New Arrivals
Weighted Ghost
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
Don't Ollie On Thin Ice!
Hand-numbered edition of only 100 copies LP from Belgian visual artist Dennis Tyfus’s Vom Grill project: two tracks of non-spazz electronics, keyboard and profoundly deformed tongue, moving from scraping, skittering sound werks that come over like Blood Stereo play John Cage’s cartridge music to a fantastic fat, doomy synth solo that makes like Heldon hymning Lucifer. Less madman and a lot more moody than you might expect, this makes for a consistently bent atmosphere from start to finish.…
The Soft Wave
Alexis Georgopoulos (ex-Tussle), who is one third of The Alps (released by Type and Root Strata), and half of Q&A (on DFA), has finished his second album as ARP. Recorded as Alexis Georgopoulos (the man behind the music of Arp), relocated from San Francisco to New York, "The Soft Wave" is expansive in scope, unfolding like a collection of short stories or filmic vignettes, each piece building upon the other. "The Soft Wave" incorporates guitars, piano, flute, & Ebows to create a dense bro…
Something That Has Form And Something That Does Not
Regrouping for a third album under their 'On' moniker, Steven Hess and Sylvain Chaveau have created another body of chilling improvised recordings at their Chicago studio. As with previous records the results were passed to a guest musician for rearrangement of perspective and mixing techniques. Following Deathprod's work on 'Your Naked Ghost...', the material for this album was handed to experimental virtuoso Christian Fennesz, who transforms the source sounds into a display of stripped,…
MP3 Deviations #8
The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt at Music Research Center at the University of York in UK in 2009. My idea was to develop new software based on the disruption of the MP3. Primarily I thought the MP3 as reproducing device could have created very new sound by intervention between its main elements, the compression encoder and decoder. It turned out th…
Slime Code
Fractured bleep techno and de-composed electronics for followers of Container, Keith Fullerton Whitman, Konono No.1, Ekoplekz, Harmonious Thelonious - Edition of 500, initial copies on olive green wax* Following a pair of strong LPs for Dekorder, Dan Hayhurst (audio) and Reuben Sutherland (visuals) released 'Slime Code' on cassette for Patten's Kaleidoscope label last year - and it's a peach. The music was performed live to 8-track tape from which a digital edit was compiled and from that…
Songs for the Gentle Man
"Originally released in 1971 on Dandelion Records this was Bridget St. John's second and, arguably, best album. Produced and scored by Pink Floyd collaborator Ron Geesin, Songs For The Gentle Man was recorded at Sound Techniques in Chelsea (where everybody from Fairport Convention to Nick Drake had made albums) and is a far more sophisticated work than its predecessor. Organized around a small chamber orchestra, Songs For The Gentle Man is a set of cool, pastel songs that simultaneously h…
Detached From All Objects
Detached from all objects" is almost completely spared from today's hysteria and is more foreboding and distorted as their first album "teslas aquarium". They operate with great pleasure in dissecting the vast possibilities of the song formats without losing any of the clarity. "eEure qual ist unser quell" exemplifies the keyboard virtuoso kubin truly is. He works as always with historical analog maschines, organ instruments and with sessile affections to the 60's electronic scene, "geniale dill…
White Summer of Love Dreamer
Brand new LP from Kawabata Makoto, his second for Blackest Rainbow following on nicely from where 2008's 'Rainbow Of Love' left off. White Summer of Love Dreamer continues to develop Kawabata's experimentation into psychedelic drone music using a variety of instruments. Across the two tracks on this LP, Kawabata seamlessly uses acoustic guitar, electric guitar, bouzouki, sarangi, tambura, organ, hurdy-gurdy, electronics, field recording, and his voice to create a stunning soundscape of hazy summ…
The sacrifice for the music became our lifestyle
Chris Abrahams, upright piano. Kai Fagaschinski, b-flat clarinet. Cover painting & sleeve design by Zev Langer. How do you run a duo when both of its protagonists are living at two opposite ends of the planet ? Well, it's not that dramatic. For many years Chris has used his European tours as a springboard for extended stays in Kai's hometown of choice, Berlin. After appreciating each other's work for quite a while they began collaborating at a friend's piano-armed kitchen in 2007. While C…
Space Programs
When the shoe drops on the first bars of the USA is the Monster's new full length, it becomes clear some changes have occured since the last record, Sunset at the End of the Industrial Age. Buttery synth and elaborate vocal harmonies combine to levitate hairpieces at least a wee bit. This is the perfect synthesis of the pastoral wanderings circa thier second full length record, Wohaw, and the punk spunk junk of their first and third full lengths. The band is still a New York two-piece tribe of N…
New Monuments
Formed for the purpose of playing 2008's Instal Fest, this trio comprises C Spencer Yeh (of Burning Star Core), Ben Hall (of Graveyards) and Don Dietrich (of Borbetomagus), coming together for the common cause of relentless, ear-blasting improv. Sax-toting noise legend Dietrich is no stranger to the more abrasive school of free improv, having been operating in the field since the early 1980s, but the comparatively fresh-faced Yeh and Hall hold their own here (manning violin and traps, respective…
Astra & Knyst
Now Voks is finally presenting his first full-length album (though only 30 minutes long this is epic in Voks' universe - both 3"CD's included 10 tracks each within 20 minutes). While keeping his trademark style of hyperactive and nervous high-pitched twisted pop songs a newborn interest in (italo-western) movie soundtracks seems to be evident. The sound of super fast surf guitars is colliding with what seems chinese opera samples, world music is combined with children's whisteling tunes. Think R…
ladybird labyrinth
orphan fairytale is the solo monniker of eva van deuren, member of the lady folk troupe MASKESMACHINE, who started blowing my mind 12 years ago as a street performance troupe in antwerp. besides my own ladyfriend, i don't think i know anyone better than eva, and her boyfriend (audiobot madman) carlo steegen. for some reason this makes it even more difficult to write a decent description for this record, we live in the same mansion, and i could write a lot of stories about doing the dishes togeth…
C-Section
British free jazz phenomenon Evan Parker with electronic and tape noise artist John Wiese in a set of real-time evolving improvisations intended for maximum volume. Vinyl version of the CD released earlier this year, but slightly different containing all the final mixes and edits of the sessions with a new and more intense mastering for the maximum listening experience. C-Section finds density in scarcity - deep, glacial muck bubbles emerge beneath Parker's inhuman circular breathing, only to pl…
Live In San Francisco
Astromero is the psychedelic synth-noise project of Japanese pioneer Hiroshi Hasegawa (Astro,CCCC), and LA's Damion Romero (Speculum Fight). Side A is a Live show in San Francisco, a total scorcher with an immense level of energy where shifting walls of synthetic sound produced by Hasegawa are complemented by the signature rumbling low end frequencies coming from Damion's custom electronics. Side B is a new studio track, full of brain melting tones and showing the more compositional side of this…
Ex Patris
The title Ex Patris (from the fathers) plays on the idiomatic baroque lute compositions presented here which emulate the classical repertoire. It also refers to this almost forgotten instrument, which was passed on by the fathers. The aim is to bring back and liberate the lute. The four compositions on Ex Patris form a circular narrative of interlocking repetitive melodic series. The follow up to Important release “ It is all that is made” kicks off with the pro apocalyptic track “The Day is Com…
Lunes
Second album by Texas psych duo CALEB COY (guitar) & ETHAN COOK (organ), written in the desert, yet recorded during an endless NYC winter. A cold, expansive sound made ripe for these turbulent times: it's drone rooted deep in the American tradition. RIYL: Earth, Growing, Brightblack Morning Light.
The Very Heart Of The World
LP version. Edition of 500 copies. On The Very Heart of the World, Burning Star Core (BXC) has created an incredibly heavy record, built on dense, layered drones, pulses, splintered vocals, and deep rhythms that euphorically build to total overload. With a line-up including the Hair Police front line and other luminaries from across the exploding Midwestern psych-noise-folk underground, BXC's C. Spencer Yeh has assembled a group that seamlessly shifts through epic movements and pushes pure elect…
ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ
Starring’s ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ combines minimalist musical patterns with dreamy poetry to create a new style front-woman Clara Hunter likes to call “sparkle prog.” It captures the frenetic energy of the band’s live show, but here it is overlain with a new palate of synthesizers, delay effects, drum processing, aux percussion, and vocals that create delicate, but sometimes radical juxtapositions between the lyrical and the experimental. Though songs like “the best” and “aphonia” …