New Arrivals

Black vinyl – limited edition of 500 copies only!  The Exotic Sounds of ÌXTAHUELE are back with three fresh offerings to soothe and entice your ears! Let your mind’s eye wander as this dynamic group paints an auditory landscape utilizing a wide array of both indigenous and symphonic percussion! Front and center are the vibrant, lush tones of the vibraphone, paired with piano, bass, and the occasional flute – all accompanied by an exciting and ever-changing thicket of bongos, congas, shakers, bel…

*300 copies limited edition* Re-edition of the Cult Industrial-Noise / Power-Electronic split album out in 1997 on OEC. The original LP, limited to 470 copies, is long time sold-out: time for reprint it into CD format. It’s amazing, it has been 28 years since the original split LP was released. These tracks all sound better than ever thanks to a meticulous mastering job by Grant Richardson. “120 Days of Sodom” is accompanied by the only previously unreleased Deathpile track, which was recorded i…

Hopes and Dreams is the title of our brand new compilation series, which will celebrate its debut on March 20, 2026. This new series draws on the music selection of Praise Poems, not only in terms of obscurity, but also in terms of genius. Similar, but anything but a poor copy, the focus is on rare grooves from the 1970s.

Lay Llamas is an open musical project founded in 2012 by Sicilian composer, musicologist and graphic designer Nicola Giunta. Not a band, but a shifting constellation of collaborators, visions and sounds. Rooted in psychedelic traditions yet untethered from genre, Lay Llamas explores ritual rhythms, imagined folklores and escapist exoticism, where past and future blur into something new each time. The project has featured collaborations with artists such as Gioele Valenti (JuJu/Herself), Mark Ste…

Half an hour of unbroken drone from two people a generation and an ocean apart: John Krausbauer on violin, Werner Durand on reed instruments he builds himself. Limited to 150 copies.

*200 copies limited edition* "Paper Braids came out of a long collaboration between me and the wonderful musicians of the Kali Ensemble. Through a series of workshops, residencies, and performances over the course of four years, we built up a collective practice focused on three topics: listening as the basis of musical interaction, awareness of how sound interacts with the performance space, and using that spatial awareness as a basis for both the duration of individual sounds and the temporal …

Spring 2024. Carl Stone and Asuna performed together for the first time at an international experimental music festival held in Kanazawa city, where Asuna lives. Carl Stone is a pioneering composer of computer sampled music. and Asuna known for its “100 Keyboards” performance, played in this duo with over 100 toy instruments, samplers, and synthesizers. Carl samples and processed the sound of Asuna's various toys in real time. Asuna then incorporates the sounds into her own sampler and sends agai…

Our approach to making records has always involved an exchange of individually created sounds, which are joined together through live improvisation, studio recording, and the use of diagrammatic visual scores. Over the last several years, we have been interested in expanding very small fragments of these discreet pieces of audio into long-form compositions. This process has resulted in a new approach to how we build tracks from the ground up. In this particular workflow, one of us is largely resp…

Mark Morgan (formerly of Sightings and Silk Purse) and Gaute Granli first met in Brooklyn at The Glove in 2017 while Granli was on tour from his home country of Norway. The following year, Morgan embarked on a solo European tour and he and Granli did three shows together in Norway. Ultimately finding each other reasonably tolerable and able to agree to disagree on punk versus prog, they soon thereafter toured together in the fall of 2019 in Europe for 50 days with each playing solo. As the tour …

The score Dotolim was originally realized in 2009 and composed for the performance space Dotolim. The musicians, Jin Sangtae, founder of Dotolim, and Joonyong Choi also performed on the 2009 version of the score. While on tour through Asia in 2023, I spent two nights performing and recording in Seoul at Dotolim. My idea was to realize a new version of the score with the current generation of experimental musicians active in Seoul. And unlike for the first version where I worked with electronics,…

Tip! *200 copies limited edition* At the end of 2024, Eric's purchase of an electric cooker with induction hobs was the catalyst. Between auscultations and improvisations, Eric offered Francisco his recordings of the object in his kitchen. In return, Francisco completely reinterpreted these recordings. From this dual level of listening, the elements created resonated in each artist's sound world. Pieces created from shared original raw sound source materials.

*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.

Italian Language Edition Una monografia esauriente e completa di uno dei maggiori artisti e poeti visivi del secondo novecento italiano, Arrigo Lora Totino. Un catalogo ragionato di poesie, performances, libri d’artista, video.

For Ponyo on the Cliff by the Sea, Joe Hisaishi pours big‑hearted symphonic colour, children’s choirs and unmistakable earworms into Miyazaki’s flood‑myth fairytale, crafting a score that’s equal parts tempest, lullaby and sugar‑rush theme song.

Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility. At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…

If the blues represents "the expression of a dissatisfied mind" then this EP can be considered a blues EP.  If not sonically then in attitude and intention.  A mind dissatisfied enough to travel three hours west to the middle of nowhere Pennsylvania to a town called Dushore at the tail end of summer to escape society, if only for a couple of days.  I won't use words to tell you what transpired during my time in Dushore and I won't tell you if you asked.  What I will do is leave you with this EP …

After months of careful excavation and meticulous restoration, dj echotree finds his way to ZitStill with a singular artefact. Delving into lost remnants of the spirit world, a gapless collage of found footage, spoken word and otherworldly jazz slowly emerged. A mute yet eloquent testimony, held together by instinct and the steady pulse of the MPC. Much remains to be uncovered about this entity and its teachings, rooted in beliefs that left no written trace. What is known is its devotion to the …

With their self-titled release on Titrate Records, Post Coma presents two twenty-minute passages shaped by a winter improvisation. What surfaces is a sense of detachment — at times even dissociation — treating the improvisation as a shared descent into the inner psyche. Listening as much to each other as to the remnants of their own decisions, the music emerges as a kind of cognitive experiment — a document of mutual attunement and the debris that gathers in its wake. The result lies suspended b…

Aspen Edities is pleased to present Aerial, the third album of the experimental quartet Oker.

*50 copies limited edition* This CD is inscribed with physical defects (scratches with a needle) covering track 8 which consist of a 22049 Hz inaudible sinewave. This will produce audible artefacts, different in nature depending on the CD player used for playback. Tracks 1-6 are recordings of track 8 applying different forms of physical scratches. The results can be described as simple rhytmic studies, some surprisingly jazzy in nature. Timbre-wise only the pure artefacts are heard, contrary to …

*50 copies limited edition* Strictly intended for playback on a hardware cd-player. Listener discretion is advised. Limited edition, fixed media, no official digital file edition ever ~ support the compact disc.

*2026 stock, 50 copies limited edition* CD-Single. Total size: 62 MB (06:12.08) = 27906 sectors. Strictly intended for playback on a hardware CD-player. Listener discretion is advised. Mixed and edited in Adobe Photoshop by JºnΛs °lΣs∈n. Fixed media, no official digital file edition ever ~ support the compact disc.

*2026 stock, 50 copies limited edition* Composed of source material extracted from a recording of tuning forks in rainy weather. Vibrations of the metal, rain on contact microphone, small movements and noise from an electrical system. Comes in transparant jewel case.CD only, no digital edition ever.

On Live Non-Plus Ultra, Strain of Laws—the duo of Aaron Hemphill and John Wiese—drag voice and electronics through a pressure system of sub‑bass, hiss and mumbled fragments, documenting their 2025 LA set as a single, slowly suffocating industrial hallucination.

On Morte Lilás, Força Maior (Pedro Alves Sousa & Pedro Tavares) turn a decaying 400‑year‑old farm into an instrument, spinning sax‑sourced, electronics‑blurred meditations that move like slow weather between trance and lucid, lilac‑tinted reverie.

The charming, thoughtfoul Oracle conveys the familiarity and empathy of partners who have worked together for years – light touch, intricacy and sensitivity pervade the session. Oracle wins you over with its warmth and melodicism.

“These performances, by Heinz Holliger and Marie-Lise Schüpbach, are simply astonishing in their fluency,” wrote UK magazine Gramophone of Holliger’s album Zwiegespräche, and the description applies with equal pertinence to con slancio, with its inspired and inspiring play of energies. The title piece, which opens the programme here, was written by the Swiss composer and nonpareil oboist as a tribute to musical partner Schüpbach: “Since I began playing in duo with Marie-Lise, I’ve been fascinate…

With Convergence, his second solo album, Swedish-born bassist Björn Meyer further develops music on the blueprint established with his recording Provenance (2017), making use of the technical potential of the bass guitar to establish striking sonorities and grained textures while also being acutely aware of the acoustic space in which his sounds emerge. In its review of Björn’s previous solo statement, London Jazz News found the bassist demonstrating “that melodic high-jinks and emotional intens…

Constellation Tatsu welcomes back Bifuu_ZONE, which means "a zone of gentle breeze" for a record that resists drama, instead favouring small tonal events that take you to a place you never knew existed but somehow feels familiar. Notes linger, erode and soften as stillness becomes the primary pull, sound unfolding patiently. The presence of the saxophone adds a human warmth as breath brushes against restrained electronic forms. Rather than inviting escape, the album grounds you in a park on a su…

Zuzax is a release from Damaged Bug, the long-running solo project of John Dwyer (Osees), built from dozens of previously unfinished songs written across several years. Left aside as other projects took over, these tracks initially felt too scattered to form a coherent whole. Revisited with fresh perspective, they reveal a shared emotional thread. The record leans into contradiction: abstract but catchy, fried yet sweet, light on its feet while carrying a reflective weight. Dwyer frames the albu…

Wewantsounds is delighted to release Ayam El Disco, a new selection of Egyptian 1980s disco and boogie cassette tracks curated by Egyptian DJ Disco Arabesquo, following his highly acclaimed Sharayet El Disco. Most tracks make their vinyl debut in this set. A journey through the funky sounds of 1980s Egypt, Ayam El Disco ("Disco Days") features Ammar El Sherei, Al Massrieen, and other underground artists from Cairo's vibrant cassette culture. The audio has been remastered for vinyl by David Hacho…

Reissued on vinyl for the first time the sole album from this Westland folk trio, recorded in 1972 at the Folk Heritage Studio. An esoteric acid-pop masterpiece with irresistible and obscure melodies, a must have for all the British folk revival fans.

On Notes from the Air, Ciro Vitiello turns the seagull into a trembling patron saint of dizziness and desire, drifting between orchestral swells, shoegaze haze and post‑rock afterimages in songs that hover on the edge of meaning and never quite touch down.

Four Systems (1954) is an early and influential example of Earle Brown’s open-form approach to composition. Written as a graphic score, the work replaces traditional notation with visual elements that suggest relationships of pitch, duration, dynamics, and rhythm rather than prescribing exact sounds. Four Systems may be performed by any number of musicians using any instruments, and its duration is equally open: the piece may last as long as desired, provided the time frame is agreed upon in adv…

3LP triple set featuring all the Prescription versions and the newly created AD II artworks by Steven Stapleton. The booklet features all lyrics, extensive liner notes and sheds light on the interesting circumstances of the creation of this Coil release by Gary Ramon who not only instigated the sessions but also provided the haunting location for their recordings. Has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Steven Stapleton design & layout by Ol…

At the turn of the millenium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors! Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping …

Oranj is a 14 track LP, recorded in 2025 between Chicago’s Rax Trax studios and Dock Street Studios in London, Andy Baxter taking on drums, keys, bass guitar with long time collaborator Francesca Uberti joining on Rhodes piano for four tracks. Featuring mix engineering from Hackney Recording Studio’s Sean Woodlock (4 songs) and by Lilac Lab’s Shawn Clendening in Chicago (10 songs). Partly an ode to the inventors of analog recording equipment and electric instruments in the middle of the 20th Cen…

Bayeté Umbra Zindiko’s Seeking Other Beauty is a visionary statement from keyboardist and composer Bayeté, also known as Todd Cochran, newly available in a definitive all‑analog reissue that brings its futuristic spiritual jazz into sharp contemporary focus. Recorded in 1973 for Prestige, Seeking Other Beauty channels the electricity of early‑70s Miles Davis while drawing on the cosmic funk of Parliament‑Funkadelic and the astral explorations of Lonnie Liston Smith—only with a fuzzed‑out clavine…

Pedro Santo's psychedelic soul masterpiece is one of the most in-demand  Brazilian records. Santos was a percussion virtuoso driven by the spiritual  realm, and this record features a unique blend of rhythm and lyrics that touch  on morality, perception and existence. Unlike many rare records, it also has  strikingly beautiful artwork. Unsurprisingly, Krishnanda has a strong following  among diggers like Gilles Peterson and DJ Nuts.

The Christmas Factory was a live piece performed by MJE during November 21 - 23, 2025. Contained here are three preliminary tracks or movements followed by an in-studio rehearsal. During each iteration of the performance, the preliminary tracks were ordered in accordance with a system of chance procedure, with additional room for improvisation using the equipment listed below.