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300 numbered and signed copies. 180 gr. Clear Vinyl. 'The Snow Is Dancing' is the new album by musician Arturo Stàlteri. A true homage to snow, its lightness and purity. Inspired by Claude Debussy's composition of the same name, the Roman pianist within this work guides listeners on a diaphanous and enchanted sound journey, in which the piano becomes a diary capturing subtle emotions and moments of wonder: “I have always loved snow. An impalpable white blanket that seems to erase every imperfect…
We are proud to announce 'Distorted Clamor', the latest full-length album from legendary Spanish ambient composer Suso Saiz. Marking his eighth release with our label, the album showcases Saiz at his spellbinding best, continuing a prolific creative phase in a career that spans over 40 years. Building upon 'Resonant Bodies' and 'Nothing Is Objective', his most recent full length releases for Music From Memory, Saiz's dedication to experimentation and conceptual approach to sound lie at the centr…
Tip! “Sculptures From Under the City Ice is a sort of longing, I think,” Christian Winther says of his third full-length solo record. This statement is cryptic but somehow poignant, poetic, and also a little weird. And so is Sculptures From Under the City Ice. Winther is a highly sought after guitarist and tireless collaborator in the Norwegian avant garde scene. His previous solo release was awarded album of the year by Klassekampen in Norway. He has toured extensively throughout Europe, Japan,…
C'mon Tigre announces their new instrumental project, Instrumental Ensemble - Soundtrack for Imaginary Movie Vol 1. This album offers an alternate view of cinematic music: a soundtrack composed for a fictional film using a challenging and inventive method. This project investigates an alternative approach in which music shapes and guides visual storytelling. It's the first in a series of albums dedicated to as-yet-unmade films, enabling listeners to explore music as a key component in cinematic n…
'Cupar Grain Silo' is Sam Annand's first release on the Blackford Hill label. Its nine tracks blur the lines between ambient electronica and sonic history, as synthesised melodies and rhythms reverberate through the extreme acoustics of the disused Cupar Grain Silo in Scotland. Built in 1964 as a sugar store, the silo towers 60 metres above the surrounding Fife countryside. Its industrial life was short: in 1971 it was closed, and barring a short period as a grain store, remained empty for decad…
*300 copies limited edition* We’ve found the son of Daniel Johnston and Robert Wyatt, and he works at a call center in San Antonio, Texas. His name is Richard Wilson Avena. Slowly approaching his fifties, he is a voracious fan of sixties pop music, composing and playing since the age of 13. A chronic depressive, music and family are 'what have kept him alive all these years.' He takes care of his elderly father daily, a former writer and activist for Mexican civil rights. Armed with only his 8-t…
Celebrating the interconnected strands of head-tripping electronica she holds dear, Nadia Struiwigh arrives on Dekmantel with her fourth album of widescreen machine soul. Birds Of Paradise joins the dots between electro, techno, ambient and jungle as a reflection of the symbiotic relationship between the contrasting elements which drive all life on earth - the inescapable and chaotic forces of cause and effect. Echoing the free-spirited approach of electronic music in the mid-90s, it’s an album …
Born in 1989 in Bamako, Mali, Nfaly Diakité is a member of the Donsow, Bambara animist hunters. Nfaly Diakité is named after his grandfather, the late Nfaly Diakité, one of Mali’s most respected donso chiefs. His grandfather did not play, but as a leading figure in the donso brotherhood, he was always accompanied by musician Yoro Sidibé. Nfaly grew up alongside Yoro Sidibé, who became his first master of the donso ngoni, a type of eight-stringed antelope skin harp. After leaving school to devote…
"The music is never the same. It verifies its positions and conditions, its peculiar way of listening to the cavities, the motions started, the tensions between sound and silence, tone and memory. Nature is present not only as trees and clouds, light and shadows. It is a readiness for what is constantly changing, a heightened awareness on the minimal variations in the materials and processes at hand, what it means to slowly examine a rough surface, the transformation of a rhythm, a melodic phras…
2024 stock These days, where a young generation worldwide discovers good swinging Jazz again, where Dexter Gordon returned after so many years in exile like a triumphator to New York and "young swinging Scott Hamilton" becomes something like a 'super-star', it is hard to believe that this album was recorded 13 years ago - hard to believe by both artistic and technical standard. At this time, in the year of 1966, Beatlemania reached its peak and the beat and/ or rock wave ruled the world of music…
2024 stock Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically …
An album of hypnagogic nocturnes that relentlessly searches for a sense of calm in the great unknown, 'Is Peace Wild?' is German producer, drummer and visual artist Ludwig Wandinger's upcoming release on light-years. He dreamt it up while unpacking the breakdown of a long relationship, working in hotel rooms during the downtime between a series of chaotic live shows. To help empty his mind, Wandinger developed a suite of soulful reflections that prioritize harmony over rhythm and clarity over tr…
This recorded autobiography of Catherine Howe, age 20, briefly appeared in 1971. Too young for memoirs, most artists have barely established any sort of musical competence by the age of legal adulthood, let alone compositions matching the maturity and complexity of Howe's. What A Beautiful Place, however, is a prodigious effort wrought from the melancholy ruminations of post-adolescence. The album's twelve songs unfold like a classic bildungsroman, beginning in the smoke-stained industrial count…
Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020 - amidst the pandemic, no less -, the duo of Carlos Godinho and Mestre André return after their 'Mãe D'Água' debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss. Mostly captured in performance through a quadraphonic system placed inside a huge disused fuel tank, with a few tracks recorded out in the open throughout the island, 'Lava Love' evoke…
Back after 2 years of unbearably unbearable silence.Underground melodies & film music.Hidden virtuosity, cumulative experimentation & narrative fluidity.
Physical version of the digital EP announced in a past episode.Still ghost. still rolling carpet. Still the calm after the storm.Still dedicated to D. & S.
Debut release of destroyed industrial hip hop. In Spite of Dreams is music for subjective realities. In Spite of Dreams is Gerritt Wittmer. Limited edition CD packaged in Digipak.
Fifty years after I first encountered the music of Orchid Spangiafora, it is a pleasure to be listening to new work by this most bonny of modern sound manipulators. Like Flee Pasts Ape Elf (FTR 096), which we reissued in expanded form in 2013, Eel Asp Flays Feet (the title of which is an anagram of the earlier set) is an assemblage of immaculate invention. It manages to produce a unique splotch of confusing analog surrealism in an increasingly digital world, and Robert Carey (aka Orchid himsel…
Moth Drakula’s second release on Misanthropic Agenda finds them revisiting and refining early industrial explorations with a more mature and precise ear; utilizing cracked microphones, raw natural sounds, sparse voices, analogue synthesizers and various samplers which scrub and oscillate the source material into peals of fevered dread. The impetus and focus of this recording was based on the process of attempting to bury the psychic history of a loved one. “I Greet You At The Beginning Though I …