New Arrivals
A
A is Sunburned's second album with producer Kieran Hebden, a.k.a. Four Tet. Directed by Kieran like actors in a film, Sunburned is taken off the bandana smokestage of their previous collaboration -- Fire Escape -- and put onto a sweat-soaked 4am lysergic dance floor. Kieran uses the band like his live instrument laptop and sampler. The results are truly stunning which makes this record into one of the best moments of each artist's respective musical careers. With artwork by California vis…
Assez de trop pas
Salmigondis is a collective (born in 2006) of musicians and graphist designers. Free rock, psychedelic, noise Ludovic Renaud (keyboard, turntables, electronics), Jean-Pierre Barja (bass, keyboard, electronics), Jérome Declercq (saxophones, keyboard, basse), Mathieu Renaud (guitar, electronics), Jean-Noël Cognard (drums,objects, voice). + some guests : Charlot (voice, percussion, flute), Philémon (sax, electronics), Eric Lewis (trumpet), David Khalifa (percussion), Etienne Foyer (drums). Recorded…
Parade Room
Limited to 500. Zak Boerger whittles a small niche all his own out of the vast trunk of bedroom psych-rock, & it's a quite stirring slow burn of a record - a steady rippling of melodic noise that cascades on your emotions, like Richard Youngs re-imagining the Laughing Stock-era Talk Talk sessions.
The sacrifice for the music became our lifestyle
Chris Abrahams, upright piano. Kai Fagaschinski, b-flat clarinet. Cover painting & sleeve design by Zev Langer. How do you run a duo when both of its protagonists are living at two opposite ends of the planet ? Well, it's not that dramatic. For many years Chris has used his European tours as a springboard for extended stays in Kai's hometown of choice, Berlin. After appreciating each other's work for quite a while they began collaborating at a friend's piano-armed kitchen in 2007. While C…
Picture Disc
What's been described as a trumpet player trapped in a two dimensional universe is in fact the unique work of Justice Yeldham (aka Lucas Abela), a maverick musician with an unhealthy obsession with sheets of broken glass. In his infamous show that has astonished and bemused countless people in over 40 countries, yeldham ecstatically purses his lips against sheets of amplified glass whilst deftly employing various vocal techniques ranging from throat singing to raspberries, turning discarde…
Netsu
As Takaaaki says, this is NOT usual Dubstep. He makes it evolve to a new Dubstep, with a heavy, dark and aggressive side, clinging to the bass and various BPMs, but some harmonies and even hints of melodies take all these sounds to a new level, creating a mutant Dubstep that hypnotizes the listener and takes him to lunar seas or snowy landscapes. But be aware that with Takaaaki decadence and crazyness are never far and Netsu might give you fever very quickly.
Hexplore Superfluidity
Stargate is something in between pre-sleep Tetris Effect and Trance music in slowmotion: gated soft synth arpeggios smoothly modulate towards brutal supersawed patterns, disintegrating into ecstatic vocals. You are opening the doors of an Ibizia club at 5 am, the foam is all around and your eyes start twisting, your brain is gently stretched & pitched down. You are locked into the longest build-up ever. Unique, truly inspired, 100% uplifting music from the "Dawn of the Cryonics": watching …
Basement Recordings 1978-1982
A while ago one of the members of the youngest antwerp based free jazz band SHELDON SIEGEL (all 16 year olds..) visited me, I had just met them and he wanted to come by to get some records. We spoke about free jazz for a while, then he said the magical words "My dad use to play free jazz in the 70's as well".. I was like "ow, and if that was in antwerp, was it with WIM?", he said "Yes yes, he's on one of their tapes with Fred Van Hove, Ivo Van Der Borght etc". My heartbeat went a little faster, …
djTRIO - 21 September 2002 Hirshhorn Museum Washington DC
World-renowned multi-media artist Christian Marclay may be best known these days for his globally embraced film collage piece "The Clock," but he began by redefining the roles of "musician," "DJ," and even "artist" itself. Since the late '70s, Marclay has created art by masterfully mistreating both vinyl and phonographic equipment, using them both in a manner more consistent with the way an abstract sculptor employs raw materials in the service of a larger vision. He was one of the earlies…
More Moondog
2nd LP, originally released in 1956. Continues the NYC street performer's exploration of minimalist composition & field recording, mixing percussion & sparse melodies w/ piano solos, street sounds, & monologues. Surprisingly accessible despite it's avant-garde nature, bridging the gap between the familiar & the bizarre. Another all out masterwork from one of 20th century America's most unique minds.
L\'Autopsie Phénoménale De Dieu
These sample-based constructions incorporated sounds from free-jazz, new electronic-generated sounds, classical modernism & vintage geographical recordings. Discordant segments of wailing, top-end violins give way to clunking rhythmic passages of metal marimbas & tuned percussion; free-roaming passages of rasping, low-end bass & the shuffle of free-jazz recall the work of Prestige-era Moondog, as well as aspects of Harry Partch's instrumentation via mid- to latter-day period Tom Waits. Atonal am…
The Shepherdess and the Bone-White Bird
Stone Breath returns with their first new album in over 5 years. A visionary creation of Eastern-influenced rural acid folk. From fingerpicked acoustics; to clawhammer banjo excursions; to the side-long exaltation that is “The Shepherdess of the Fiery Wheels,” Stone Breath manifest their best work to date; an entire set of originals with the strange and beautiful harmonies and instrumentation which graced their past work. They are clear in sight, united in purpose, and shining in the darkness. C…
Beguiled Entropy
Expo '70 has garnered a great deal of notoriety over the last few years in certain circles in which the moniker is usually mentioned to describe types of cross-genres. After completing a couple US tours and a handful of limited releases and re-releases in 2010, a short hiatus was in order. During this time last year Justin Wright, sole operator of the project, recorded tracks for an upcoming release. Wright entered a basement studio and improvised over two nights layered recordings for the first…
Chew Your Food
The performance on this LP was recorded live at Roulette in New York last year. I have appreciated Knuffke's playing and music before, and I will do it again here. His tone is always full and warm, and he's a master at taking tough bends easily. The music is jazz in its purest sense : improvisational joy and emotional expressivity in a compact form. There is nothing but pulse in the pieces they play, even if the rhythms are not always explicit or when there are no patterns, the three musici…
Split
Brand new split LP from fellow Manchester weirdos A Middle Sex and Gnod. Gnod follow on from some killer releases over the last couple of years, a split 7" with Bong, a tape on Not Not Fun, and most recently a collaborative LP with White Hills. The oddly titled 15 minute 'Why Don't You Smile Like The Other Children?' opens with hazy strings and cosmicly far out voices, this slow groove packs a multi-coloured burst of rhythmic psychedelic vibes. On the flip side, A Middle Sex take up duties of do…
Sete
First release for the italian duo (Alessandro De Zan, Riccardo Mazza), recorded and assembled during one year, giving as result the deepest sound ever. Beautiful and fresh vibes coming out from acoustic guitars, percussions, flutes, voices and birds' field recordings, in five fine composed tunes spacing between Amazzonia and Africa, flying on the wings of perfect bliss. This is going to be particularly appreciated from those who love '70s brazilian psych such as Lula Cortez, Zè Ramalho, Stenio M…
Circo Divino
This is the first collaboration by ambient master Alio Die with soundscape creator Parallel Worlds. The unique sound achieved could be described as a hybrid sonic world, made out of bouncing electrons and air vibrations. The modular machines of Parallel Worlds are merged with the acoustic instrumentation and drones of Alio Die, joined by the ethereal voice of the Polish vocalist/composer India Czajkowska, resulting in a surreal, yet down to earth, listening experience. The compositions, b…
Live at Aston University, Birmingham
Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, etc.) and Roscoe Gee (a Jamaican bassist who had also recorded with Traffic). Holger Czukay, now freed from bass duties, began experimenting with an array of electronic sounds, which he also began adding to the mix in part to counterbalance Can's …
s/n
A split LP with Harappian Night Recordings 6 reviews in psychopathic alchemy and Kommissar Hjuler Karawane from Hugo Ball. Limited to 300 copies. Yellow vinyl. "Der krazy Kommissar recites a Hugo Ball nonsense poem from 1916, written the same year Ball wrote the Dada Manifesto & founded the Cabaret Voltaire. Harappian is a one man UK bedroom string plucker & droner who cuts together, mimics, & plays along to his international records. He pulls off some pretty flamin' rock tunes here, full of t…
Brighter summer day
CS Yeh: violin, electronics (side A), computer (side B). Chris Rosing: additional climax electronics (side A). Full color heavy cover, LP. Edition of 500. Released February 2002. Burning Star Core's first vinyl full-length and first widely available recording after numerous private releases that began surfacing in 1993. Massive layers of sustained sound driven thru violins and electronics direct to climax -- backed by broken organs dropped into shifting darkness and cracked computer hypn…