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Bomb! The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker and William Parker formed by Parker to play concerts in conjunction with the Milford Graves' “A Mind-Body Deal” exhibition at the Institute of Contemporary Art, Los Angeles, and now a working group. Across 2LPs of side-length long-form improvised sets recorded at 2220 Arts & Archives in LA and The Chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by t…
Big tip! *2025 repress. 250 copies limited edition* Metaphon is thrilled to present this collection of 14 phenomenal electronic and electro-acoustic works by French composer Fernand Vandenbogaerde, realized between 1967 and 1984. After his science studies Fernand Vandenbogaerde (1946) studied at the Conservatoire de Roubaix and did various classes and courses with a.o. Jean-Etienne Marie, Olivier Messiaen, Pierre Schaeffer, György Ligeti, Karlheinz Stockhausen and Bruno Maderna. He wrote analyti…
Erratum Musical, Studio Forum and C.A.R.E. are very pleased to announce the release of this groundbreaking historical LP from 1976 recorded in Los Angeles. First ever recordings of sounds by Serge Modular System + Z’EV + Will Jackson!
TO was founded in 1976 in San Francisco by Will E. Jackson (1945-2019) & Stefan “Z’EV” Weisser(1951-2017), occasionally performing under the code name “Center for Inter-Species communication”. The real missing link between works by California’s modular synthesizers…
*150 copies limited edition* Drawing on decades of musical studies (Indian classical music, archaic Appalachian fiddle music, Microtonality, and early electronic experimentation), David Wunder Brägger has woven together a minimalist and analog-driven “séance” of sounds through his uniquely assembled electronic devices and acoustic drone makers. The results are epic, strange, calming, and wondrous. An immersive and stunningly beautiful cosmic bath of sound, DW Bragger’s “The Saraswati Dreamcraft”…
Though the piano arrives on stage without a player, it is not alone. Mounted on steel bars within the instrument are electronic magnets, one per piano key, that have been connected by a thicket of wires—reminiscent of monstrous braces, as though the instrument were suffering youth under orthodontic siege. The magnets come down to the strings, and, as they vibrate at the strings’ own frequencies, the instrument speaks. Wobbling yet fulsome tones suffuse the room, sounding almost nothing like thei…
Big tip! *2025 repress. 250 copies limited edition* An anthology of the intensely arresting work of Robert Fesler (1936-2023), revealing many of his compositions (1975 -1987) created with his self-built synthesizers, with as pinnacle the μP RPF78. All music composed and recorded by Robert Fesler at his home on rue Cour Boisacq in Bierges, Belgium.With profound simplicity and devotion, Fesler paints a hermetic inner world with strong emotions of confronting solitude, sensual alienation and trauma…
Huge Tip! Drag City and Yoga Records are delighted to return to the music of Matthew Young. Following Recurring Dreams (1981, reissued 2014) and Traveler's Advisory (1986, reissued 2010), Undercurrents (2025) collects eight oddly dissimilar pieces that somehow fit together perfectly. Although unique enough to be called outsider, Young’s new album occupies a musical world accessible to fans of many genres. Composed and recorded over the span of several decades, Undercurrents displays the wide ran…
Tip! *4CD Edition* A limited edition compilation celebrating Hans-Joachim Roedelius' 90th birthday includes four CDs of previously unpublished material. The majority of the music on "90" originates from Revox 2-track recordings from 1968 to 1980. The Revox tapes, created with his Echolette tape delay and Farfisa organ—the same equipment used by Roedelius to record his beloved Selbstportrait records and much of his seminal work with Dieter Moebius and Michael Rother—document the processes and sou…
200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …
Delivering a career-defining statement from the Italian electroacoustic composer and saxophone player, Laura Agnusdei, Maple Death returns with “Flowers are Blooming in Antarctica” - a startling, multifaceted journey through imagistic sonorous worlds resting at the juncture of spiritual jazz, fourth-world minimalism, tropical electronics, tribal futurism, and rigorous electroacoustic experimentalism - rooted in thrilling ecological ideas, that marks the launch of Opale, a new suite of releases c…
Huge Tip! Recorded 67 years ago, reissued in Shirley Collins's 90th year in this universe. 'Sweet England' along with its sister album 'False True Lovers', was recorded in the spring of 1958 when I was twenty-two years old. I had been living for the previous two years in London with Alan Lomax, the American folklorist, working for him as editorial assistant on his book The Folk Songs of North America and on his field recordings from America, Great Britain, Italy and Spain. The tracks that make u…
Tip! 150 copies limited release
Xing presents the new LP Keyhole Mouth by Silvia Costa and Claudio Rocchetti, seventeenth release of Xong collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies, including a collector's edition of 20 copies, each accompanied by a keyhole of European and North American manufacture (from the 17th century till today) with the application of an original pen on canvas miniature by Silvia Costa.
Keyhole Mouth is the s…
2025 Repress. Meitei (冥丁) is a Japanese artist from Hiroshima, who started out as a freelance composer, making various kinds of music across genres. Having done it for eight years, his goal was to eventually release his own original music as an artist. Living in Kyoto for the past two years has deeply influenced his current sound, which is a focus on musically crafting a “Japanese mood” called Meitei (冥丁 (thus, his name). Rich in history, Meitei wanted to borrow this lost “Japanese mood” and inc…
In 1977, for Brian Eno’s Obscure Records, I made a version of Irma. These notes arise from that experience and explore how the piece can be performed. Irma is an unusual score—printed on a single 50cm x 50cm sheet. Its notation consists of verbal fragments from Tom Phillips' A Humument, referencing “libretto,” “decor and mise-en-scène,” or “sounds.” These categories are arranged separately, with stave notation at the bottom. At first glance, it appears indeterminate—requiring preparation before …
The Machines, created between 1967-1972, mark a shift from the traditional narrative style of Gavin Bryars other works. »I define a machine as a structured process that governs musical actions within a specific sound world, shaping how listeners perceive it. For example, Welsh Rarebit is a Machine that manipulates how bread and cheese are heard.« »Autumn Countdown Machine« features six pairs of bass melody instruments, conducted by percussionists who adjust a bell-metronome's timing, creating in…
A split album by Christopher Hobbs, John Adams, and Gavin Bryars, released in 1975 as the second title on Brian Eno's imprint Obscure. The album includes two pieces by Hobbs and one each by Adams and Bryars. Side A opens with the experimental compositions of Hobbs, followed by Adams’ spoken-word and orchestral work, while Side B concludes with Bryars’ dissonant, frontier-classical ambient piece, featuring contributions from Brian Eno and Derek Bailey. "Aran" and "McCrimmon Will Never Return" (19…
Big tip! *300 copies limited edition* First LP in the ‘Signature Series’, a small new series in the Metaphon catalog, documenting previously unreleased archive works of less known composers. Metaphon presents their ‘signature’ in the most personal and elementary way.
Raoul De Smet (1936), mainly known for his numerous instrumental and chamber music works, started composing in the early 1960’s. Between 1974 and 1989 he also recorded several electro-acoustic compositions at the IPEM in Ghent, one …
More than two decades since he blew minds with a suite of brilliant releases on Warp, Vincent Gallo returns to the world of music at long last in Butterfly, his duo with Harper Simon, with the project’s full-length debut, “The Music of Butterfly”. A gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, while interweaving fascinating flirtations with minimalism and experimentalism, it’s a truly ca…
Breach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. With the help of precise electronics, the music unfolds like a drift, depicting the s…
Building upon the ground of their previous “Infra”, “Scanning”, and “Tektra” collections, Reiger Records Reeks continues its dedication to Roland Kayn’s monumental back catalog, delivering “Elektroakustische Projekte & Makro”, a towering 5CD box set reissuing two of the composer’s most important bodies of work for the very first time since their respective original releases in 1977 and 1981. Fully remastered from the original analog tapes by none other than Jim O’Rourke - allowing a number of th…