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H&F Recordings’ album Friends, sometimes known as Fragile, is a rediscovered gem of early 1970s British psych-folk. Crafted by Peter Howell and John Ferdinando, this collaborative project—originally issued as a private press—displays gentle harmonies, intricate acoustic textures, and a disarmingly intimate approach, now remastered for fresh ears after decades of semi-mythical obscurity.
Nana Vasconcelos’ Amazonas, originally released in 1973, is a solo journey through Brazilian percussion, voice, and the iconic berimbau. Recorded at Rio de Janeiro’s Phonogram Studios, the album features Vasconcelos' mastery of polyrhythms and inventiveness, distilling rich world fusion textures into a uniquely personal statement that remains timeless.
Ensemble 0 presents L'Étrange Femme des Neiges, a fresh addition to their exploratory discography and the official soundtrack to a new film featuring Blanche Gardin and Philippe Katerine. This release demonstrates Ensemble 0's knack for understated textures and melodic invention, crafting a sonic atmosphere that seamlessly blends cinematic intimacy with expressive minimalism.
Errant Sound Reader brings together essays, interviews and documentation of projects by artists and researchers associated with Errant Sound, an artist-run space in Berlin.
Since 2014, Errant Sound has been an active part of Berlin's independent art scene, supporting work in sound art and experimental sonic practices. Over the years this has included a range of exhibition projects, performance events, discursive formats, and collaborative initiatives that investigate sound in diverse ways and th…
The genealogy of Céleste Boursier-Mougenot's aquatic, immersive, multisensory installation, developed in over twenty versions over thirty years. Clinamen is published on the occasion of the installation of a monumental version of Céleste Boursier-Mougenot's work in the Rotonde of the Bourse de Commerce – Pinault Collection during Summer 2025. "These blue islets, their surface dotted with floating white porcelaine emispheres, like the atoms of an endlessly renewed musical form - drifting, collidi…
Tecnocreto, Gwenaël Rattke’s third book for Visible Publications, began during an extended stay in Mexico City in 2019. Collecting images and graphics, Rattke made daily collages in a large blank book to form a long, continuous montage. Upon his return home to Berlin, geometric shapes were airbrushed onto old, porous East German paper and incorporated into the work.
Much of the book’s initial inspiration came from a 1970s construction company directory Rattke found in a second-hand bookstore in …
Moriuo Agata's “Submarine” and ‘Airplane’ from the 1980 landmark masterpiece and globally significant work “Illustrated Guide to Vehicles” are released as a single! Side A features the Joy Division-esque classic “Submarine,” while Side B is “Airplane,” which uses a collage of Inagaki Ashihō's actual voice as its intro. Released as a single for the first time in its 42nd year.
** Special Discounted Bundle ** The complete archival collection of Hungary's legendary underground collective Trabant (1980-1987), preserved by Purge in two essential volumes. Active behind the Iron Curtain during the harshest years of authoritarian communism, this loose collective of songwriters and filmmakers - including Mihály Víg, János Vető, György Kozma, and Marietta Méhes - created hundreds of DIY recordings that were hand-traded on cassettes within the Hungarian underground.
Described a…
This Box Set brings together Goblin’s legendary horror soundtrack, a new six-track LP from Calibro 35, the LP-sized English book "Nel Rosso più Profondo" by Fabio Capuzzo, and a striking lenticular image, all housed in a deluxe slipcase. The set melds remastered classic material, insightful essays, and collectible visuals, offering a rich tribute to fifty years of cinematic innovation and musical legacy.
Paulownia by Merzbow is a 2025 full-length statement comprising two lengthy compositions that fuse intense electronic manipulation with Merzbow’s enduring fascination for natural phenomena. Across both pieces, the album merges organic inspiration and harsh digital process, producing a hypnotic yet confrontational experience.
2025 stock Coil’s cultishly acclaimed Worship The Glitch features the group in dialogue with the ghost in the machine, an element they named ELpH and considered as much a part of the group as any physical member. Aye, you’d probably be right in assuming they were taking a lot of drugs during the creation of Worship The Glitch, and consequently the results stand out among their trippiest releases, comparable with the rugged space of early Pan Sonic and slightly later Mika Vainio releases as much …
1984 Cart PPG Detroit News Grand Prix 200 by Spallmaker delivers a concentrated burst of harsh noise, inspired by the mechanized wreckage and traumatic undertones surrounding a legendary motorsport event. Each piece harnesses violence and speed, making the album not just a sonic outburst but a meditation on risk and survival.
Self-titled / Vasovagal Syncope by Wince is a dual release reissued to celebrate the project’s fifteenth anniversary. The CD brings together bruising harsh noise, interwoven with relentless hiss and explosive feedback, forming a document of both the genre’s ferocity and its staying power.
Satan’s Imperials by Pain Appendix & Tantric Death compiles five live-collaboration tracks into a burnt offering of noise extremity. The sound is wrenched from malfunction, with synths, feedback, and howl colliding under the “malevolent gaze of a punctured inflatable Satan.” Here, fun and brutality are inseparable; each track a riot of writhing electronics, live-wire tension, and mischief.
Absolute Earthbound Spirits by Death Kneel is a collection of five cassettes originally released on Life of Sensation between 2023 and 2024. Now presented as a unified CD album, it traverses harsh noise domains with a granular attention to texture, rhythm, and atmospheric collapse. Sculpted from aggression and nuanced sonic distortion, the album embodies a vital cross-section of contemporary noise music.
Reality Is Not a Theory by Mark Fell and Pat Thomas is a vivid collaboration exploring the friction between theorized structure and lived musical experience. By fusing Fell’s technologically limited triggers for creativity with Thomas’s exploratory improvisation, the album reimagines not only electronic and jazz vocabularies but also notions of time and agency, rendering a shifting landscape where each moment is both calculated and unexpected.
Ghost Story, by Ron Geesin, is a previously unreleased, wildly inventive soundtrack to Stephen Weeks’ cult British horror film of 1974. Blending traditional folk motifs, modern electronic experimentation, and eccentric studio craft, Geesin’s score is at once haunting, playful, and profoundly original—characterized by spectral atmospheres and surreal sonic storytelling.
The Birds of Marsville, the seventeenth album from Friendly Rich, is a whimsical and experimental sound guide to 76 imaginary birds inhabiting the fictional island of Marsville. Featuring orchestrion, chamber ensemble, and a playful mix of genres, the work brings together carnivalesque sonorities, witty narratives, and a centuries-spanning tradition of birdsong composition.
Suns of the Heart, the sixth solo album from Colin Fisher, unfurls a suite of intricate, emotionally charged improvisations that blend treated guitar, elemental electronics, and gestural samples. Across six movements, Fisher crafts an enveloping soundworld where each texture pulses with meditative warmth and restless sonic curiosity.
Mirante, the ninth album by Nick Storring, is an impressionistic, multi-instrumental homage to Brazil. Across seven movement-rich tracks, Storring weaves liquid ambient textures, intricate rhythms, and a panoply of both Brazilian and experimental influences, forging an album that balances celebratory groove and lush introspection.