form in each of the David Goodis-inspired titles. This is improvised music digging deep into a shared sense of history, form, and drama.

Recorded in a neighbourhood church in the city of Ghent, Belgium. Penumbra is a fully improvised album. It was born from a personal urgency of searching for ways to keep creating sound in moments of uncertainty. It grew from a desire to move beyond the limit of a single instrument, to experiment with different materials, objects, and instruments. Merging, melting, creating, sounds, poems, and acoustics that inspire me. Penumbra is a state of uncertainty and urgency, moving with freedom and doubt…

When Eleh's debut Floating Frequencies/Intuitive Synthesis I was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while Eleh continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of Eleh as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the origina…

*100 copies limited edition* Five Nights in the Midwest is a new three-CD release from the improvising trio of bass clarinetist Jason Stein, double bassist Damon Smith, and drummer Adam Shead. Recorded during a December 2025 tour across the American Midwest, the album presents seven extended performances exactly as they occurred—without edits or cuts—allowing listeners to experience the full arc of the tour as it unfolded night by night. The December 2025 run marked the trio’s first tour since 2…

*200 copies limited edition* On Many Roads, their second full-length album, microplastique expands its playful yet rigorous commitment to instant composition, deepening an ethos that treats sound itself as both material and meeting ground. Recorded live across the ensemble’s 15-concert June 2025 U.S. tour, the album functions less as a polished artifact than as a document of encounter—capturing how place, audience, and momentary circumstance all shape what this quartet becomes onstage. Seven tra…

*25 copies limited edition* Sound & vision by Shigyogan.

*30 copies limited edition* Horrid horns loops'n'drones. A long-awaited debut album by the legendary Dislessnessful, who only now finally has a full-length work released as an 80-minute long tape by Nazlo Records. Pro-dubbed hi-quality red tapes and 2-sided printed j-card, limited to 30 copies only.

*30 copies limited edition. 2026 stock* Recorded in a village in Imereti, Georgia 2024–2025. Performed on talharpa, wind chimes, flute, whistle, resonators, and field recordings.

Malasomma returns to Stochastic Resonance with his third full-length release, completing a conceptual journey that began with the remote isolation of Jura (2018) and the linguistic deconstruction of Neolingua (2024). While his previous records functioned as warnings inspired by George Orwell’s 1984, UMA is the sound of those prophecies coming to fruition. As we step into the blinding, digital glare of the present day, we no longer inhabit a hypothetical dystopia. We no longer need to imagine a B…

*100 copies limited edition* "Meldrop tells of the place I call home, my dogs, the forest and the lives within. It speaks of birth, life, and the end of it. It speaks of a realm where even death becomes solely a matter of sound and scent". The debut album by Iuga emerges as a deeply immersive work of cinematic ambient music, entirely created through analog and modular synthesizers. Built around dense textures, slow-moving tensions and emotionally charged atmospheres, the album explores the psych…

Tip. After fifteen years of silence, the legendary but rarely heard project Mana ERG returns with their latest album, Concealed Under a Strange Tongue. Written entirely by founder and composer Bruno De Angelis, this twelve-track collection is not to be considered a comeback, but rather a belated farewell to the band's devoted fans and supporters and a thank you to all those musicians who, over the years, added their touch to the project. Dedicated to the memory of Deborah Roberts, a distinguishe…

“I don’t call a lot of my stuff far out,” Basho explained. “I just call it a different level of feeling. It’s far in, as far as I’m concerned...I spent years on the road singing folk songs that had no meaning. It dawned on me music is supposed to say something. Music is supposed to do something.” This is a Basho vocal album – his singing, which John Fahey described as “strangely compelling”, came straight from the heart and soul with no regard for restraint, phrasing or timing. Thankfully, he wa…

Originally released in 2008 on Ezekiel Honig’s own Anticipate Recordings, Surfaces of a Broken Marching Band finds the artist refining a compositional language rooted in the methodologies of musique concrete, ambient, and beat research. Working from a palette of environmental recordings, instrumental fragments, and soft electronic treatments, Honig pushes the source material into an array of sympathetic forms ranging from pillow-soft, lowercase ambient to diffuse downtempo and minimal house. For…

Pure Motorised Instinct drives over to Dark Entries with At Last I’m Leaving the Earth, an LP of industrial-tinged ambient and new age. When legendary industrial outfit Nagamatzu went dormant in 1991, band member Stephen Jarvis moved forward with Pure Motorised Instinct, a name he pulled from a line in George Romero’s Dawn of the Dead. Throughout two cassette albums - 1991’s Between Intimacy and Elsewhere, and 1993’s Everything Is True - Jarvis pushed the Nagamatzu spirit in new directions. At L…

*110 copies limited edition* Yama is the Hindu god of Death and Justice, and is responsible for the dispensation of law and punishment of sinners. Yama is also one of the oldest deities in the pantheon and some of his earliest appearances are found in the Rigveda.

On Lunng, Sam Slater weaponizes his own contradictions, crashing drone metal, brass bands, industrial folk opera and black‑metal flashbacks into a volatile, hyper‑emotional surge of sound that feels both deeply personal and magnificently unstable.

The next solo Project by Eric Van Wonterghem. This venture delves into the realm of experimental electronic music, featuring an combination of digitakt/korgms20 and effect pedals generating drones and feedback loops. Ambient industrial sound & visual art composition, brutalists industrial design of the future in sci-fi landscapes on Prodam youtube.

*2026 stock* The album features a mesmerizing live recording of Absolute Body Control captured at the historic Altes Stadtbad in Leipzig, Germany during the E‑Festival. Showcasing 11 standout tracks from the band's remarkable catalogue, the release delivers raw energy, atmospheric synth textures, and a powerful, intimate performance that highlights their signature blend of cold-wave minimalism and dark electronic intensity. Remastered for clarity, the recording preserves the venue's cavernous ac…

Musics for the Savage Planet' is the new album from Bloodcog, part of a year-long project to record a new soundtrack to the 1973 animated movie 'Planete Sauvage' (also titled 'Fantastic Planet'). As well as the full 70-minute OST, 'Musics for the Savage Planet' is compiled from two takes to form 13 discreet tracks. Bloodcog is a band from the North-West of England featuring five of the region's top improvisers, with a sound part rock, part free jazz, part musique concrete, part electronica (and …

*300 copies limited edition* In 2021, at the invitation of Chant du Moineau, Le Un experimented in collective spontaneous creating on a section of the Dordogne River. In an aquatic and poetic logic of space, Le Un continued its research along the Gironde estuary. Three working sessions with three different teams, ultimately bringing together the entire orchestra and our guests: Claire Steimer, historian, Olivier Chadoin, sociologist, Eric Chauvier, anthropologist, Guillaume Bonnel, photographer …

*2026 stock* The first collaboration between Atsuhiro Ito (optron) and Masataka Fujikake (drums) is a quartet featuring Yasuhiro Usui (guitar) and Hideki Tachibana (alto saxophone). 55-minute sound scroll edited and reconstructed from a live recording at Shibuya Park Avenue Classics.

This is the second album by the trio "Honnomajika Naharu", consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums). This is their first release in about a year since their last album (Honnomajika - Naharu X Keiji Haino: FDR-1052), and is a live album with Otomo Yoshihide (guitar & vocals) as a guest. It is another miraculous work, completely different in type from the previous album, as if the multiple layers of expression have been crystallized into on…

Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.

On Guitar, Solo, Michael Scott Dawson distills his tender ambient language to its essence: frayed guitar melodies, soft tape ghosts and pastoral field recordings breathing in unison on a Japan‑toured sister album to Music For Listening.

On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.