Best of 2025
Bryn Jones - Complete Oblique 1980-1983
** Limited to 400 copies, numbered box set containing 7 vinyl LPs, one vinyl 7", 2 booklets, one mini poster, a certification card, a slipmate and a t-shirt ** Vinyl-on-demand presents the definitive excavation of Bryn Jones' formative years with Complete Oblique 1980-1983, a comprehensive 7LP/7CD box set that collects every recording from the pre-Muslimgauze era. This extraordinary archaeological document captures one of experimental music's most prolific figures in the crucial period before hi…
Blank Forms - Vol. 10: Alien Roots: Éliane Radigue (Book)
A detailed look at the elusive work of a French pioneer of musique concrète and electroacoustic composition Eliane Radigue
Troupe Asnimer & J.H. Burch
A trance-inducing journey into Morocco’s Ait Bouguemez valley: multi-instrumentalist J.H. Burch joins the all-female Troupe Asnimer to revive Amazigh oral traditions. Their hypnotic choral songs, enriched with global instrumentation, bridge ancestral ritual and contemporary sound.
Star Rover
Visionary Walter Maioli and electronic innovator John Zandijik’s 1980s late-night sessions fuse ancient flutes and cutting-edge technology, creating a cosmic soundscape that bridges ethnomusicology, psychedelia, and electronic experimentation.
A Question of Silence / Broken Mirrors
Purge.xxx unveils hidden gems of Dutch experimental cinema with the first ever release of Lodewijk de Boer & Martijn Hasebos' synthesiser soundtracks that have remained hidden in the vaults for over four decades. The centerpiece of this historic release is the collaborative score between Lodewijk de Boer (longtime collaborator of avant-garde filmmaker Frans Zwartjes) and Martijn Hasebos for Marleen Gorris' explosive 1982 debut film “A Question of Silence”, alongside de Boer's solo score for Gorr…
Trabant II
With less than a year having passed since their incredible and widely celebrated, first-ever collection dedicated to the 1980s, Hungarian countercultural music collective Trabant, purge.xxx builds upon the momentum and its intoxicating highs with ‘Trabant II’, their second deep dive into clandestine, previously unissued recordings by the band. Meticulously culled from the collectively’s vast archive of DIY cassettes — capturing politically urgent expressions at the junctures of post-punk, synth …
Errant Ear
The legendary electroacoustic composer presents her most intimate work yet, weaving five decades of sonic memories into a profound meditation on time, perception, and the treasures of lived experience
Touch This Fragrant Surface of Earth
Tip! Marja Ahti is a Swedish artist living in Turku, Finland. She works with found sounds, objects and electronics, creating auditory assemblages that reveal a profound sensitivity to sound’s tactile potential. This new record sees her palette expand to include more recognisable acoustic instrumentation, albeit working in collaboration with musicians who are already reconfiguring how those instruments can sound.
Touch This Fragrant Surface of Earth has its roots in a tape piece presented at Lamp…
Live At Teater Tribunalen
Huge Tip! ** Edition of 300.** The long overdue first proper jazz album on Discreet Music! After years of releasing experimental electronics, drone, and avant-garde sound art, the Swedish label finally documents what's been happening in their own backyard: ferocious, life-elevating free jazz performed by three of Sweden's leading improvisers. Niklas Persson Trio - saxophonist Niklas Persson, double bassist Patric Thorman, and drummer Raymond Strid - started ten years ago on Thorman's initiative.…
Visiting Cloud
What happens when electroacoustic thought migrates into the physical realm of acoustic instruments? Visiting Cloud documents a three-year collaboration between Finnish composer Marja Ahti and Italian ensemble Blutwurst, where two of Ahti's electroacoustic works - Fluctuating Streams (from The Current Inside, 2019) and Chora (from Vegetal Negatives, 2018) - undergo radical transformation into acoustic versions that stretch, deepen, and reimagine their original forms. Initiated by Blutwurst in 202…
The Pavilion of Dreams
2025 repress. For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfac…
Flowers Are Blooming In Antarctica
Delivering a career-defining statement from the Italian electroacoustic composer and saxophone player, Laura Agnusdei, Maple Death returns with “Flowers are Blooming in Antarctica” - a startling, multifaceted journey through imagistic sonorous worlds resting at the juncture of spiritual jazz, fourth-world minimalism, tropical electronics, tribal futurism, and rigorous electroacoustic experimentalism - rooted in thrilling ecological ideas, that marks the launch of Opale, a new suite of releases c…
Archives Box 1983-2005
A spellbinding five-CD box set documenting the entire enigmatic production of one of the missing links in experimental electronic and prototypical industrial music: Anne Gillis. From her groundbreaking 1983 Devil's Picnic release through her 2005 installations and exhibitions, this comprehensive collection unveils the hidden world of a visionary French composer whose work anticipated much of what would follow in electroacoustic composition and sound art.
Since the early 1980s, Manon Anne Gillis …
The Rotters' Club
* 50th Anniversary Expanded Edition 2LP, 180g audiophile vinyl * The Canterbury scene produced some of British progressive rock's most distinctive and enduring music - a sound that owed as much to jazz and the European avant-garde as to rock, delivered with a peculiarly English wit and warmth. At the heart of this movement stood Hatfield and the North, a band whose brief existence between 1972 and 1975 yielded two albums that remain touchstones for adventurous listeners five decades later.
The R…
Sen’nyū
**180g vinyl, 12″ sleeve with capped obi, 12pp booklet, gold-foil letterpress, offset printed, full colour on premium matt paper** In the final month of 2024, Meitei arrived in Beppu, a city long steeped in vapor, myth, and mineral memory. Invited to create onsen (hot spring) ambient music commemorating Beppu’s 100th anniversary, he immersed himself in the city’s geothermal psychogeography, where sound rises from the ground and time clings to mist. Known for his Lost Japan (Shitsu-nihon) works, …
Split
Dutch 80s cassette pioneer meets Blood Incantation's cosmic ambient side. Enno Velthuys recordings paired with Riedl's archival drift. Meditative, intimate, timeless.
Club Moral
Club Moral emerged on January 1st, 1981, in Antwerp, Belgium, as both a collective and a challenge. Founded by artists Anne-Mie Van Kerckhoven (AMVK) and Danny Devos (DDV), it operated as an industrial band, a performance platform, and a venue that became a magnet for Europe's most uncompromising voices. Between 1981 and 1987, the Antwerp space hosted exhibitions, happenings and live shows featuring Produktion, Boyd Rice, John Duncan, Coupe de Grace and others—turning the city into a crucial out…
Europe in Flames
200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …
New Music
Limited edition of 50 copies on purple vinyl. A meeting of two uncompromising sound artists, Carlos Giffoni and Joachim Nordwall, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Emerging from the outer edges of techno, noise, and electro-acoustic composition, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni's deep synth drones collide with Nordwall's…
Pulsation
2025 much-needed repress. On May 27th 1983, drummer Masahiko Togashi and guitarist Masayuki Takayanagi, two pivotal figures in the Japanese free jazz scene that had been working together since the 1960's, performed and record this unique set at Zojoji Hall in Tokyo. At the time, Japanese jazz musicians were trying to find their own voice, welcoming creative elements coming in from the USA and Europe. The two musicians were at the fore-front of this generation, with Takayanagi developing his own …