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Excepter is the creation of No-Neck Blues Band member John Fell Ryan founded in 2002. Their records have been released on labels such as Load, Fusetron and Animal Collective's Paw Tracks. Most of their improvisational live shows have been recorded and released on the band's website. A new album will be coming out this year on the Blast First (petite) label. The Stand includes three new recordings featuring Lala Harrison Ryan and John Fell Ryan's son John Victory. Victory was only 18 months old w…
Marc-Alexandre Reinhardt: drums, electronics, piano, field recordings. Steve Bates: guitar, electronics. Plus guests, Burkhard Stangl (additional guitar, electronics), Toshimaru Nakamura (no-input mixing board), Sophie Trudeau (violin, electronics). Recorded and mixed by Steve Bates in Montréal, late 2012. Mastered by James Plotkin. For those who appreciate: This Heat, Yellow Swans, Magik Markers, no wave, New Zealand noise...For their second full-length release, Lanterner will work again with …
Infinite Greyscale presents a new long-form composition by Jan St. Werner, Split Animal Sculpture, a companion piece to the artist’s ongoing Fiepblatter series on Thrill Jockey, Jan St. Werner (Mouse on Mars, Lithops, Microstoria, Von Südenfed) has been at the forefront of forward thinking electronic music for over twenty years. As an artist concerned primarily with sound as a sculptural material, St. Werner has also exhibited his work in museums and his numerous collaborators include Rosa Barba…
German steamroom wrecking crew LX Sweat returns from a winter of festival dates and self-symbiosis to lay out an impressively realized full-length debut of voidist club fantasia, equal parts Screw bootlegs, slow-jack synth freestyle, and degraded phaser wash. City of Sweat spirals through a judgement night of weird, codeined lust, luxury hallucinations, overdosed syrup rituals, and long, blurry nights stumbling home through alleys in the rain. Like last year’s Sweat Sweat Sweat cassette, this ne…
ET\OU arose from the convergence of two giants of current Canadian music: Martin Tétreault, a dazzling turntablist of international renown; and Michel Langevin, the famed drummer of the legendary progressive metal band, Voivoid. For this promising duo's first LP and CD, Oral and Minute have teamed up to introduce this unique partnership to all lovers of thundering sounds and electrifying performances. The intensity of their studio compositions and wide-open dialogues are unique and unmatched. Mi…
The debut-album of Shampoo Boy was released in 2013 on Blackest Ever Black (London, UK) harsh electronic-noise-drone by new project of Peter Rehberg one of the shining names in the international electronic/avantgarde scene. First and final pressing of 750.
Dukes of Chutney is John Paul Jones and Dustin Lynn, California born brothers from other cosmic mothers who met surfing over a decade ago. The flavor of the Dukes musical chutney is an abstract but balanced mixture of many disciplines. Under the moniker Tom Croose, Jones has established a beguiling production touch to various edits and remixes. Lynn is an accomplished filmmaker who has collaborated with artist Gabriel Orozco and directed campaigns for designers Alexander McQueen and Corto Mol…
Timos Alexandropoulos (b.1988) is a multidisciplanary artist/programmer based in Athens/Greece. Under the moniker No God Ritual, he has releases in both foreign and local labels. His main interest is the use of algorithmic systems and the use of different programming concepts and techniques -such as tactical media ideas, internet, hacking, data elaboration etc- in order to create complex synthesized sounds. He has performed both in clubs and galleries while he is member of the Null Pointer Const…
Lurists are the collaborative effort of Glaswegians Luke Fowler (who's also releasing his debut LP on Dekorder next month) and Richard Youngs with Berlin ex-pat Steven Warwick aka Heatsick (PAN Records). Warwick and Fowler had been friendly since playing several bills together with their old groups Birds Of Delay and Lied Music. Richard Youngs and Luke Fowler have a collaborative duo that has been active for over a year now. This collaboration spans a diverse range of territory from auste…
Fowl Tapes II is the debut solo album by Luke Fowler, a Glaswegian musician, artist and filmmaker. Fowler played in the groups Lied Music and Rude Pravo and curates the Shadazz label. He has collaborated with Jean-Luc Guionnet, Eric La Casa, Richard Youngs, Lee Patterson and Tohsiya Tsunoda. His documentary films have explored "counter cultural" figures like Scottish psychiatrist R. D. Lain, English composer Cornelius Cardew and Xentos "L-Voag" Jones, founding member of The Homosexuals. He won t…
A unique work stemming from a studio collaboration between Francisco Meirino and Kiko C. Esseiva. Using the same source material each artist composed one side of the LP. Assembled in 2012 and 2013 from hours of multitrackrecordings using reel-to-reel tape recorders, emf detectors, piezo transducers, analogue synths and various homemade sound objects. Discover, compare, enjoy the work of these two sound artists ! High Quality 180g Vinyl with excellent sound - not at least due to the cut done by F…
**One-sided red vinyl with a screen-print on the b side. Individually hand-numbered edition of 300 with photo, insert and download code redeemable from the label. Mastered by Rashad at D&M** Former Yellow Swans Gabriel Saloman presents another beautifully dystopian composition for dance, nearly one year on from his elegantly sombre solo debut, 'Adhere'. This time he's soundtracking Daisy Karen Thompson's choreography for 'Riots Don't Just Happen', reflecting it's themes of causality with …
Until now, Foot Village has worked in the genre of fantasy. Their first three albums constituted a trilogy, telling the abstract story of the first city formed after the apocalypse. The city rose. The city reached glory. The city fought wars. The city crumbled. Now Foot Village has returned from this world of fantasy to our own. Both in the form of a warning and hope. As always, their message travels on the sound of a horde of drums (in fact, there are four drummers in the band); their voices ch…
"Of the players involved in the recent resurgence of fingerstyle guitar, Harris Newman has established himself as a primary envoy on the modern day steel-stringer shortlist. As with the case of his brothers-in-arms Jack Rose, Glenn Jones and Steffen Basho-Junghans, each of whom borrow from the past traditions of mavericks Fahey, Basho et al but have re-invented the sound and style with fresh perspectives, Newman distinguishes his music even further with a very idiosyncratic sound. In cont…
"Portuguese composer and pianist Tiago Sousa follows his 2011 album Walden Pond's Monk with his first solo piano record, Samsara. While Walden Pond's Monk featured Sousa on piano accompanied by clarinet and percussion players, Samsara allows the playing of Sousa to take center stage. Samsara is an intricate record, built on a complex narrative that's anchored on this oriental philosophical concept -- a bold and emotive piece that stands through its carefully managed balance between opposites. Sa…
After a lengthy silence, Chora’s Ben Nash came back recently with an album made entirely on his computer, and now here’s another one which seems to have been made with a combination of computer and guitar, carving out slow melodic soundscapes with glassy, patient drones, disembodied voices and a whole variety of tones which swell and recede for quite an ominous, organic-sounding psychedelic thrum.There are two lengthy pieces on here, on the first side there’s ‘From 80 Fathoms’, which is quite sp…
Valedictorian/Exoskeleton, Dan Friel’s first release for Thrill Jockey, contains two brand new songs, as well as the first ever remixes of his music. “Valedictorian” opens the EP with a burst of adreneline, pure pop filtered through a layer of noise. “Exoskeleton” is more mysterious, with bursts of Friel’s overdriven synths coming in and out of focus over a steady pulse. The first remix is a dancefloor ready take on “Exoskeleton” courtesy of Moss of Aura, the solo project of Gerrit Welmers, one …
Koboku Senju, meaning something like a Selection of Dead Trees', is the quintet of Tetuzi Akiyama, Toshimaru Nakamura, Martin Taxt, Eivind Lønning, and Espen Reinertsen. Akiyama and Nakamura, on guitar and no input mixing board respectively, have long been two of the leading improvisers from the Tokyo scene, and Lønning, Reinertsen and Taxt, on trumpet, saxophone and tuba respectively, are three young and active improvisers from Norway with an increasing reputation for their adventurous yet matu…
Last year, Bill Orcutt of 90s gnarly Miami noise group Harry Pussy blasted the bejesus out of blues with a beat-up guitar and blew us all away with How The Thing Sings to get a spot on our favorites of 2011. Now, Orcutt’s buddy Mark Feehan, who frequently played spastic guitar for Harry Pussy, is releasing his first solo record, MF, with old Harry Pussy promoters Siltbreeze Records. Feehan’s independent work is somewhat similar to Orcutt’s acoustic binges of raw Americana, but it echoes louder h…
Since I’m a self-professed Decimus fan I get the special treat of reviewing both of his Kelippah label’s offerings today. First was the confrontational creepscapes of his collab LP with Tom Carter, and now I’ve got this one by Les Conversions, which is either a supergroup or a stripped down version of NNCK depending on how you look at it. Either way it’s an impressive trio of No-Neckers Pat Murano (Decimus himself), Dave Shuford (D Charles Speer, Rhyton) and Jason Meagher (Coach Fingers, Black D…