Your cart and preferences will not be saved if you leave the site.
Opening with the gyrating scum of a lint-filled wind turbine, Aaron Dilloway's Chain Shot is a go-nowhere-quick exploration of the bowels of an inferno. This might just be what it sounds like inside the volcano, the lava spluttering up on you before it hardens into its shiny metallic coating. With only tape loops, metal, and horns (and sometimes, it seems, metal on horns) the two side long pieces, "Chain Shot" and "Execution Dock" respectively, explore the ugly underbelly of noise before just scraping right through and aiming for the insides. In a genre that has quickly turned into a broad and often inaccurate description of a certain breed of every-man experimental music, Dilloway sticks to the old-fashioned definition of noise, doing battle with the materials in front of him as he continues the construction of his impressive body of work. Dilloway, a former member of noise-titans Wolf Eyes, has recently been releasing solo work that explores much more abstract and thoughtful terrain than his previous group's onslaughts. "Chain Shot" is more a sound collage than anything, and while it is a heaping glob of muddled debris, it is also a highly controlled one. Looping samples on top of samples, Dilloway builds a slowly encroaching beast before slowly disintegrating it, bone by bone. This is some highly textural and immediately emotive soundscape work. "Execution Dock" begins with a repeating loop of what sounds like the beginning and the end syllables of some nut's conversation with a lamppost. In the distance sounds a pained song of sorts, like a rodent's death cry, or maybe its birth one. I'm guessing maybe this is the horn, though it would be tough to be certain about much of anything here. Delayed creaks and groans float in and around as the vocal sample dissipates, leaving you sloshing through the mud puddle only to realize that its a tar pit the size of La Brea. Dilloway continues to put out increasingly interesting records, and Chain Shot may be his best solo work to date. This is some slow, ambling stuff that offers far more than the average noise act. Actually, he offers a lot more than the average act, period. Only repeated listens reveal the depth of control and subtle manipulation that Dilloway is operating under here, and it is a joy to be dragged down with him. Beautifully packaged with a screen printed pirate aboard the cover, the album is limited to 500 copies on the always interesting Throne Heap label, so hurry before this monster disappears in the fog.
Soundohm is an international online mailorder that maintains a large inventory of several thousands of titles, specialized in Electronic/Avantgarde music and Sound Art. In our easy-to-navigate website it is possible to find the latest editions and the reissues, highly collectible original items, and in addition rare, out-of-print and sometime impossible-to-find artists’ records, multiples and limited gallery editions. The website is designed to offer cross references and additional information on each title, as well as sound clips to appreciate the music before buying it.
Soundohm 2020. All rights reserved. See our privacy and copyright statement for more information.