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The band Tuleje consists of Gosia Zagajewska, Ksawery Wójciński and Wojtek Kurek. Their original arrangement of folk music from eastern Greater Poland is filled with deep respect for the original material, and at the same time expresses their subjective view of tradition. A bold look, full of references to jazz, blues, early music and free improvisation. The repertoire was based on folk melodies from the Konin area - from the villages of Babiak, Kramsk and Osiek Wielki. The lyrics were written b…
"Live in Aston 1977" is a completely new lens through which we can see a unique band with a seemingly inexhaustible energy for live performance. It comes at a difficult time for Can; their recently released eighth studio album, 'Saw Delight', was was poorly received and although posterity has been kinder, the reviews at the time of release have been savage. One might expect the live performances of this period to reflect some of the criticism levelled at the album, that they were slowing down, p…
"In North Africa, a ziara is a spiritual ceremony where people come to exorcise demons, purify their bodies and loudly reaffirm their attachment to God, the prophet and the deities who claim to embody him. On this occasion, there are uncontrolled outbursts from the audience, but this has nothing to do with Roman orgies, as it lacks ostensible debauchery, aphrodisiacs or saturnalia - it is merely a blurring of the line between the religious and the superstitious. In a shrill parable, cries erupt …
Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.
In 1967, Owen returned to Europe to pursue h…
Pedro Vian and Merzbow release their first joint work, an unbounded expression of creativity and experimentation. Over the album's forty-minute duration, listeners can experience a blend of field recordings made by Pedro Vian at the DIA Bacon Foundation, specifically inside Richard Serra's sculptures. These recordings are interwoven with the ambient percussion and melodies characteristic of Vian's work, alongside the piercing and sharp frequencies produced by Merzbow, one of the most acclaimed a…
The anthology presents works from 15 Turkish female artists, each contributing to the album's beauty through their multifaceted creations. It encompasses various styles, ranging from purely formal music to innovative electronica, incorporating remnants of Turkish harmonies, as well as pieces with conceptual orpolitical undertones, varying in intensity from subtle to overt.
Comes with 6-page foldout sleeve, translucent blue vinyl. Including rare photos and lyrics. Originally released in 1967; Nora Guthrie’s ultra-rare “Emily’s Illness” is a lost gem of songcraft originally released in 1967, now reissued in the same 7″ vinyl format (b/w “Home Before Dark”) as the original. Featuring the pure vocals of the 17-year-old daughter of Woody Guthrie, “Emily’s Illness” was written by Eric Eisner (The Strangers) and impeccably arranged by Artie Schroeck. A romantic collabora…
Kevin Figes’ new sextet You Are Here release their debut CD which features Kevin’s new arrangements of five pieces by Keith Tippett, plus compositions by Elton Dean, Harry Miller, Dudu Pukwana and others. You Are Here is a loving tribute to friends, mentors and collaborators no longer with us. The album's 14 tracks are a worthy monument to some of the greatest composers in British modern jazz.
Jazz In Britain is proud to announce the launch of its ‘new music’ imprint Jazz Now, commencing with Eternal Triangle’s first studio recording. Gravity will be available as a download and on CD which includes liner notes from all 3 band members, Trevor Watts, Jamie Harris and Veryan Weston. The album features 10 new compositions by Trevor, all of which have been honed on the live circuit in recent months, so this album has a very much ‘tried and tested’ vibe.
“Hypnokaséta (2020-2021) is a continuous set of 16 pieces for string quartet, improviser (playing cassettes and any instrument) and live electronics. The source material is based on dreams that I had during the first few months of lockdown, April-June 2020. Accounts of these dreams are encoded in the music that is played by the quartet and also encrypted in the sound textures that surround this. The pieces alternate between quartet as the foreground and electronic interludes, where solos or duos…
Stripped-back harsh noise / death industrial from Finland’s underground. Lo-fi production recalls best of 90s noise, fans of Slaughter Productions take note…
Originally released in 1992 and our second C’33’ reissue following last year’s Metallurgi. Alumina Wrap deals also in surreal post-punk compositions but with more of a tribal ambient / progressive electronic leaning. Side B’s “Ten Year Mix” is particularly of note.
Also known as the leader of the jazz trio Inga, Sam Gendel is an L.A. saxophonist who has developed a free and unique sound that has been described as psychedelic, outsider, and meditative, and Shin Sasakubo is a Chichibu-based guitarist. A new album by the duo of Sam Gendel, an up-and-coming saxophonist from LA, and Shin Sasakubo, an uncanny guitarist based in Chichibu, who is also active as a photographer and contemporary artist. The two showed great chemistry in Shin Sasakubo's previous work …
On Requiem, Vancouver-based composer and musician Anju Singh combines funerary violin and harsh noise, as illustrated in an excerpt from liner notes by Gordon Ashworth (Oscillating Innards, Knelt Rote): "Requiem is an album of the violin engaged in a multi-dimensional way. Merging forms of music and anti-music; burning a violin as a means of achieving the instrument's ultimate dramatic and sonic potential, and guiding the ritual object into a symbolic death."
Singh is recognized in the noise w…
*2024 stock* Three Things is a new full-length album of pieces conceived, performed and recorded by long-term collaborators Luciano Maggiore and Louie Rice. The pair are known for multi-pronged activities as artists and organisers which have quietly but surely informed the shape of the United Kingdom's experimental audio underground for many years. Under the guise of Nopaon, they developed a series of events and performances in which they realised scores by Alvin Lucier, Robert Bozzi, Ken Friedm…
Teignmouth Electron is the solo project of Maureen Hallomas, otherwise known for involvement in projects like Polly Shang Kuan Band, Rubber Demon, Leopard Leg, Men Oh Pause and more. Seen and heard most often in a live performance guise, Teignmouth Electron has nonetheless produced a small yet significant back catalogue of recorded work going as far back as 2007 on labels such as Hex Out Tapes, Chocolate Monk and Research laboratories. Even within an already microscopic community of oddballs res…
Syed Kamran Ali (Hunter Gracchus, Harappian Night Recordings) introduces ‘Dog Wearing Dracula Fangs’; the first album from his newly minted Fish el Fish project. As if to kick the existing ideas of his Harappian Night Recordings work into all new orbits of singularity, ‘Dog Wearing Dracula Fangs’ wrenches a dense throng of voices, electronics and busted instrumentation thrashing and wailing through filters of avant-psychedelic glimmer, mock exotica and atrophied, fusion-esque sheen. A dry, myste…
Nathan Ivanco’s Shadow Pattern, based in Hamilton, Ontario, is a project for whom the term ‘under-the-radar’ is a cute understatement. Operating with scant regard for the cultivation of listenership or exposure, Ivanco’s work - both as Shadow Pattern and through his Hamilton Tapes label - usually manifests via subterraneously low-key tape editions that rarely if ever make out of his home country of Canada. Typically these releases are procured by direct contact with Ivanco himself and forgo the …
*2024 stock* Thomas DeAngelo, known otherwise as T.D. or for his participation in Melkings, Zwangsbeglucktertum, Association Copy as well as his sadly departed Crisis of Taste label/mailorder, returns following his well-received Nothing New Under the Sun cassette (Gift of Music, 2022). From a distinctly leftfield position relative to the gnarled, textural tape noise works of this last output, DeAngelo in Voiceprints… offers an obscure, bloody-minded take on Sound Poetry and voice-based sound art…