Somewhere between the buzzing Cyborg bugs and the whistling of extinct birds. Welcome to the hybrid zoo built on the ruins of the biotic crisis. You can explore the chirping, singing and trilling of birds and insects, which you know from pictures of cryptozoological encyclopedias or go straight to synthetic ornithology, where you can listen to mutated biorhythms. Everyone knows Mockingjay call, but who heard the voice of the Double-headed emu or the rustle of invisible community living in the crown of the Muku tree?
Felicity Mangan is an Australian sound artist, composer and an attentive listener based in Berlin. She plays her found native Australian wildlife archive and other field recordings, either through a stereophonic system or often via hand-made speakers and found objects – exploring the timbre and forms of found and self-recorded animal voices while mimicking biophonic patterns to create minimal quasi-bioacoustic environments.
"Tracks on Creepy Crawly were made between 2017-19. Samples were taken from found animal sounds and field recordings made in Berlin and trips to Japan and Australia.Some of the material was played live along side my collaborators in duo projects Native Instrument (Shelter Press, Entr'acte) and Plants and Animalia."
Five compositions are perfect gateway to the Mangan archive, which is rather embedded aural illusion- speculative echo of spieces than a reproduction of rural soundscape.
Felicity has presented projects in many different settings from galleries, gardens, clubs and festivals throughout Europe. Including National Gallery Denmark, Technosphärenklänge CTM/HKW and Sonic Act Academy.