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Brooklyn Pirates: Neighbourhoods in the Sky, 2014-2021 documents David Goren’s deep listening project dedicated to Brooklyn’s pirate radio underworld, spanning recordings made between 2014 and 2021. Issued on vinyl for the first time by Death Is Not The End, the album is an extraordinary aural chronicle of New York’s invisible airwaves, focusing primarily on the rich, labyrinthine world of Caribbean-run stations, with excursions into Turkish, Orthodox Jewish, and other broadcast communities.
Became These, the newest double LP by Lou Mallozzi, collects previously unreleased sound works spanning 1996–2020. Released by Pentiments in October 2025, it showcases Mallozzi’s enduring practice of dismantling and reconstituting gesture, sound, and language, enveloping the listener in a poetic destabilization of the familiar through experimental audio collage and improvisation.
Ex Stasis 69, the new audio work by Joseph Nechvatal. Fuses erotic tension, cybernetic poetics, and immersive noise aesthetics into a hypnotic sound experience. Drawing from his decades-long inquiry into “viral” media and the sensual limits of perception, Nechvatal explores the ecstatic collapse between machine, body, and dream.
On The Intimate Overlap, o[rlawren] refines his immersive approach to ambient electroacoustics, weaving field recordings and digital textures into a delicately crafted soundworld. The album unfolds with understated depth and resonance, inviting careful listening into the nuanced emotional spaces that lie between nature and technology.
With DronosWalze / Dron, Conrad Schnitzler revisits and redefines the drone form, crafting a dual album that foregrounds his singular approach to electronic minimalism. These expansive pieces radiate immersion and mechanical elegance - each a testament to Schnitzler’s restless exploration and uncompromising sonic vision.
On her sophomore album Pancake Moon, Michiko Ogawa crafts a liminal soundworld suspended between darkness and light, fusing sho, piano, and synthesizers into reflections on memory, loss, and renewal. Released in late 2025 by Futura Resistenza, the record drifts through introspective layers and subtle textures, inviting listeners into an immersive experience that is at once deeply personal and quietly radiant.
150 copies only. French saxophonist Sakina Abdou and Philadelphia guitarist Bill Nace present Rinse Cycle, a striking first encounter between two of improvised music's most uncompromising voices. Released October 15, 2025 on Open Mouth Records, this LP captures the duo's incendiary exchange recorded during a U.S. tour that included performances at Philadelphia's legendary Solar Myth. Abdou, whose searing solo work Goodbye Ground (Relative Pitch, 2022) established her as a formidable presence in …
King Of The Tenors is a landmark album by Ben Webster, recorded in 1953 and initially released as The Consummate Artistry of Ben Webster, then retitled for its classic 1957 Verve Records reissue. Webster is joined by jazz icons including the Oscar Peterson Trio throughout, as well as Benny Carter (alto saxophone) and Harry “Sweets” Edison (trumpet) on select tracks, resulting in ensemble interplay that balances lush ballads and blues with joyous swing. The program includes Webster originals like…
By All Means is the new album from Aaron Parks due for release on November 7, 2025 via Blue Note Records, expanding the acclaimed Parks-Street-Hart jazz trio into a luminous acoustic quartet with the addition of tenor saxophonist Ben Solomon. This set of seven original compositions explores Parks’ signature mix of modern jazz innovation and tradition, highlighted by tender dedications to his wife and son and the sly, swinging lead track “Parks Lope”.
* Deluxe Hardcover Triple-Gatefold 3xLP.* In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled…
With For a Moment the Sky Knew My Name, Peter Knight extends his fascination with the porous relationship between body, instrument, and environment into one of his most personal and immersive solo works. Due for release in November 2025 on Room40, the album takes its cue from extended fieldwork and improvisations undertaken near Yeerung River on Krowathunkooloong land, where Knight spent much of his early life. Each of the album’s pieces grew organically from direct encounters with that setting—…
Protomurk Book One, the latest project by Zeke Clough in collaboration with Twilight Sequence, is a multimedia release fusing a vividly psychedelic graphic novel with a specially composed soundtrack CD. The first installment in Clough’s Proto Murk series, it traverses inter-dimensional landscapes—populated by mutated mole rats and spectral environments—via Clough’s intricate illustrations complemented by Twilight Sequence’s immersive, atmospheric sound design. Together, they conjure a world that…
Generator is the lead single and CD EP from James Adrian Brown, marking his transition from guitar-driven rock into the realm of thoughtful electronic music. The track—surging, resilient, marked by Brown’s layered production—introduces the conceptual arc of his debut album with pulsing synths and a sense of propulsive energy.
Appendix I brings together three Warrington-Runcorn EPs onto CD for the first time. Comprising Building A New Town, A Shared Sense Of Purpose and Overspill Estates, this CD brings together some of the more esoteric elements of the world of Musical New Town Planning.
Public Works and Utilities by Warrington-Runcorn New Town Development Plan is the sixth full-length album from the British electronic project helmed by Gordon Chapman-Fox. Returning to the conceptual world of post-war British urban planning, this record shifts focus from spectral nostalgia to the stark realities of public infrastructure’s managed decline, channeling the anxieties and bleak optimism of contemporary Britain through atmospheric electronica and abstract, danceable beats.
Super Tip! Kali Malone and Drew McDowall have orbited each other's work for over a decade, their individual explorations of sustained tones and harmonic space suggesting an inevitable collaboration. When they finally entered McDowall's Brooklyn studio together, what emerged on Magnetism transcends mere musical compatibility. Malone has spent recent years extending the legacy of Éliane Radigue, redefining what electronic minimalism can accomplish through pipe organ and synthesizer. Her compositio…
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
Composer and violist Eyvind Kang announces the release of Riparian, his first album of solo viola d’amore performances via Kou Records. Kang is a long time collaborator of Jessika Kenney, Bill Frisell, Laurie Anderson, Bennie Maupin, Stuart Dempster and many other luminaries, as well as a substantial contributor to recordings by SUNN O))) (Monoliths and Dimensions) and Blonde Redhead (Misery is a Butterfly). He is a disciple of spiritual jazz violinist Michael White and a lifelong student of rag…
Désinances is a collection of pieces taken from two contrasting recording sessions. The first was intended as a set of raw materials made specifically for a collaborative project with Franck Vigroux, and provided the impetus for the making of this album, with the second following on shortly afterwards. Both occasions yielded different musical results, yet possess a similar intention - owing something to the liminality of crepuscular daylight and the nighttime darkness during which they were both…
Standing / Engraving by Jean D.L. is a meditative suite where solo guitar sketches and field recordings fold into a chiaroscuro of memory and texture. Drawing from experimental folk and nocturnal ambient, the album patiently sculpts sound and silence into subtle vignettes, inviting the listener into an immersive domain of reflection and suspended time.