New Arrivals
Clearlight Symphony
A long overdue gathering. For more than half a century, Cyrille Verdeaux's Clearlight project has occupied one of the strangest and most overlooked positions in the landscape of 1970s European progressive music - a French ensemble whose foundational works were recorded in England, issued by Virgin, and shaped, in no small part, by the orbit of Gong. Now, for the first time, Esoteric collects the five essential Clearlight albums into a single remastered 5CD clamshell box, with a new booklet essay…
Live in Europe 1968 & 1972
On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.
Sonic House Reunion
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep listening pull the music in multiple directions at once.
Sun's Blessings
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volcanic and oddly tender.
Keeping It In Context
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without losing its earthy pulse.
Paradessence
Paradessence, Visible Cloaks’ third full length, is a work of emergence and illusion. The album’s fourteen songs shift, heave, and shimmer against a faintly luminous backdrop of night, a cavernous space shaped by sparse hyperreal representations of the natural world. The arrangements are simultaneously grandiose and fragile, both an inversion and culmination of what came before and as adventurous as anything they’ve produced so far.Since transforming from Cloaks to Visible Cloaks in 2014, Spence…
Wembley 1974
Pink Floyd’s legendary Wembley 1974 performance captures the band at one of the most pivotal moments in their career, as they toured in support of the groundbreaking The Dark Side Of The Moon. Recorded during a period of extraordinary creative momentum, this historic show offers a powerful snapshot of Pink Floyd at the height of their artistic vision, blending atmospheric soundscapes, immersive instrumentation, and the unmistakable sense of experimentation that would come to define an era.
Set a…
Fanjiry
After decades spent shaping the sound of southern Madagascar, Damily returns with Fanjiry, his most intimate and focused record to date. A key figure in tsapiky as a guitarist and composer, and a driving force behind a genre he helped define, Damily has long expressed himself through the voices of the singers accompanying his bands. With Fanjiry, he takes a singular step forward: for the first time, he carries his compositions himself through singing — not by claiming the role of a singer, but a…
Three For Shepp
On Three for Shepp, Marion Brown leads a blazing American free‑jazz ensemble with Dave Burrell, Norris “Sirone” Jones and Grachan Moncur III, unleashing high‑energy fire music that shows the Impulse! era at full boil yet still somehow under‑sung.
Buttercorn Lady
On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.
Spaces
'Spaces' is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts. Breaking the convention of a traditional live album, 'Spaces' was recorded over the course of two years in different locations and on various mediums, including old portable reel-to-reel recorders and cassette tape decks. The decision to select takes that have people coughing and cell pho…
Ascenseur pour l'échafaud
*2026 repress!* Representing a more intimate and spontaneous side of Miles Davis, this expanded re-release of the soundtrack to Ascenseur pour l'échafaud is a welcome event. Louis Malle was already a jazz fan when Jean-Claude Rappeneau suggested to him that Miles, who was in France for a brief tour, be asked to record the soundtrack; he readily agreed. By creating a relaxed environment in the studio, where the musicians could view main scenes of the film in a loop and then improvise in response …
Hip Harp
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank …
Jazz Harpist
*2026 repress!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
Sinfonia Do Rio De Janeiro
Dive into the roots of Brazilian musical innovation with the reissue of Antonio Carlos Jobim's Sinfonia Do Rio De Janeiro, a visionary work composed by the legendary Brazilian masters Tom Jobim and Billy Blanco. Originally released in 1954, this album stands as an early, bold experiment in fusing jazz, classical, and pop elements into a vibrant Latin soundscape—years before the bossa nova revolution took the world by storm.
Lavish string arrangements weave seamlessly between sweet choral melodie…
Wave Salt +7
*100 copies limited edition* Josh Mason’s new collection, "Wave Salt +7," emerges from an oblique origin. Unearthed from a dormant hard drive, it documents a set of work sessions only partially recoverable, their original continuity and intent fractured by time and technical failure. What remains is a constellation of mercurial gestures that proves, against all odds, to be entirely consonant with Mason’s ongoing musical concerns.
In a sense, the very condition of partiality proves generative, wi…
Till Human Voices Wake Us
*150 copies limited edition* Originally released in 2014 on cassette and digital only, Till Human Voices Wake Us was the first album by the Iranian artist on Umor Rex. It became a key work in our catalog, and now, 12 years later, it is available on vinyl for the first time. This is the first in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex.
Till Human Voices Wake Us comprises ten tracks with a clear and carefully structured script, bas…
Kozmické Louky
On Kozmické louky, Magdaléna Manderlová turns a Silesian floodplain into both subject and collaborator, braiding on‑site field recordings with electroacoustic composition and invited responses to chart a living, climate‑shaken wetland as it listens back.
Frog's Garden
An album of improvised music was recorded in Belgrade, in the courtyard of one of the musicians’ homes. There were no prior agreements, prepared compositions, or preplanned ideas. The album came into being in real time, right there on the spot.
Ulya Volkova (pleurereme) - cellist/multi-instrumentalist, composer/sound designer, producer and music enthusiast with over a two decade of experience in cultural community. After studying for 15 years at the Gnessin School (Academy) of Music she began wr…
Traces of the ceiling
‘Traces of the ceiling’ is the new album by Takako Minekawa, an artistic collaboration between Minekawa who composed, performed and recorded the works contained within - and artist Ippei Matsui, who created and designed the accompanying elaborate five-panel fold out sleeve, risograph inserts, and vinyl. ‘traces of the ceiling’ is also the debut release from Portland, Oregon based shop, label, and event series tone poem.
‘traces of the ceiling’ was recorded in los angeles between 2018 and 2020, a…