New Arrivals
Unraveling Designs
Edition of 110 copies, vinyl only, one time pressing with download card. “Whereas most other music squabbles for your attention whilst it plays, Unraveling Designs is content to remain in your subconscious mind, gently seducing you in an unhurried manner. The steady swelling of opener Recognition is a welcoming crescendo of highly atmospheric textures, seguing perfectly into the bubbling Down From The Sea, which is certainly one of the most carefully conceived and expertly executed number…
Live In Tokyo, August, 19th 1974, Part One
This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited edition …
The Second Stop Is Jupiter
nterstellar vocal group numbers and doo wop from the Sun Ra vaults – a couple rare release and a bunch of previously unissued numbers featuring The Cosmic Rays, Crystals, Nu Sounds and Juanita Rogers – teenage vocal group numbers, bits of bebop and spacey doo wop released for the first time ever! The Second Stop Is Jupiter is Volume 2 in Norton's compilations of early, vocals centered Sun Ra material – beautifully done, and worthy for more than just Ra completists – it's a treasure trove…
Electronics Without Tears
LP eition: the excellent Public Information label really comes into its own with this revelatory collection of early concréte tape music by F.C. Judd - a much overlooked British electronic music pioneer and contemporary of Daphne Oram. Born in Woodford, East London in 1914, Frederick Charles Judd served in the RAF coastal command during WWII working with highly secret radar equipment. After being demobbed he applied this knowledge and skilled engineering background to his musical interests…
Teils teils
The first track of this is the side-long "Teilmenge 20," which begins as a set of indecipherable static electricity clicks that are quite warm and engaging, which quickly builds to a rhythmic cycle, continuing to mutate and diverge throughout the entire track. Most interestingly, as the rhythm sets in it truly begins to resemble a traditional 4/4 techno beat. The tempo and percussive elements are there, but the sounds in no way resemble the stale drum machines and overwrought synths. As the pi…
The Black Dirt Sessions
Displays fully honed examples of all of Rose's various styles & themes - traditional, raga & ragtime. "Cross The North Fork" - a 13-minute revisiting of a track 1st laid down on the great "Kensington Blues" is a winding, thoroughly engrossing journey. It is a welcome neighbor to the album's other spendid joys ranging from the jaunty & infectious "Fishtown Flower" to the pensive & appropriate melancholy punch of "Box Of Pine." Limited to 2000 copies on 180g RTI vinyl.
This is no fun acid 02
'In the beginning there was Roland's founder Ikutaro Kakehashi and an arsenal of computer controlled analog jock boxes designed specifically to outmode the trad rock (read: human) rhythm section... the circuitry was so tightly wound however, so rooted in synthesis that it failed to meet its promise. It wasn't until the mid-80s that the TB-TR system took novel form as acid house; a simple but novel attitude shift that saw an embrace of extra-terrestrial machine funk aesthetics converging with the…
Medusa’s Lair
Filleted over two sides of wax, here we have a rare meet up of three of the brightest lights in the Twin Cities’ musical orbit. On March 21, 2009, PAUL METZGER—best known for his transcendental gypsy raga guitar and banjo meditations—jumped in the ring with percussionist DAVU SERU and veteran multi-instrumentalist MILO FINE for an evening of uncompromising spontaneous composition. Medusa’s Lair is stunning, inscrutably wily, living music. One-time edition of 300 LPs pressed on 180-gram virgin vi…
Oppenheimer Analysis
The first release from Minimal Wave, Oppenheimer Analysis, is back by popular demand. The EP is a second pressing limited edition (500 copies) on 180 gram vinyl of selected tracks from the Oppenheimer Analysis cassette entitled “New Mexico” released in 1982, as well as two others that were previously unreleased. Andy Oppenheimer (nuclear weapons consultant) and Martin Lloyd (previously involved in the Survival Label, also known for his project “Analysis”) formed Oppenheimer Analysis in the early…
Brooding Forest
Hunting Rituals is the moniker of Scott Johnson (also Scott Cloud, Thoughts On Air) which was inspired from many impromptu collaborations with other weirdo musicians within the city limits of Hamilton, Ontario, Canada. Brooding Forest was the first recording to feature a second member, a fellow collaborator Jeremiah Buchan from Bottom Feeder who was also a main influence on the overall ritual sound process. This recording fuses Scott's focus of feral improv with Jeremy's premeditated lands…
Come Clean
There's a big sticker on this record saying it's one of Aquarius's records of the year. Now call me cynical but I might start doing that for everything just so we get our name mentioned on the front of every record. Genius. Don't know why I didn't think of that before. No Balls are ex Brainbombs and if you're not familiar with them they're a bunch of noisy Swedish types who did a top album called Burning Hell years ago which is a sludge masterpiece. From the same school of thought as Drun…
Abandoned In Sleep
For his second album Jonathan Lee draws on two years of recording and performance - and it's not just his own material that's used for the record either. 'Abandoned In Sleep' features studio recordings, sample edits and collaborative work with artists including Xela, Jasper TX, Svarte Greiner, Stephen Vitiello and Gareth Davis among others. This album is all about dark, nocturnal ambience and combines a variety of half-dreamed soundscapes together for every track: Xela's falsetto murmur…
The african twintowers suite
LP version, The African Twintowers Suite" represents a lost soundtrack; compiling the most interesting recordings, newly edited, layered, collaged, shortened and mixed between 2009 and 2010. Seminal German director Christoph Schlingensief (R.I.P. 2010) shoots his latest feature film "The African Twintowers" in Lüderitz-Namibia with Irm Hermann, Klaus Beyer, Robert Stadlober, Patti Smith... Autumn 2006: Schlingensief approaches Berlin musician-composer Hanno Leichtmann (Groupshow, Static, …
Trop de pas assez
Salmigondis is a collective (born in 2006) of musicians and graphist designers. Free rock, psychedelic, noise Ludovic Renaud (keyboard, turntables, electronics), Jean-Pierre Barja (bass, keyboard, electronics), Jérome Declercq (saxophones, keyboard, basse), Mathieu Renaud (guitar, electronics), Jean-Noël Cognard (drums,objects, voice). Recorded in 2007. Limited to 150 copies.
Raptus
Doris Norton, pioneer in the early electronic/computer music, began her musical career playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980 she recorded, at the Fontana Studio 7 (Milan), her first solo album entitled Under Ground (Musik Research). Sponsored by Apple computer and the Roland Corporation music instshe was more involved in experimental electro computerized music and rec…
Brand
“Brand” is the new trio of Gary Smith (guitar), Silvia Kastel (voice and synth), Ninni Morgia (guitar). On this recording Gary Smith produces the playing for which he’s considered a master of avant guitar: multiple layering, complex grainy textures, dense counterpoint, influences of birdsong. Fused with the guitar of Ninni Morgia, which floats between minimal movements of primordial electronics, pre-war slide blues and Hendrix-esque feedback. Over, and blending with them, Silvia Kastel’s mo…
Netsu
As Takaaaki says, this is NOT usual Dubstep. He makes it evolve to a new Dubstep, with a heavy, dark and aggressive side, clinging to the bass and various BPMs, but some harmonies and even hints of melodies take all these sounds to a new level, creating a mutant Dubstep that hypnotizes the listener and takes him to lunar seas or snowy landscapes. But be aware that with Takaaaki decadence and crazyness are never far and Netsu might give you fever very quickly.
Public Service
“Almost Washed My Hair” erupts from the stereo like some bastard child from a universe where Iggy Pop fronted The Velvet Underground and the only song in their repertoire was “Sister Ray” but they could never remember how to play it. This ear-splitting and cacophonous rock sounds as raw and powerful as anything else in my record collection. The deafening guitars dominate everything; only ghosts of vocals and a hammering beat are perceptible under the overloaded amplifiers. However…
Super Roots 10
Previously only available as a Japanese CD, now a limited 2 X 12" cut at 45rpm for maximum fidelity & feat. art & production by EYE himself. Limited to 2000.
Entertaining Physics
Poland's mik.musik agent wojt3k kucharczyk bugged his robotron family. "entertaining physics" is a poetic and secretful electroacoustic work that sounds like a gathering of digital clocks in the waiting room of an abandoned building. mechanical ants are crawling over piles of paper next to protesting copy machines and sadly shaking faxes. quiet industrial diseases spread in the attic and the doors clap in a-synchronicity. in between, interplanetary melodies are humming in retired telephones. all…