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"L'Ultimo Treno della Notte" (Last Stop on the Night Train) is a 1975 thriller film directed by Aldo Lado, one of the most violent movies ever produced in Italy in the '70s (and beyond) that actually shows, even in the crudest scenes, for same admission of the director, a harsh attack against the bourgeois society and its powerful rich people. Despite the limited budget, the friendship between Aldo Lado and composer Ennio Morricone made this collaboration possible; nonetheless, only a 45rpm 7" w…
*2022 stock* This official soundtrack album for the Italian horror movie La Chiesa ("The Church") features four pieces performed by Keith Emerson. These are The Church (Main Theme); Prelude 24 (From Well Tempered Clavier); The Possession, and The Church Revisited, all four of which have also been included on the Keith Emerson "At the Movies" 3CD set. Emerson's contributions add up to about 13 minutes of music all in all.The rest of the music on this soundtrack is by other artists, including seve…
*2022 stock* A reissue of Cherry Five, the first and only homonymous work of the band, made by Claudio Simonetti, Massimo Morante, Fabio Pignatelli, drummer Carlo Bordini and singer Tony Tartarini. The album was recorded in 1974 but published only in 1976, a year before the official birth of Goblin and the worldwide success of "Profondo Rosso". In the original vinyl Simonetti and Morante were included as authors of the songs but not as performers. The record in question is a rarity today, sought…
*2022 stock* Futura Records presents Dizzy Reece quintet's From in to out. Dizzy Reece (trompette), John Gilmore (saxophone ténor), Siegfried Kessler (piano), Patrice Caratini (contrebasse) & Art Taylor (batterie) Recorded on 23th octobre 1970 at la Salle des fêtes de Créteil (France)
CCTK Music combines Gabriella Isaac's exploitative use of laptop as feedback loop / sound source / physical device and James Fella's electro-acoustic / tape as instrument approach. The duo incorporates each other's material in real time (on Side A), cutting the content onto 6 singles-sided reference lacquers. The lacquers were used to assemble a collage in a performance setting in late 2019, and again in a studio setting for Side B. The result is a record that is both scathing but at times harmo…
Recognized as a skilled and sought after collaborator, Ted Byrnes solo albums cast a wide net that capture Byrnes' adventurous and omnivorous approach to solo percussion. An alumnus of Berklee College of Music in Boston, MA, Byrnes has made his home in the center of a Venn diagram that includes free improvisation, studied electro-acoustic work, fearless new music and harsh noise. Recognizing the porous borders between these modes, Byrnes' work on Moving My Body Through Space is a flailing medita…
*75 copies limited edition* "After several stand out collaborative releases, including a duo LP with Mark Shippy and another duo LP with Claire Rousay, violinist Alex Cunningham returns to solo form with As Slow as the Stream, an album made up of one 33-minute cat and mouse game titled "As Slow as the Stream Cuts the Dirt from Beneath." If you've ever watched a cat sneak up on a mouse, you've seen the cat making its way towards it's prey so slowly that you barely even notice the cat is moving at…
“A set of spry, pastoral Aecoustic Guitar and errant Electronic pieces that harken back to libraries by Teisco, Vittorio Marino, and the like, yet mapped in an alien manner unlike any known lanes. Unusual, and uniformly excellent.” - Keith Fullerton Whitman
*In process of stocking* Like its predecessor, Philos, The Gleam is a completely solo work, all the music composed and played by Park Jiha on the piri, a type of oboe, the saenghwang, a mouth organ (shown on the album cover art), the hammered dulcimer known as the yanggeum, and glockenspiel. There’s a stark clarity to the sound, yet it’s never spare or empty. There’s a searching warmth to what she does. It’s minimal without being minimalist, occasionally presenting itself with the formality of t…
Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
Tip!! Italian duo Rosso Polare 2nd album, originally issued by Ototoku, following the wonderful 'Lettere Animali' album, which was one of Oto highlights of 2020. Cani Lenti is a collection of duels, some may say. As the two minds of Cesare Lopopolo and Annna Vezzosi converge, a dichotomy of harmonious and contrasting sounds ebb, swirl and clatter in and amongst themselves. Using techniques from call and response improvisation, tape manipulation, experimental music and free-form folk, their appro…
*2022 stock. 200 copies limited edition* Distorted Nude is the new project of Glenn Dick who previously played as Find Hope In Darkness and is part of the experimental ambient duo Klankdal. Where as Find Hope In Darkness his music was all computer based with some space for field-recordings, as Distorted Nude he has changed to using the guitar as instrument. For The Sprawl he improvised several sessions with guitar, effect pedals and laptop. These recordings were used as starting point to compos…
*2022 stock. 200 copies limited edition* “Shade Of Impulse” is the first album for Frank Crijns on Moving Furniture Records. For the music on this CD Crijns has coined the term “N-bient”: ambient that refers to nature (here Water) and acoustics (here passages by classical ensembles). On the album several characters of sound collide, combine and interact with each other. A “N-bient“ sound canvas of (mechanical) sound-fields, natural ambient, electronic textures and acoustic ensemble playing, all …
With each composition, Annesley Black embarks courageously on a new experiment with an open future; while at the beginning of the compositional process the material can still mean many things, it gradually ceases to do so. And at some point, all ambiguities are cleared up: the piece stands. The paths that have led to this point are ultimately paradoxical: they are “immensely labyrinthine and completely logical at the same time” (Black). In their own unique way, the pieces gathered on this CD pre…
*2022 stock. 300 copies limited edition* Find Hope In Darkness is the moniker of 15 year old Glenn Dick from Ghent, Belgium. Locked So Tightly In Our Dreams is his first CD release after two download only releases. Where on his download releases he searches for a combination of broken beats and post-rock for Locked So Tightly In Our Dreams he explores his own boundaries in drone music and the darker sides of the ambient atmospheres. Close your eyes and drown in the deep dark sounds of Find Hope …
*2022 stock. 300 copies limited edition* The fourth full length record by Machinist, Of What Once Was, comprises of two tracks with a combined running time of 55 minutes. The diptych consists of the tracks ‘mono tone in d’ and ‘of what once was’. ‘mono tone in d’ is inspired by the concept of the ‘Monotone Symphony’ (1949) by French artist Yves Klein. In this composition a chamber orchestra plays only one note for twenty minutes, followed by an equal measure of silence. Machinist takes up this c…
*2022 stock. 300 copies limited edition* "I don't know exactly what the instrument is. It's probably a kind of zither; that's how my dad described it to me when he first told me about it. I was immediately fascinated by his description: a set of strings on the left side that was blocked into eleven chromatic 'chord banks', each adjustable between major, minor and suspended fourth via little levers at the front that literally tightened the string by a semitone; on the right, three octaves of note…
*200 copies limited edition* Music for Modified Melodica by Japanese composer Kaori Suzuki was born out of two explorations: one of tuning (and subsequently degrading) the small reeds of a melodica, and the other to modify it playable with foot pumps, allowing for the sustained excitation of the reeds. Playing with the highly resistive foot bellows introduced massive ‘volumes’ of air to the reeds, overblowing them to vibrate loudly. This aspect led me to work with the sound potentials of combina…