New Arrivals
Four Wings
The members of the Hidehiko Matsumoto Quartet, a famous combo from the 1960s, reunited for one night only. Their performance was on a grand scale, as if they were flapping their wings on four different wings, including the groovy "Speak Low" and the swinging "Four Wings".
Good Aderegechegn (Blindsided By Love)
*2023 stock. 100 copies limited edition* Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by …
Round Midnight
Recorded over two days at the Sound Inn Studio, Tokyo in 1983. Fumio Karashima’s Round Midnight is a solid straight ahead session featuring the esteemed pianist at his prime. Featuring Ikuo Sakurai on bass, Motohiko Hino on drums and guest jazz-fusion guitarist Larry Coryell on Side B of the LP. Post bop, cool jazz with a touch of Latin-fusion courtesy of Coryell. Perfect listening for anyone looking for a well-rounded session of classic jazz standards. Fumio Karashima, born March 9, 1948 in Oit…
Moonflower
A 1978 piece composed by pianist Fumio Karashima with legendary drummer Elvin Jones. The trio with bassist Andy MacLeod will feature original songs and standards, including the title track. This is the work that gave Karashima an opportunity to become active on the world stage.
Piranha
Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This first album was recreated by the trio of Suzuki Ino, Jimmy Hops. It has also been the first Japanese work of Whynot label, and it has a strong presence. A variety of famous songs and performances, such as Piranha and melancholic stormy "Little Island" are overflowing with vibrants.
To Ki Me Ki
"Wewantsounds is delighted to continue its series of reissues of Akiko Yano albums with the release of her third album, To Ki Me Ki, recorded in New York in 1978. The album is the follow-up to Iroha Ni Konpeitou, and features the same mix of Japanese pop with New York jazz funk, featuring such luminaries as Rick Marotta, Will Lee and David Spinozza. Programmer Hideki Matsutake also joins Akiko and Yellow Magic Orchestra on their international tour the following year. Together, Akiko and her musi…
Grasshopper Republic (Original Motion Picture Soundtrack)
*200 copies limited release* In the opening moments of Grasshopper Republic, composer and sound artist Robert Aiki Aubrey Lowe (Candyman / Master / Telemarketers) soundtracks images of hands rubbing, counting, and exchanging thousands and thousands of Uganda banknotes are juxtaposed with a heap of grasshoppers escaping or overflowing from a hole in a woven basket. Underscoring this is a rising tide of crystalline tones that hover from the high frequencies of the right into the deafened space of …
Der Ferne
On 'Der Ferne', Phil Struck intricately weaves an abstract tapestry of textures, incorporating elements reminiscent of Hassellian-like sounds and multi-textured dubby soundscapes, a testament to the musician's getaways from urban life, journeying in the heart of nature. The music's warm and concise amalgamation of audio fragments lends it an ineffable quality, evoking hazy, sun-drenched memories, while the radiating reminiscences of the natural world invite contemplation of its true essence, rem…
Remembering a Dance Part of Some Sextets 1965/2019 (Book)
Parts of Some Sextets, Yvonne Rainer’s 1965 performance for ten people and twelve mattresses, represents a turning point in the American choreographer’s oeuvre. “My mattress monster,” as Rainer calls it, was built in her formative years with the experimental downtown New York group Judson Dance Theater. In this work, she asserted her exploration of “ordinary” actions as well as her disregard for narrative constructions to create an intricate choreography that unfolded with a new scene every thir…
Moons Melt Milk Light
“Loss has been a constant (in my life), and I wanted to express a deep acceptance of this, but also a pervasive feeling that these kinds of sadnesses are what beauty is derived from, that it doesn't come from perfection. I find the idea of perfect beauty completely banal. Tension matters.” - Anenon
Post Koma
Berlin-based Swedish bassist and producer Petter Eldh returns with a new Koma Saxo album Post Koma, out on We Jazz Records, 10 November. The title Post Koma aptly describes the vibe of this one: The Koma Saxo sound continues its evolution, morphing into a holistic vision of jazz now and soon, where live instrumentation and repurposed sampling lose their boundaries. Over the course of its three iterations (self-titled debut in 2019, LIVE in 2020, Koma West in 2022) Koma Saxo has sounded at times …
Chorologie I
*2023 stock* "More than 20 years have passed since the inaugural reference on Night On Earth and the first volume of the "Chorologie" series, an anthology imagined by the Fougère label to celebrate the creative experiences of a sound explorer determined to abolish borders. Two decades during which Tzii has never ceased to defy the established rules or to invent his own, and above all to do a lot with a little by pushing sounds and senses into limited states.
In 25 tracks spread over two discs ec…
Intuition Negation - Musiques Pour Films
Intuition Negation - Musiques pour films is the latest release of Fusiller on the French imprint Fougère.
Avaler Des Couleuvres
Tip! LP release by Fougère honcho Kévin Orliange. Repetitive music made with tape loops, which tell the bad weather and deep industrial forest of the place where he lives called Le Plateau de Millevaches (who inspired Deuleuze and Guattari's Mille Plateaux).
Ferrolithe
Collaboration between Alexandre Chanoine and Fougère founder Kevin Orliange (Moineau Ecarlate).
Revision
Revision, Mario Lino Stancati's third release with Unexplained Sounds Group, unveils a captivating series of recordings spanning the years 2017 to 2021. While some of these tracks have graced podcasts and digital compilations, they have never before been available on CD. This extensive body of work illuminates the electronic and concrete music facets of Stancati's artistic journey, complemented by daring explorations into field recordings, vocal anomalies and electronic innovations. “Revision” w…
A Child In The Wind
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
Meadow Argus II
*2023 stock. 100 copies limited release* "“Warmth and woozies,” that’s what Meadow Argus is made of! Tynan Krakoff of Columbus, OH recently revived that ol’ solo moniker for a followup to his tape from over five years ago. And yeah, there’s already a Meadow Argus III on the way! But today, we’re looking at the Meadow Argus II self-release from back in April. It’s a simple C35 kind of affair; one that is legitimately keeping me on edge as I type this up.
You see, I recently swapped boomboxes and …
Peristera
*2023 stock. 100 copies limited edition* "I’ve been a big fan of Tynan Krakoff’s Meadow Argus project for a while now, but Peristera is my favorite album so far. Dust-covered loops tug at memories buried deep in our subconscious, coaxed out by operatic samples and the increasing glassine electronics. Urgency fights against a current of clanging, broken down chimes and toy piano skeletons. Krakoff has an uncanny ability to push old, broken-down sounds up an ever-rising, the palette continuing to …
The Palace
*2023 stock. 37 copies limited release* "The first side of the new Meadow Argus tape has unsettling creaking and crunching noises and looped layers of decayed piano melodies, turning potential distractions and irritants into something oddly comforting. The best part is the last few minutes, when it turns into a gentler ambient part that could almost be an outsider house track stripped of its beats and left outside to dry in the breeze. The other side incorporates clips from what I assume must be…