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Jaws is a performance oriented sound from Los Angeles, California. It employs slithering electronics, confessional narrative, and impromptu stratagems in an effort to brim the optics, confuse the mind and engage the body. Beginning as an exercise in speed and personality, Jaws has crossed the landscape multiple times, acquiring and discarding forms, tactics and participants with equal aplomb. Stress Test is the overheated, heaving combination of high-ratchet club dynamics, materially co…
In the etheric inertness of "Contemplating Nothingness", studio whiz and erstwhile Coil member Danny Hyde revives the Electric Sewer Age alias he began with the late, great John Balance.
A classic album by contemporary psychic blues visionaries MV & EE. The duo spent 40 days and 40 nights under the twisted trees and endless sky of the Mojave desert via a Vermont homestead, freedom and unity. That's where these songs were unformed in dreams, floating off to mingle with the collective unconscious of coyotes and rattlesnakes, before they were re-birthed as smoke signals channeled through shaky hands, an old tele, germanium transistors and a bucket brigade. One of the purest distill…
On "Empty Room" David Granström works with slow transformations, cyclical and isometric patterns as well as just intonation as a way to create harmonic stability, allowing his long-form pieces to develop their own unique temporal and spatial qualities. A prolific figure in stockholm's experimental drone scene and a collaborator of Hallow Ground Label Mates Maria W Horn and Mats Erlandsson, the swedish composer navigates through moments of quietude and crushing volume on these five tracks. Sonica…
*In process of stocking.* "This is the third and concluding part of the trilogy "In Another Land“. It is not the dialectic synthesis of its antagonistic predecessors, it is just one of three equivalent antipodes that could have been released in any order. Mostly percussive and constantly transforming structures are weaving their net through both sides of this album. Processes of convergence follow moments of decay, high event density alternates with moments of quiet, aimless meandering. A furthe…
F.U.T.U.R.OS.C.O.P.E is, above all, a very relaxing french trio: Julien Nicolaï plays the bass, Jean-Baptiste Geoffroy the drums and Antoine Serreau, the trumpet. Note that they were in the past a duo, then a trio and a quintet for a single concert. They obviously had their little moment as a quartet and here there are again, a trio. Changing numbers a lot over time, has bestowed them a social flair, an iron clad sense of flexibility and, of course, the love of beautiful numbers. If no one ig- …
Third official release from CX records, Italy. Genshi Wakusei (Proto Planet) is the new collaboration between the Japanese experimental/electronic wizard and master Kazuyuki Kishino (aka KK Null) and the visual and sound Italian artist Cristiano Luciani (aka Cris X).Five new experimental compositions composed of savage electronics - both analog and digital - abrupt cut-ups and loops, chilling ambient atmosphere and suggestive field recordings (frogs, birds, voices but also metropolitan and indus…
Rescued and restored from rediscovered original 1/4” analogue tapes in the loft, "Still Strange” is a second volume of previously unheard early 70’s post punk/kosmische and early ‘90s ambient/drone gems by the largely unknown Orior, remastered and issued by DDS. It’s a bewildering, engrossing set that comes highly recommended if you’re into anything from Deathprod to John Bender, Joy Division to Boards of Canada and Vangelis. ‘Still Strange’ reaches back into the prized tape archive of Jeff Sh…
‘Der Osten Ist Rot’ is a wigged-out 1984 treat helmed by Can’s Holger Czukay, with drums by his legendary bandmate Jaki Liebzeit and vital synth input from Conny Plank. Now making its first official digital release, the 1984 album was Czukay’s 3rd solo side, proper, following from ‘Movies’ [1979], and ‘On The Way To The Peak Of Normal’ [1981] in pursuit of an elusive, avant and pop-wise spirit that would also be explored on its follow-up ‘Rome Remains Rome’, before Czukay set off on two seminal…
Real Real World is the first collaborative effort from Nantes-based Australian drummer/percussionist Will Guthrie and Australian keyboardist/composer James Rushford. Primarily recorded in a fluid, spontaneous studio session in Nantes, with overdubs added later in Melbourne and Nantes, Real Real World presents five spacious, unhurried pieces that inhabit a unique sound world characterised by wheezing, half-voiced organ chords, chiming metal percussion, and eruptions of small sounds. Beginning wit…
Besom Presse announces Ask the Axes, the first collaborative release by the duo of experimental bagpiper David Watson and famed percussionist of The Necks, Tony Buck. Watson and Buck’s premiere recording documents two twenty-plus minute tracks featuring the hallucinatory sound palette of the Highland bagpipes, drums and percussion
After having celebrated their 15th anniversary in May, dUASsEMIcOLCHEIASiNVERTIDAS – dSCi are about to start their Piknik Tour, where they’ll be presenting their new record “卌“. The 5-track EP will be out on vinyl through Associação Terapêutica do Ruído – ATR (their siamese entity which is dedicated to promoting DIY concerts and to releasing and distributing records), together with the labels Bar Marfil Records, Experimentáculo Records, Gaffer Records, Lepers Produtcions, Neonparalleli, Red Wig,…
*200 copies limited edition. In process of stocking* On “Red Circle”: Though severely cut, Red Circle doesn't exactly sweep along. It has a deliberate pace as Kallabris sets up the score of thirteen chance acquaintances who plan and carry out the sacking of our acoustic consciousness... Understatement is the method of these compositions for a small modular synthesizer. If there ever was something like heist music, this here surely is. (Vincent Canby, with a few minor changes and adaptions).
The Room Above was recorded in the church of the Helvetic Circle in Genoa, in the 2020 lockdown. I played the church's organ in the present moment, with no score, over four consecutive days, possibly inspired by long sonic walks in the surrounding mountains and along the Ligurian coast. The intrinsic architectural sonic spatial identity of the building entered the recordings. The cumulation of sonic spaces - those initially present, those of field recordings, those of future concert venues, and …
*2022 stock* An obscure tape release discovery by Red Light Radio founder and close friend of the label, Orpheu de Jong, led to Music From Memory’s latest release. This two track 12” highlights the work of electronic music pioneer Joel Graham, a San Francisco based artist who self released two cassettes in 1984/85.
Originally recorded and performed live on pre-MIDI analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found…
*In process of stocking* "Cologne bassist and composer Stefan Schönegg seems drawn to sound without end, a vibrating mass that crawls like a glacier toward the infinite. He’s used the moniker Enso for five recordings now, and although each album has featured a shifting group of collaborators, his vision has persisted without distraction. Enso: Strings & Percussion, which was recorded following a performance with the same ensemble as part of Cologne Jazzweek in September of 2021, introduces a new…
*2022 stock. In process of stocking* The world slowed down immeasurably in 2020 as the Corona virus pandemic spread across the globe, and Cologne bassist and composer Stefan Schönegg applied that shift to his own music. “I developed a deep longing for reduction and deceleration—in music and in life,” he says. Indeed, Strukturen, the latest transmission from his ensemble Enso, is marked by a Zen-like serenity. Since launching the project back in 2016 Schönegg has embraced minimal materials for th…
KRAAK is proud to present the first LP by Bloedneus & de Snuitkever, Milli Mille. Finally in wax, it’s Lukas De Clerck’s musical vehicle for his explorations with the aulos, that ancient reed instrument that mainly satyrs and archeological enthusiasts found beguiling. Equipped with his handmade pipes and the artful sense of devotion of a true modern-day aulete, De Clerck has dug deep into the technical and cultural peculiarities of this long-silenced instrument, paying it the kind of attention a…