New Arrivals
Of How Hits
In attempting to write this dispatch on the second Voice Imitator album my instinct is to pitch them as somewhat of an antidote to the current ills of what could be described as the post-Noise Rock landscape. I’m trying not to tread too far down the path of negativity and slander, so let's just say that while on paper they share basic characteristics with popular groups in the pigfuck to frat rock pipeline, Voice Imitator possess a tact and vision scantly seen in Repetition Orientated Rock. On ‘…
Ashmadai
*2025 stock* "Two adepts of the sonic arts return with a morality play in four sides. Gone are the appeals to the winged serpent, the tree of life, or other past luminaries; these days they can be seen in consort with only one: Ashmadai. It is said that Ashmadai is not to be feared. When you say to it: 'In truth thou art Ashmadai,' it will give you a wonderful ring. It will teach you geometry, arithmetic, astronomy and mechanics. When questioned, it answers truthfully. Released on two twelve inc…
Dead-Loop
*2025 stock* Tim Barnes’ latest full-length: DE∆D-LOOP (AMI 038R/W), is his first solo release since 2002’s All Acoustics. DE∆D-LOOP offers another arm in Barnes’ wide-ranging body of music and work, as well as supplying an additional thread connecting the House, pop and sound art conversations the album engages. In many ways DE∆D-LOOP is House music that takes a sideways approach to the language of dance music. As both a concept and a practice, Barnes aims to turn House on its side, reconsideri…
Cabanes
It has been almost seven years since the release of Alpestres, the impressive debut by Matthias Puech on Hands in the Dark. While that first experience took us on a mystical journey through fascinating fictional landscapes, 'Cabanes' lets its narrative unfold in a confined space: eight pieces each resembling small structures or makeshift shelters that, while enveloping and isolating the listener, remain open to their surroundings. These are not merely interiors; they are handcrafted spaces throu…
Intuitive Fields
Zach writes his dreams, his grand inner music emanating directly from his soul and offering it to the world, guided by his intuition. Nine abstract, ambient, and celestial tracks, evolving with his sensitivity, conducted like an intimate orchestra, revealing his landscapes and skies. Sweetzak takes us on a journey within himself and questions our emotions in this first album with complex textures, like a glimpse into what moves him.
Rise & Bloom
*100 copies limited edition* The sixth issue in the U Jazz Me catalog is an album by the jazz super group Late Night Poems, which has already appeared on wax with the U Know Me Records logo in 2022. Imagine a jazz club straight out of New York in the 1990s. Imagine a jazz club in one of Poland's medium-sized working-class cities, which has been operating continuously for 45 years, driven and run by one tireless man. The greatest from the country and the world have played there. They stare at you…
If We Can't Dream, They Won't Sleep!!
*2025 stock* Strange connections -- Bilbao meets Japan via Berlin on a record that will put you in a constant state of WTF. ASMR rock? Post internet punk? A political manifesto in times of generalized madness? After his acclaimed 2017 destructo-punk single on Munster Records, Al Karpenter now delivers his mature, complex debut LP on the world's premier record label for adults, New York City's Ever / Never.
Al Karpenter is an elusive figure. On this record, he comes off like "Che" Guevara front…
The Forthcoming
*2025 stock* On their third album, Al Karpenter merges its singular vision with a host of collaborators. After finally becoming a band in 2022 with Marta Sainz and Enrique Zaccagnini from Santander joining Al Karpenter and Mattin, and in synchronicity with a recent CIA Debutante team-up, this group rises to the challenge of expanding its parameters. As Al Karpenter’s resident theoretician Mattin explains, “The last record was a result of the pandemic, introverted, isolated and with a blues energ…
Al Karpenter & CIA Debutante
*2025 stock* A collaboration between the Spanish Cabalists, Al Karpenter & French Rosicruanists, CIA Debutante, was not specifically foretold in the Fama Fraternitatis, but read between the lines, friend. That is where the truth lurks. The bilious Marxist splatter of the former, coursing alongside the dystopian surrealism of the latter, is a nefarious seance gambit born in the ether. Many voices are heard-fractious, cryptic, suffused, fading one into the other, the results often as hazy as the m…
Courage
Originally released in 1969, Courage marks the international debut of Milton Nascimento, one of Brazil’s most singular and influential voices. Recorded at the legendary Van Gelder Studio and produced by Creed Taylor for A&M/CTI, the album weaves together Brazilian popular music (MPB), bossa nova, and jazz, creating a lush and emotive soundscape.
Arranged by Eumir Deodato and featuring jazz great Herbie Hancock on piano, Courage is a showcase for Nascimento’s soaring, expressive vocals and poetic…
Different Rooms
Different Rooms is a collection of songs and musical motifs we composed, edited, and collaged in the weeks between late 2024 and early 2025. Most of the recorded material was performed during that editing process, except for live performances taken from improvisations we recorded with Jeff Parker and Josh Johnson some time in 2023. In our typical process, much of our material is collaged and combines moments of live improvisation, field recordings, and in-studio experimentation. This record, how…
Dissenting Voices with Elisabeth Flunger, Dominic Lash, Kathryn Williams
Elisabeth Flunger - bass drum Dominic Lash - double bass Kathryn Williams - bass flute "Recording the Dissenting Voices confirmed the extent of their divergence from The Future That Never Was. Music always has something to do with the sonic architecture of instruments, but it is also about the fantasy with which musicians like Dominic, Elisabeth and Kathryn choose to play." - Christopher Fox
Электронная Музыка АНС (ANS Electronic Music)
Available on CD (or any other format) for the first time outside USSR, Soviet composers perform their works on the legendary ANS synthesizer.
Saudades
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
Circle - Paris Concert
When Circle took the stage in Paris in 1971, they weren't just performing - they were igniting a musical revolution. This extraordinary quartet, featuring Chick Corea (piano), Dave Holland (bass), Anthony Braxton (reeds), and Barry Altschul (drums), represented the cutting edge of jazz experimentation at its most vital.
Fresh from their tenure with Miles Davis, Corea and Holland were eager to push boundaries in an entirely improvised context. They found the perfect collaborators in Braxton - who…
Far From Over
Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014 – Far From Over, featuring his dynamically commanding sextet – finds Iyer reaching a new peak, furthering an artistry that led The Guardian to call him “one of the world’s most inventive new-generation jazz pianists” and The New Yorker to describe him as “extravagantly gifted… brilliantly eclectic. Far From Over features this sextet of virtuoso im…
Continuum
Following three studio albums (Stoa, 2006; Holon, 2008; and Lyria, 2010) plus a double live album (2012) with his electric band Ronin, Swiss pianist and composer Nik Bärtsch now unveils a new release with his original ensemble, Mobile – whose lineup partially overlaps with the current Ronin formation.
Originally formed in 1997, Mobile (here enhanced on three tracks by a string quintet) represents the foundation of Bärtsch's ritualistic approach to music-making. This distinctive style has been sh…
Ritual
2025 stock Keith Jarrett and conductor-pianist Dennis Russell Davies have been friends and musicalcomrades for forty years. In the mid-70s the St Paul Chamber Orchestra, under Davies’ directionpresented Jarrett’s chamber music. In the 90s Jarrett recorded the Mozart piano concertos with Davies and the Stuttgarter Kammerorchester. Near the beginning of their association, Jarrett invited Davies to play a composition he had written for solo piano. To listen to Ritual is akin toexperiencing the core…
B-X0 NO-47A
A cornerstone of avant-garde jazz, B-X0 NO-47A captures Anthony Braxton at a pivotal moment in his career and in the history of the Association For The Advancement Of Creative Musicians (AACM). Recorded in Paris in 1969 and newly restored from the original master tapes, this classic session finds Braxton leading a quartet of fellow AACM visionaries: trumpeter Leo Smith (before adopting the name Wadada), violinist Leroy Jenkins, and drummer Steve McCall.
The group’s instrumentation is strikingly …