Uoiea is a collection of meditative and textured minimalist ambient drone pieces created using only a Squier Bass VI and guitar pedals. Where in most of my compositions I tend to add layers and fill as many frequencies as possible, I opted instead to embrace the space between notes, the subtleness of the Bass VI's highest tones, and the general feeling of drifting slowly. The track names are nonsense pseudowords - descriptors of feelings and experiences that do not exist. This is an album for fl…
For this month's Electronic Sound cover feature, we're taking a deep dive into the music of Gerry and Sylvia Anderson's sci-fi TV shows, much of it the work of cult British composer Barry Gray. We're bundling the magazine with a superb six-track white vinyl EP featuring some of Gray's classic sci-fi theme tunes and incidental pieces too.
Gerry and Sylvia Anderson produced some of the most exciting children's television of the 1960s and 1970s. The list of their programmes – 'CAPTAIN SCARLET', '…
“Second” is the title of the second album of the Alsatian group Wlud This French band is composed of Philippe Wendling on keyboards, Bernard Labroche on guitars, Gigi Untersinger on bass and Gianni Drago on drums. Wlud is the acronym of the musicians' names, W for Wendling Philippe, L for Labroche Bernard, U for Untersinger Gigi and D for Drago Gianni. All compositions are by Wlud. The original vinyl record released in 1979 was as successful abroad (notably in the USA and Japan) as in France. Th…
"Carrycroch'" is the title of the first album by the Alsatian progressive rock band Wlud. This French band is composed of Philippe Wendling on keyboards, Bernard Labroche on guitars, Gigi Untersinger on bass and Gianni Drago on drums. Wlud is the acronym of the musicians' names, W for Wendling Philippe, L for Labroche Bernard, U for Untersinger Gigi and D for Drago Gianni. All compositions are by Wlud. The original vinyl record released in 1978 was as successful abroad (notably in the USA and Ja…
The second chapter of the project, "Break," marks the first encounter with Yosuke Yamashita & Hiroshi Yamazaki in 60 years since their first encounter at Ginpari. Guitarist/composer Otomo Yoshihide has been active all over the world, from movies, plays, TV shows to commercials, without being confined to the framework of free jazz. The live performance recorded on December 27, 2024 at Shinjuku Pit Inn, which has been his "core" since his teenage years, is not only a "milestone" in Otomo's career,…
The opening of the pair of simultaneous releases, "Introduction," is a new wave of free jazz born from an intergenerational improvisation session with Takashi Sugawa (b) and Shun Ishiwaka (ds). Guitarist/composer Otomo Yoshihide has been active all over the world, from movies, plays, TV to commercials, without being confined to the framework of free jazz. The live recording of December 27, 2024 at Shinjuku Pit Inn, which has been his "core" since his teenage years, is not only a "milestone" in O…
Aside from spending the last couple summers teaching music on a remote New England island, David Alexander Shapiro has spent the rest of his time playing with various New Haven heads such as Headroom and Center, as well as accompanying the legendary Kath Bloom at local and various regional tours. To showcase his unique style on a variety of stringed instruments, David presents here, a side of banjo tracks, and a side of mandolin tracks. Continuing on his long tradition of untitled, or barely tit…
2025 stock We are excited to announce our next release titled, ‘A New Landscape’ by Lav- his debut long play on PITP. The man behind the machines is Christopher Landin, sound artist and photographer hailing from Karlskrona, Sweden. While embracing flourishes of electronic melancholia, Lav showcases his affinity for harmonizing nature imagery and natural sound in his arrangements.
‘A New Landscape’ is wonderfully atmospheric, sonically detailed and ultimately an ear-pleasing affair. This collecti…
2025 stock This is Pepo's and Sita's first debut album as a true collaborative effort under both artists' names. Contact is in appreciation and gratefulness of their creative, ever growing partnership.
Pepo Galán and Sita Ostheimer have collaborated in one way or another since 2015. Pepo composed music and furnished accompanied arrangements for Sita's dance creations and Sita recorded her delicate vocals for several of his solo albums.
2025 stock We are excited to commence a new series titled, 'PULSE'. Similar in nature to our ANON series, two artists showcase their work in tandem. 'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx.
SYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for…
Smoove is one of the most prolific and consistent producers in the UK, whether writing and producing for his Geordie soul outfit Smoove & Turrell, as the producer behind the highly prized multi track vinyl re-edits series or indeed the remixer de jour for a whole host of hip hop, soul and funk artists.
Apart from Smoove & Turrell, his first solo outing on Jalapeno Records was a compilation of some of his finest remixes all collated together in one very DJ friendly package entitled ‘First Class’.…
*200 copies limited edition* Furtherset, the musical project of Venice-based composer and visual artist Tommaso Pandolfi, debuts with his first album for Kohlhaas, the sixth in his career, 'Wounds of Melody'. A layered image of devastation and beauty, where Renaissance tears merge with the incandescence and violence of phosphorus, the artwork is the first encounter in the emotional itinerary that unfolds in the five tracks making up the LP. Over its forty-one minutes, the album's beatless but me…
From the very first note, Norway’s Jon Balke proposes a new sonic dimension with Skrifum, continuing a line of inquiry begun with Warp (2016) and Discourses (2020), solo piano albums which also processed the acoustic environment in which the music was heard. Skrifum (the Icelandic word for “write”) takes things a step further. With the aid of electronic audio tool the Spektrafon, which he helped develop, Balke is now able to directly manipulate ambient audio sound from the piano while playing –…
Pianist François Couturier and violinist Dominique Pifarély, major figures in French improvisation, have played together in many projects over the last 30 years, including their duo, which made its recording debut for ECM with the remarkable Poros in 1997. Preludes and Songs, carries the story forward, with its programme including music by both players as well as pieces by Jacques Brel, Duke Ellington, George Gershwin and J.J. Johnson. With sensibilities informed by jazz and contemporary composi…
Musical messages from Oslo, New York, Basel and Lugano – recorded between 2018 and 2022 – are juxtaposed and recombined on an absorbing recording that features Norwegian drummer Thomas Strønen solo and in a series of duets . With such partners as Craig Taborn, Chris Potter, Sinikka Langeland and Jorge Rossy, the musical frame of reference is very broad. Elements from Langeland’s’s archaic-sounding folk to Potter’s post-Coltrane saxophone and Taborn’s whirlwind modernist piano each find their p…
Released in 1981, the debut of the legendary keyboardist from Eberhard Weber’s Colours band and later the Jan Garbarek Group, Freigeweht presented Rainer Brüninghaus as a highly original and idiosyncratic sound sculptor in his own right, accompanied by ECM stalwarts Kenny Wheeler on flugelhorn and drummer Jon Christensen as well as oboist Brynjar Hoff. In a review of the album from the year of its release, the German daily Frankfurter Allgemeine Zeitung traced Rainer’s influences and minimalist …
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
*2025 stock* A sweet electric 70s session from the mighty Joao Donato – very different than his earlier bossa work of the 60s – and with the same funky appeal as the best work on his classic Quem E Quem album! This set's got a tighter feel overall – very much in a samba soul style, with lots of great Brazilian bits mixed up with funk and jazz touches – including a range of great keyboards handled by Donato himself! Drums are by the mighty Wilson Das Neves – who brings in some breaks at a few poi…
Invictam represents Olivia Font’s solo debut, an album co-produced with producer and composer Pedro Vian, set to be released in early 2025 under his label, Modern Obscure Music. This work explores themes of resilience and adaptation after loss, developing these ideas through a sonic journey that blends strings, analog synthesizers, electronics, and experimental percussion. The narrative is guided by a female voice, which, although not the central element, appears intermittently throughout the al…
*200 copies limited edition* TON is thrilled to present “Moko”, the eighth album by FourColor, the solo project of Keiichi Sugimoto. With a remarkable discography spanning labels like 12k and Apestaartje, FourColor has established itself as a master of blending processed and raw guitar chords, drones, synthesizers, and samplers into a warm, evocative, and deeply immersive sonic landscape. “Moko” continues this tradition, yet it also marks a new chapter in Sugimoto’s artistic journey.
The album’s…
*100 copies limited edition* Kurt Liedwart unveils his new label, TON, with the release of “Volta”, the inaugural album in a planned series of five. After a decade immersed in experimental electronic and occasionally improvised music, Liedwart returns to his roots in techno and ambient—genres he has been passionate about since the early 1990s when he first began crafting music in these styles. For “Volta”, he revisits and reimagines sounds from his unreleased techno albums of the late 1990s, ble…
"It’s a lovely album, best played at the end of the day; the lights are still out when the day turns into evening, and darkness slowly falls". - Vital Weekly
*2025 stock* After a long break Wozzeck returns to Intonema with an album called Fact I that opens the next chapter in the group's history. Ilia Belorukov, Mikhail Ershov and Konstantin Samolovov celebrated a decade of the band last year and wrote a piece with the materials collected over several years, transformed them and placed them into a new context.
This resulted in a 37-minute composition of math rock, noise, musique concrete and field recordings with a wide dynamic range and sounds throu…
In a collaboration lasting several days in Novi Sad, Belorukov & Zlanabitnig explored the acoustic and electronic sound combinations of their instruments as well as ambiental sounds and field recordings in the immediate surroundings of the city. This was not just a direct musical collaboration. Ilia and Sara integrated their sounds into the spaces in which they were played in, be it the studio_kuda.org, the museum acoustics or the Peace Chapel. The musicians developed different approaches throug…
Tip! *2025 stock* "On Ganglions, Badrutt sculpts sinusoidal sounds, internal and external feedback as well as voice inputs and other sources into two pieces of otherworldly music. The release takes the listener into the realm of an arthropod central nervous system and its nerve cells processing tactile and visual information (Supraesophageal). The B-Side – Suboesophageal – showcases a more primitive, destructive approach that could well be aligned with a nerve cluster that processes environmenta…
The trio Gaudenz Badrutt (electronics), Jean-Luc Guionnet (alto saxophone) and Frantz Loriot (viola) met for the first time at the Biel/Bienne-based “Joyful Noise” encounters in December 2018. Very quickly, the three agreed on a formal and sonic understanding, giving the trio a distinctive sound, combining and interweaving different sonic aesthetics, from electroacoustic to acoustic improvised music.
In February 2020, the trio continued its musical journey for a residency at Instants Chavirés i…
*2025 stock* In 2013, the collaboration of electronic musician Gaudenz Badrutt and saxophonist Ilia Belorukov began in a trio with accordionist Jonas Kocher, and in 2014 the album Rotonda was released on Intonema. Since then, time has passed, Badrutt and Belorukov have toured also as a duo, Belorukov later switching to a modular synthesizer.
In March 2019 in Biel/Bienne, the duo fruitfully worked in a new context, looking for fresh ways to interact, not only with each other, but also between ele…
Ambient explorers SWIMS unpeel another heady debut, with the maiden effort by Korean artist Soo Kyung Kim, also known as soo:k. The curtain raises on Orchadia with an elysian glow: electro-acoustic compositions painting a golden topography of impossible fruit and uncanny astronomy. soo:k's utopic brushwork finds obvious comparisons in the work of Hiroshi Yoshimura, and his meditations on the glacial pace of hidden, verdant spaces. Frida Kahlo's portraits of everyday life, intertwined with pain a…
Sediment is an assemblage of field recordings made in the Swiss canton of Jura on a single day in August 2022. Jura's rock and limestone formations create a complex topology which hosts a diversity of sound spaces; human, more-than-human, geophonic, subterranean and extra-terrestrial. By walking and driving through this landscape curious pockets of activity are revealed to the listener. The layers of strata that make up Jura; earth, rock, forest, cables, pipes, factories, planes and radio towers…
2025 Repress Every song on this album taps into raw, rich veins of sound that are simultaneously dense but easy to enjoy; vintage and modern; new yet timeless. The album kicks off with a monster track entitled "Stratton-Eustis" - one of those complex yet flowing tunes that makes you think overdubs were involved or the player has grown an extra set of limbs. Then there's "Kenduskeag,” a raga-esque group recording in an abandoned New England Conservatory building with Ethan WL and the long standin…
There is something intensely alluring, almost addictive, about Kansas City-based artist Jackie Myers. Known for her innovation and fluidity on the keys and her sultry, bluesy vocals that could spark warmth in even the iciest of souls, she has a way of leaving all your flabbers ghasted and with a voracious appetite for more. Now, 577 Records is ecstatic to present her latest work of art, What About the Butterfly, a technical masterpiece born from the depths of this vocalist/pianist/composer’s bea…
*30 copies limited edition* This double disc project originated with Evan’s recordings, which comprise the first disc. Evan’s original recordings June 26, and June 27 were made at home in one take, an improvisation with feedback, instruments, and interior environment. The following disc “Ponder with Strong Hands” and “Silo No Jazz” include Evan’s original recordings re-amplified by John Collins McCormick.
"In service to the microphone in the room and the simultaneous ability to forget about the …
This recording was made June 3, 2023 near Kingston New York while standing in the Stony Kill. In part one, John and Evan improvise with and against each other and nature. The raging water is a dynamic barrier at once the audible center and distracting noise. Part two showcases audio’s ability to fool the senses, by slowing the playback speed we can challenge the figure/ground relationship.
"If there is a need for constant sound I like a creek. They are reliable, if rain-dependent. Of making soun…
*300 copies limited edition* Flying between virtuosic formalism and freewheeling openness, Andrew Bernstein’s new album Shadows and Windy Places is a gripping picture of the Germany-based saxophonist right now. Capturing recordings across the last five years and disparate sources — some are previous album sessions, others peak into Bernstein’s daily practice — they all fall perfectly into place to form an album as rich as a self-portrait and as spontaneous as a snapshot. “I often feel the pull t…
Felipe Lara’s Chamber Works for Strings redefines the ensemble as a resonating body, where strings become vocal cords and bows breathe sound into existence. In Corde Vocale and Tran(slate), the quartet is not a polite conversation but a raw, elemental force – organic, urgent, and monstrous. Sonare unfolds in processional waves, while Archi elastici stretches time to its breaking point, embodying breath itself. With Postcard and Prisma, Lara explores dialogue and divergence. Across these works, t…
Artist, composer and producer James William Blades’ score Pare De Sufrir will be released via AD 93 on the 4th of October. Pare De Sufrir (translating to ‘End of Suffering’) is the official soundtrack to A.G Rojas’ film of the same title. Spanish-born, Southern California-raised filmmaker AG Rojas is known for creating videos and working with the likes of Jamie xx, Gil Scott-Heron, Kamasi Washington, Spiritualized and Mitski. Rojas’ sensitive eye and subjectivity has brought him from the world o…
Danish composer and multiinstrumentalist Anders Lauge Meldgaard and the innovative string trio Halvcirkel are thrilled to announce the release of their collaborative album, Spirit. This extraordinary fusion of acoustic and electronic sounds will be available on March 20th, 2025, on vinyl and digital platforms through the Copenhagen-based experimental label År & Dag. Spirit invites the listener to experience an intricate interplay, where melodic lines and creative textures from the string players…
2025 Stock. Limited to 500 copies, hand-numbered. Gatefold cover, textured sleeve + printed inner. This double live album perhaps embraces the most creative period of our psychedelic 'messenger'; Claudio Rocchi is the author who gave a strong contribution to the Italian underground musical scene. The tracks are from 1972 to 1975, and eight of them are completely unpublished. Listening to the double live album, you can smell the scent, and you can see the colours and the atmosphere of the magic a…
Offering some of her first original compositions, ‘The Time Has Come’ was a break from tradition in more ways than one for Anne Briggs. Where previous recordings displayed the unaccompanied melodies of her voice, this album - originally released by CBS in 1971 - brings additional instrumentation in the form of guitar and bouzouki. The result is that her vocals are not submerged but heightened - the plucked strings providing the perfect foil for her crystalline inflection.
‘The Time Has Come’ i…