New Arrivals
Gita Pon Yeik
Beautiful sounds in a style we've never heard before – music played on the saung gauk, which is a special leaf-shaped Burmese harp – mixed with some light background percussion and ethereal vocals from Su Wai herself! The notes of the harp have this rhythmic way of progressing – almost like the falling of rain – but the vocals slide more gracefully over the top in waves of lyrics – a strange sort of counterpoint that really creates a lot of presence from the relatively lean elements of t…
Club Music Remixes
Cleveland's Prostitutes (James Donadio) delivers Ecstasy, Crashing Beats and Fantasy, with four gaping cuts that dissipate heavy drug fug in favor of synapse-sparking, blistered hardwave funk. "Crawl in from Broadway" hammers out workshop percussion latticed with searing acid lines and wry, whining drones, while "Dollars to Deutschmarks" walks the walk with leather-bound friction and Linn-style snare crack. "Lovers Run Camp Africa" centers on a militant two-note bass and drum momentum, ove…
Sonno
CD edition. Hospital Productions debut from Nine Inch Nails’ Alessandro Cortini, a suite of 9 analogue synth pieces complete with found and ambient sounds. Alessandro Cortini is best known as the lead electronics performer in Nine Inch Nails’, but in recent years his work as ‘Sonoio' and a pair of fine albums for Important Records under his own name have highlighted his own individual productions. Known as one of the pre-eminent Buchla masters in North America, Cortini makes a surprising departu…
Visa
Double LP version. Sasu Ripatti is one of electronic music's most prolific and eclectic producers. Throughout the last two decades Ripatti has explored every imaginable genre with over 20 albums under aliases such as Luomo and Sistol. A classically trained percussionist, the Finnish native has also performed as a part of the Moritz Von Oswald Trio and his own Vladislav Delay Quartet. He returns now under his Vladislav Delay moniker with a uniquely inspired album. Visa was a product of pure hap…
Street Metal
Swedish hypno-rok experimentalists, The Skull Defekts, make a perfect addition to the Diagonal roster with the psycho-glam swagger of Street Metal, their follow-up to Dances in Dreams of the Known Unknown for Thrill Jockey. Comprising five tracks, including two extended dancefloor hypnotizers, Street Metal captures the mercurial unit of Joachim Nordwall (vocals, guitar, oscillator), Jean-Louis Huhta (percussion, electronics), Daniel Higgs (ghost catcher), Daniel Fagerström (vocals, guitar, synth…
One Hour As A Plant
All of the sounds used in this composition were produced by recording the bioelectrical field of a specimen of the Peyote cactus (Lophophora williamsii). A fascinating work that takes the listener into normally unheard realms. One Hour As A Plant was composed in 2003 for Ben Green's Resonance FM program called "One Hour As...". In 2005, Michael released a slightly shorter version (57:57 versus 61:02) himself on CDR under the title "One Hour As Peyote". After closely listening to both "OHAPlant"…
Different Trains
The album is a collection of works of Arturas Bumsteinas inspired by Central European cultural landscape (soundscape). It includes radio play "Wielka improwizacja" commisioned by Bôlt Records. "Wielka improwizacja" is based on the monologue from the 3rd part of the poetic drama "Dziady (Forefather's Eve)" by Adam Mickiewicz and the archival recording of its reading done by the Polish poet Miron Biaoszewski. Most parts of this composition were recorded in and around the site of the Basilian…
Lead Kindly Light: Pre-War Music and Photographs from the Americ
What happens when a 78 collector marries a collector of antique photographs? Lead Kindly Light: recordings of rural Southern music: old time, string band music from Appalachia, extremely rare country blues and African American gospel singing from 1924-1939. A portrait of the rural American South between the dawn of the twentieth century and World War II, Lead Kindly Light brings together two CDs of traditional music from early phonograph records and a fine hardcover book of never-before-pu…
Arkansas at 78 RPM: Corn Dodgers & Hoss Hair Pullers
For the traveling recording men of the late 1920s, Arkansas offered enticing pickings. The region was thronged with vigorous, idiosyncratic string bands. This album carries the listener from the hillbilly music craze of the '20s to the song-based country music of the late '30s. Scarcely more than a decade, but a period, in music as in all American life, of galvanic change. This CD serves as the soundtrack album to the newly-released photograph book, Making Pictures: Three for a Dime by Ma…
Making Pictures: Three for a Dime
In the 1930s, the Massengill family of rural Arkansas built three portable photography studios on old truck frames, attached each to the back of any car that would run, and started a mobile photo booth business that would last for a decade. Without formal training or help, the Massengill family invented and improvised ways to mimic the popular photo booths they had seen in drug stores and brought their business to the dirt roads and open fields they knew well. Making Pictures: Three for a …
Volym 1
Gravmaskin's music might pull instant associations to classic Italian horror soundscapes and dreamy German psychedelia (the band cite Goblin, NEU! and Tangerine Dream as three of their main influences, alongside smoke, freeways and the Swedish nature reserve Hågadalen). But when looking further, descending over it is a funeral mist of something undeniably Scandinavian – that soul stripping melancholia present in Bathory and Bo Hansson alike – and a raw, jangly punk execution giving it groove, ne…
All To Pieces
After a stellar collaboration with Aluk Todolo and last years „The Cosmic Trigger“, the Der Blutharsch and the Infinite Church of the Leading Hand mothership planted four new seeds which are now in full blossom and ready to be harvested by you. Put them in your pipe, smoke them and let the mystic aural haze make your braincells dance a waltz of life, death and everything between the cracks. Shifting seamlessly between sinister channelings of Amon Düül II and the embrace of electronic inst…
Ritt Durch Den Hades
Ultra-rare lost psychedelic Kraut-Folk from 1979. First time on CD and LP! Taken from the original mastertapes! Gulaab means “rose” in Nepalese language. Gulaab is a German virtuoso on the acoustic guitar who has served three years as an after dinner musician in a luxury restaurant in Nepal to play for an amazing number of well known personalities of the 20th century during the early 70s. A strongly influential experience that shaped his musical expression big time but also let him become an ope…
Eden's Island
It is 1960, rock’n’roll has just lost a couple of its protagonists during this and the previous year, the time of the great balladeers has just begun but soon will run out due to the new and exciting beat invasion. In US mainstream the tiki culture has reached a certain peak and is about to collapse but still goes strong and with it comes the so called “exotica” music, a crossover between smooth jazz and swing, Latin grooves, haunting melodies that are rooted in the folkloristic sounds from diff…
VOD presents 80's Industrial & Avantgarde
Another outstanding and massive 13 x LP Box Set (weighing over 5kg!) of all the Vinyl on Demand releases housed inside an embossed and truly deluxe box, compiling Vinyl-On-Demand's latest batch of eight albums. Crucial collection in what will be a must-have industrial/avantgarde series from the indispensible Vinyl-On-Demand camp.
VOD132.1/2 The Death & Beauty Foundation Recordings 1981-84 (2Lp)VOD132.3 Silverstar Amoeba Recordings 1983-85 (1Lp/7inch)VOD132.4 Counter Dance Recordings 1979-81 (1L…
Christmas Soli
LP version. Remastered edition: John Fahey has made a habit of recording a new album of Christmas music every five or six years, but The New Possibility, which was originally released in 1968, is still his best. One of the best and most influential acoustic guitarists of his generation, John Fahey's music fused past and present, borrowing from the traditions of blues and folk music and filtering them through a modern musical viewpoint. Some of Fahey's most striking (and most popular) work appear…
Home Handover
In 2010, Jean-Luc Guionnet and Éric La Casa were invited by Arika to the Uninstal festival in Glasgow (Scotland) to carry out a series of recordings with some inhabitants of this city, in their home spaces. Based on predefined rules, including the single-sequence shot as a recording method, these people became the actors in a story about their everyday life. Guionnet and La Casa considered this work as a composition under the form of a score with four phases.
1st phase: APARTMENT Recording…
My Ghost Comes Back
The aptly named My Ghost Comes Back witnesses the return of Tujiko Noriko after a hiatus, exploring worlds beyond those we regularly inhabit. The results of these travels provided the formula for this, her most accomplished record to date. As rich in ambition as it is skewered in its melodic stance, My Ghost Comes Back is a decidedly more acoustic affair in which a host of guest musicians incorporate mandolin, viola, musical saw, optigan and other such wares into the exotic environment whe…
In Dialogue With Eugeniusz Rudnik
"Making music is to be in constant dialogue with your own aesthetics and preferences. In inspired moments, you can get surprised by where the process leads you. And in welcoming circumstances, there are no limits or sneaking doubts that disallow you to try out any possibility. The electronic music made by Eugeniusz Rudnik unquestionably encourages such a position. Working with his music has been greatly inspiring, and the nature of his music feels strangely fitting to my own approach to e…
Attitudes
Kåre Kolberg is a pioneer of electroacoustic music in Norway, and he was the first Norwegian composer to write a piece of computer music (in 1973). […] Kolberg’s basic ideas for electroacoustic form were shaped in his first works made in Sweden and Poland in the early 1970s, and he used a collage technique with easily recognizable elements that communicated well with audiences. Later, he extended his technique by adding a more electronic-sounding and abstract timbral palette. In Polish Ra…