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Brooklyn pianist Eva Novoa joins saxophonist Daniel Carter and drummer Francisco Mela for the second volume of The Freedom Suite, a set of twelve pieces blending piano, Rhodes, harpsichord, gongs, and vocals with Carter's multi-reed brilliance and Mela's Cuban-inflected drumming, creating an urgent, intimate, and fluidly improvised dialogue of words, sound, and fearless imagination.
Mirror at Night searches the subconscious: Eric Angelo Bessel sculpts a spectral space where ambient resonance, spectral melody, and time-stretched echoes intermingle. The album pulses with memory and hush, summoning nocturnal images that flicker between clarity and dissolution—a twilight walk across the inner landscape.
Four Fold unites four singular musicians—Iva Bittová, Marilyn Crispell, Benedicte Maurseth, and David Rothenberg—in a chamber where jazz, improvisation, and modern composition intertwine. Voices and instruments curve and spar, yielding an album of subtle poetics and palpable communion whose articulated silences are as charged as its most explosive moments.
** Second reprint limited edition to just 110 hand-numbered copies ** The 1990s were a fascinating moment for music and new idioms of experimental music began to bubble in the underground. While often belonging to highly localized scenes and thus overlooked by a broad listenership in the moment, many of these gestures have proven to be profoundly important and influential and have left an indelible mark on the musical landscapes that have followed in their wake. Particularly notable among others…
FRKWYS Vol. 18: Extended Field witnesses Horse Lords and Arnold Dreyblatt in deep collaboration, melting minimal composition and polyrhythmic invention into a sprawling sound experiment. The album pulses and stretches, dissolving genre boundaries and conjuring a space where tradition is not static, but ever-evolving.
The cellist who became a living sculpture. Four decades of performances with Paik, Cage, Chiari — from WBAI broadcasts to the TV Cello. Now: 4CDs, 154-page book, 16 festival posters, plus a previously unreleased LP featuring answering machine messages and rare performances. Edition of 80.
Matthias Puech’s La Traversée ventures through atmospheric electronic landscapes, offering an evocative journey with immersive soundscapes. Released on Hallow Ground as an LP, this album invites listeners to experience a visionary fusion of music and art from a renowned artist-led label, dedicated to inspiring sonic exploration.
Pick a small spot (a point) in front of you (a small knot of wood, a dog down the way). And tightly focus on this spot. And now slowly unfocus your gaze. Widen your gaze. Pan out without moving your eyes. Take it all in.
2025 Stock. 180 minutes of cybernetic music made available in a unique 3 cd box. Recent years have seen the release and reissue of dozens of hours of Roland Kayn’s music, on several labels and in both physical and digital formats. Our interconnected yet chaotically imbued age seems to be the seeing in which Kayn has truly found his audience. The scene is now set for one of the most momentous works in his oeuvre to return to the shelves.
Reissued by Reiger Records Reeks – the composer’s own label…
Brindisi Paradiso is a cassette mixtape reuniting Marco Foresta and Enrico Ascoli, two artists who previously collaborated on the 2018 track "Alma" from the Fabio Fabio release Amore Cannibale. Marco Foresta (aka Fabio Fabio) is co-founder of the Ivreatronic collective alongside Cosmo, Enea Pascal, and Splendore. A former percussionist who began working with turntables in the 1990s, Foresta has developed a distinctive sound that combines exotica, tribal psychedelia, and downtempo techno. His mus…
Liz Harris's debut as Grouper returns—the album that established her approach to ambient music as something other than comfort. Songs that refuse to be remembered, fog that won't lift, secrets kept just on the other side of the speakers. Kranky reissues the 2005 original.
Eight years since his last solo electric guitar record. Bill Orcutt returns to what made his playing essential: slashing chords, frenzied double-picking, angular runs that climb and ricochet. Recorded live at Cafe OTO. No computer loops. No gentle melodic glow. Just Orcutt and his four-string Fender through a tattered Twin Reverb.
*Limited Edition of 299 copies. Black vinyl * Masami Akita has been making noise since before most people understood noise could be made on purpose, and Animal Magnetism is what happens when forty years of sonic terrorism suddenly decides to sit you down and explain itself without raising its voice. Originally released on CD in 2003, this double LP reissue—remastered by Lasse Marhaug and pressed on black or purple vinyl in a gatefold sleeve featuring Akita's own photographs—adds a previously unr…
Interstitial Spaces marks Martin Brandlmayr’s first venture with Faitiche and explores those rarefied, nearly invisible moments at the threshold of musical narrative—what lingers after conclusion, what bristles before commencement. Here, Brandlmayr—Radian and Polwechsel's celebrated percussion mind—deploys field, film and record scraps, sculpting from absence a delicate, audio micro-drama.
Framed by Almodóvar’s saturated, performative world, Ryuichi Sakamoto’s score for Tacones Lejanos (High Heels), newly reissued by Quartet Records, layers melancholy minimalism and luminous melodrama, offering ornament rather than excess, with bolero and chanson threading through Sakamoto’s reflective atmospheres. The soundtrack’s architecture is subtle, emotionally surgical, quietly powerful in its dialogue with Luz Casal’s iconic voice.
The tape Wildlife & it’s Results by Sue Fishbein, reissued by Counter Culture Chronicles, captures a collage-based soundpiece from early 1980s San Francisco. A key figure in the mail art network, Fishbein constructs an aural patchwork where found sound, irony, and cultural debris converge into a sharp yet playful critique of everyday noise.
From the archives vol. 13, released by Counter Culture Chronicles, gathers rare recordings from key figures such as Lawrence Weiner, Ulises Carrión, Michael Gibbs, and others. This collection traces the porous boundaries between conceptual art and sound, where language, gesture, and environment intersect in works both fleeting and resonant.
The self-titled tape by Ulises Carrión, reissued by Counter Culture Chronicles, revisits his elusive Trios & Boleros, a work once privately circulated. Here, Carrión reimagines popular form through a deconstructed lens, where fragments of music and voice are refracted into conceptual gestures that linger between intimacy, satire, and radical sonic experimentation.
Morgen II by Pier van Dijk and Robert Joseph revives the radical Dutch sound poetry of the 1980s. This tape, released by Counter Culture Chronicles, documents a sprawling word-piece where language fractures, collides, and reforms, blurring the divide between voice and noise, gesture and rhythm, memory and rupture.