New Arrivals
Oeuvres Complètes
Violet Vinyl Edition. 40th-anniversary edition. Korpses Katatonik was a musical solo project of Zoe DeWitt during the years 1982 and 1983. Unlike DeWitt's later project Zero Kama, the work of Korpses Katatonik remains entirely within the realm of electronic music and shows an uncompromising experimental style comparable to that of other industrial bands like Coil, Throbbing Gristle, SPK, or Cabaret Voltaire. Like many other exponents of industrial culture Korpses Katatonik was inspired by dark p…
Mongolian Music From 70's Vol.1
Ebalunga!!!, Everland and Dundgol invite you to discover the rich and diverse world of Mongolian music. "Mongolian Music from 70s - vol. I" opens the gates to the golden era of Mongolian music. This period, spanning from the 1970s to the early 1980s, is considered as the brightest and most influential period in history of Mongolian music. During this time, Mongolian musicians started using new instruments and technologies, such as electric guitars and synthesizers, which led to the emergence of…
Queen Of Siam
Editions of 500. Queen of Siam, Lydia Lunch's solo debut, was originally recorded in 1980. Featuring the noted talents of guitarist Robert Quine (Lou Reed, the Voidoids), multi-instrumentalist Pat Irwin (B-52's, Eight Eyed Spy), and the big band sound orchestra of Billy VerPlack (of Flintstones theme fame), the work proved to be a slap in the face to those critics awaiting a new Teenage Jesus-type of album from Lunch. Dirty, sophisticated, literary and raw, the album is today seen as the jewel i…
Live 1977-1979
Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch. Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music afte…
Chronopolis
Limited to 45 copies. In Andy Ortmann's own words: Earlier in 2020 I was commissioned to score a film of my choosing. Chronopolis (Piotr Kamler) from 1982 was my first choice. It was to have been debuted in Chicago over a 16 channel speaker system, incidentally this was the first event to my knowledge to be cancelled due to Covid-19, furthermore it was Friday the 13th. I re-edited the the film to 40 minutes and re-scored it from the ground up. This took no less than 40 hours in the studio to co…
Terra Firma
Nihilist is ecstatic to present 2 unreleased works by Illusion Of Safety! Housed in heavy durable zip-tied vinyl pouches, each cassette dubbedin real-time for highest audio quality. Cover art collage by Dan Burke.
Meditation / Resurrection
*2023 repress* "Meditation / Resurrection is a double-album presenting a bounty of beautiful new William Parker compositions performed by two of his flagship ensembles, the Quartet -&- In Order To Survive. It was recorded & mixed live during a one-day studio session in late 2016. With the tone of the pieces & performances reflecting our current moment, this is Parker & the groups' follow-up to 2013's epic Wood Flute Songs box (2013). At the core of both groups is Parker's foundational bass toget…
No Refunds
Recording in Brooklyn's Seaside Lounge in 2014, these five previously unreleased collective improvisations bring together West Coast reedist Vinny Golia, performing on clarinet, saxello, sopranino, baritone saxophones with double bassist Max Johnson and drummer Weasel Walter, an absolutely impressive example of free playing intent and well-balanced conversation.
Root Perspectives
"Every gesture and nuance of [Dickey’s] percussive pronunciation is telling.” –Thomas Conrad, JazzTimes
In The Dark
Allen Lowe writes: In the Dark is a commemoration (sic) of the worst time of my life – a period of time during which, having been operated on to remove a cancerous tumor in my sinus, I slept for only brief periods of time. Sometimes I made it as long as two hours continuously, but most often I dozed off for 20 minutes, 30 minutes, maybe an hour – encamped as I was on my couch, trying not to wake my wife as I wandered in the dark contemplating the long night ahead. Sometimes I turned the televisi…
Pangrams
"Pangrams" evokes a wide range of emotional moods, sketched in a chamber atmosphere. The four pieces stress the immediate and deep understanding of Di Domenico and Moberg.’ - Eyal Hareuveni
It's Not Up To Us
Another legendary one out @Superior Viaduct, the super rare (and amazing) debut by sax / flute player Byard Lancaster on Atlantic's subsidiary label Vortex dedicated to avant-garde jazz. Featuring Sonny Sharrock on guitar. Quoting the Andy Beta's brilliant review on Pitchfork "When John Coltrane succumbed to cancer in 1967, free jazz/fire music was sucked into a giant vacuum along with him. A patron of music and patron saint to so many of its players, there was a crossroads left in his wake. Ele…
Black Woman
An extraordinary piece of energy music that goes way beyond jazz. A legendary album produced by Herbie Mann and originally released in 1969 on the Atco subsidiary Vortex. Sonny Sharrock (and his wife Linda) recorded these tracks with a cast of New York free jazz all-stars including pianist Dave Burrell, drummer Milford Graves, trumpeter Teddy Daniel, and bassist Norris Jones among the others. A radical album with uncompromising blasts of atonal electric guitar, free-form sonic explorations, ecce…
Milano Odia: La Polizia Non Puo' Sparare
* Red vinyl edition * Milano Odia: La polizia non può sparare, a 1974 movie directed by Umberto Lenzi, is the quintessence of the Italian police films. Not only, it's even more violent and extreme than usual, with one of the best interpretations ever by the Cuban actor Tomas Milian.The soundtrack for the film is commissioned to Ennio Morricone, who at the time was already a full-time score composer, and had already worked in the same field. The Maestro wrote the entire OST starting from a single…
Issue 101
We have British Electric Foundation on the front of this month's Electronic Sound and an exclusive blue vinyl seven-inch boasting two previously unreleased Martyn Ware tracks to accompany the issue.
I Corpi Presentano Tracce Di Violenza Carnale (Torso) - (Original Motion Picture Soundtrack)
*300 copies limited edition. Expanded edition* The legendary Torso (1973), considered one of the precursors of the slasher genre, was directed by Sergio Martino following the success of All the Colors of the Dark (1972), featuring a stunning soundtrack composed by Guido & Maurizio De Angelis also known as Oliver Onions. In 1973 a 26 minutes-long stereo LP was prepared for RCS's promo SP series, but it got cancelled and the 45 rpm didn't see the light, neither. In 1999 BMG printed out a CD (OST 1…
Point, Line, surface
*100 copies limted edition* "My music is an exploration of sterility, mundanity and stillness interpreted through personal feelings and subjective experience. My composition process is intuitive and personal. The recordings I use are of the following nature : souvenirs of lost moments, recordings of natural and urban empty spaces, microphone and object manipulation, deformed voices, non-expertly played instruments, resonances. I previously released music under the names a lie or and Perlesvaus" …
Brand New Feeling
400 copies, black vinyl. The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.
Scirocco
Dave Rempis and Tim Daisy are two musicians whose work together over the last 25 years has been the cornerstone of countless improvising bands: Triage, Vandermark Five, Rempis Percussion Quartet, The Engines, Earscratcher, and their longstanding duo, to name a few. Over the last decade they’ve purposely found ways to shake their interaction up, reconstructing and redefining the possibilities to keep the music moving forward. Part of that approach has involved bringing in countless musicians as g…