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* 2021 Stock. 8-page insert booklet contains the Daszu manifesto, poetics for most tracks, a measure of band history, and Part 1 and 2 of Mark Rudolph’s poetry from the Daszu era. Vinyl edition comes in a heavy-duty tip-on jacket. Contains two additional tracks not on the CD edition * If there’s one thing we’ve learned from doing reissues for twenty years, it’s that there is often a lack of justice in the arts. All too often, the intensely talented are shunted aside, or not able to access the me…
* 2021 Stock. Language: English, Finnish *Noise after Babel is the result of artistic-theoretical research. It examines the multi-accentuality of language as a potential ground for political engagement. Our general metaphor coupling the words »Babel« and »noise« is based on the idea of a perfectly working system of univocality — the phenomenon whereby a linguistic term has only one meaning assigned to it — that functions without coercion (Babel) but which, after an intervention/change (loss of i…
Adele Bertei is a poet, writer, actor, performer, singer, songwriter, and filmmaker. She entered the downtown New York scene of the late 1970s as organist for musical insurrectionists, the Contortions. Bertei appeared in lead roles in several indie films, notably Lizzie Borden’s Born in Flames, and has toured with, written songs for, and recorded as a vocalist for artists as diverse as Tears for Fears, Sandra Bernhard, Culture Club, Scritti Politti, Whitney Houston, and Lydia Lunch. Bertei’s fir…
* Italian Language Only * Stefano Gilardino is one of Italy's leading music journalists, rock writers, and longtime Soundohm collaborator. He has written among others, the books: La storia del punk (Hoepli, 2017), with Fabrizio Gilardino Il quaderno punk 1979-1981 (Goodfellas, 2018) and with Roberto Caselli La storia del rock in Italia (Hoepli, 2019). There was a time, in the early eighties, when Italian music found itself magically in tune with what was happening in the rest of the world. On th…
* Edition of 300 * Dark Ballads is the obvious title of this LP, as if this music pre-existed the duo that, without any other choice, was formed around it. Since then, Giotis Damianidis and Audrey Lauro have continued to advance along this straight line that runs through their inner landscapes.
Their music creates a "stretched" emotional space, which evolves in slow motion and captures the fragility of the tone, the tension of the path. Each stage of the record is a mineral evocation of the inti…
The self-titled debut from Throat Mask collects four improvisations from the duo that are built around random processes and hover constantly between collapse and coalescence. The recording sees Nathan Gray attempt to guide his unruly stack of sputtering and chiming digital automations while T. Kowalski responds with fm, digital and analog synthesis and sparsely gestural midi drums.Side A keeps returning to Gray’s voice, occasionally it’s recognisable but more often it’s faltering or shredded by …
* 2021 Stock. Bilingual edition (English / German) * This publication sheds light on Dorothy Iannone's work in relation to censorship, based on her artist's book "The Story of Bern." In spring 1969, the artist was confronted with the confiscation of her works in the exhibition "Freunde (Friends)" at Kunsthalle Bern, under the directorship of Harald Szeemann. Iannone responded to this boycott by producing a book, in which she made her perspective public and thus reclaimed self-determination over …
* 2021 Stock. English edition * This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
Romain Kronenberg is a film director and composer.…
Trifoglio is a portable mid/side stereo speaker. The device is designed to be listened to while holding it in the hands (like a book) and plays music created specifically for it* by different artists: as soon as new contributions are available they are published online.
Current sound compositions by: Adam Asnan, Alessandro Bosetti, Andrea Belfi, Andy Guhl, Attila Faravelli, Choi Joonyong, Dario Lozano-Thornton, Enrico Malatesta, Fabio Selvafiorita, Felicity Mangan, Francisco Meirino, Giovanni L…
Drawing from notions of "bad poetry" as the critical undoing of normative taste, Antilogy brings together works by the Brazilian artist and poet Alex Hamburger.
Central to Hamburger's practice and engagement with poetry is a focus on writing as the expression of a performative disruption and playful reworking of semiotic systems. With references to Fluxus intermediality, Brazilian concretism, experimental music, and sound poetry, Hamburger's work dynamically collapses the distinctions between fa…
Sploosh Records presents Monkey Cop by Martín Escalante and Teté Leguía. Suspects: Lolo, Kevin Salkeld, Nicole Remy, Sam Weinberg, Tomas Orrego, Camilo & Alex Ángeles, The Weez. To protect and serve.Martín Escalante: sax violenceTeté Leguía: bass extortionChristian Blandhoel: sketches & coffeeErick Baltodano: mappingJacob Felix Heule: aural schematics
** 2021 Stock ** Caracol Carnívoro make nightmare music on acoustic instruments. The modified alto saxophone and double bass make for an extremely unbalanced duo with a twisted sense of humor. Both natives of Los Angeles, Martín Escalante and Oliver Steinberg met online through a craig's list want ad. Martín has lived most of his life in Guanajuato, Mexico, working on film and photography jobs, while Oliver lives and works as a professional musician in LA. Their music is cathartic, ritualistic, …
Sploosh Records presents Torn Ham 01212019 by Caracol Carnívoro. Mastered by Weasel Walter. Art by Ian Steele.
Jesse Ward – GuitarOliver Steinberg – BassMartín Escalante – Sax
Sploosh Records presents Knuttel House by Jun Numata, Martín Esclanate and Yuji Ishihara. Paintings by Aron Briggs Mastered by Skaset. Layout by Nicole Remy. Special thanks to Akira Saito. Recorded live at Knuttel House on 06/07/19.
Jun Numata: guitar, electronicsMartín Escalante: saxYuji Ishihara: drums
Sploosh presents "Martín Escalante and Eloe Omoe". Art and layout by Ron Regé, Jr. Mastered by John Hegre. Thanks to Skaset.
Martín Escalante - SaxSam Rowell - BassTim Leanse - Drums
ESP Disk presents the third solo album 'No Love Is Sorrow' by Buck Curran (of the duo Arborea). Buck Curran - vocals, acoustic and electric guitars, Ebow, piano. Adele Pappalardo - additional vocals. Dipak Kumar Chakraborty - Tabla on Blue Raga. Mastered by Harris Newman at Grey Market Mastering, Montreal. Album cover photo and layout - Sarp Tuncer.
** Edition of 250 ** The Begotten is the brainchild of Jürgen De Blonde (Köhn/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions. On their debut LP "Temidden Laaghangende Wolken" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum duri…
Astral Spirits presents Solid by Phicus. Recorded April 25th, 2019 at Rosazul Studio, Barcelona by Jan Valls Miralles. Mixed by Jan Valls Miralles. Mastered by Lasse Marhaug. All music by Phicus. Photo by Elena Márquez. Special thanks to Maciej Lewenstein.
Ferran Fages: electric guitarÀlex Reviriego: double-bassVasco Trilla: drums
Split release with Williams' own Soul What Records. Yet another yearly installment of "An Ayler Xmas" just in time to cheer us up post election. This is the first time that there will be a vinyl version of Ayler Xmas jams!! The vinyl version contains only tracks 3 & 6 which are the same medley but done in entirely different styles by the Chicago and NYC groups respectively. however, the vinyl version does come with a digital download of the entire album.
** 2021 Stock ** In 1963, David Lean’s Lawrence of Arabia won seven Oscars. Launching its actors to stardom, including Peter O’Toole and Omar Sharif who played Prince Ali Ibn Kharish at the age of thirty. The latter incarnated the West’s vision of the Middle East which was simultaneously elusive, refined and elegant. His fiery stare, impeccable mustache and immaculate haircut had something to do with it: the Egyptian actor was a sex symbol of an era passionate for James Bond and OSS117 spy adven…