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Super tip! Holy ghost music. The real deal. The sound of four men tearing a hole in the fabric of what jazz was supposed to be and letting something else pour through - something ancient and raw and utterly new. In their short time together, Albert Ayler and Don Cherry created a body of music that genuinely exists in the moment. Oblivious to rules and aesthetic boundaries, they played what they felt on their nerve-ends, embracing mistakes and wrong turns as part of the experience of making art i…
The room where butterflies live. A place between worlds. Enter at your own risk - you may not find your way back out. Sai Yoshiko's fourth and final album of the 1970s stands as one of the most singular documents in Japanese music - a jazz-inflected fever dream that marked the end of an era. Originally released in 1978 on Columbia (LX-7058-A), Chou no Sumu Heya represented a dramatic departure from her earlier psychedelic folk explorations. Here was something else entirely: a surreal and dynamic…
Sai Yoshiko (佐井好子) - one of Japan's most legendary and enigmatic singers - made her debut in 1975 with Mangekyou, an album of superbly crafted songs and crystal-clear vocals over Yuji Ohno's lush, funky arrangements. Three more masterpieces followed in rapid succession: Mikkou (1976), Taiji no Yume (1977), and Chou no Sumu Heya (1978). Her melancholic, poetic lyrics drew from the gothic imagination of Japanese novelists like Ranpo Edogawa, Mushitaro Oguri, and Yumeno Kyusaku - dark fairy tales s…
Includes deluxe 12-page booklet with unpublished photos, lyrics, translations, and liner notes written by NTS radio host Jamal Khadar. Before there was a Zambia, there was Alick Nkhata. Born in Kasama in 1922 to a Tonga father and Bemba mother, Nkhata would become the voice of a nation that did not yet exist - and help sing it into being. Vocalist, guitarist, bandleader, broadcaster, archivist, freedom fighter: he moved between these roles as effortlessly as he moved between lonesome country sli…
August 1961. Van Gelder Studio, Englewood Cliffs, New Jersey. Max Roach - the man who reinvented jazz drumming alongside Charlie Parker and Dizzy Gillespie in the 1940s, the co-leader with Clifford Brown of the definitive hard bop quintet until tragedy struck in 1956 - enters the studio with something to say. Something that cannot wait. Something that demands a new language.
The year before, Roach had recorded We Insist! Freedom Now Suite for Candid Records, a searing response to the Civil Right…
August 10, 1964. Van Gelder Studio, Englewood Cliffs, New Jersey. A young saxophonist from Philadelphia enters the studio to record his first album as a leader for Impulse! Records. At his side, as co-producer, stands the man to whom he owes everything: John Coltrane. Archie Shepp was twenty-seven years old when Four For Trane was recorded - an age that in 1964 jazz still meant being an emerging voice. Born in Fort Lauderdale but raised in Philadelphia - the same Philadelphia as Coltrane, eleven…
Gatefold cover, blue vinyl. Düsseldorf. Düsseldorf. Düsseldorf. Düsseldorf. The mantra repeats for thirteen minutes, hypnotic as a highway journey, ecstatic as a stadium anthem. It's 1976 and Klaus Dinger - the drummer who invented the motorik beat, the man who alongside Michael Rother created Neu! and redefined the very concept of rhythm in rock - has a new machine to drive. He's christened it with the name of his hometown on the Rhine. And the first record he makes with this new formation is c…
On The Madcap Laughs, Syd Barrett turns his post-Floyd fracture into a stark, lopsided songbook: blues shuffles, nursery-rhyme mantras and bare confessions recorded as if they might evaporate mid-take. The result is intimate, unsettling and enduringly luminous.
On Opel, Syd Barrett’s lost songs and alternate takes surface like fragments from a parallel 1968–70, exposing the raw circuitry behind The Madcap Laughs and Barrett. What was once fan lore becomes a fragile, disorienting self‑portrait in real time.
On Twin Peaks – Fire Walk With Me, Angelo Badalamenti distils the series’ haunted romanticism into something darker and more exposed: smoky torch songs, doomed jazz and glacial themes that move like weather through Laura Palmer’s final days, fusing beauty and dread into a single, unforgettable atmosphere.
180 Gram Vinyl - Limited Edition Lenticular Cover. Silver-Tongued Colored Viny. California, 1972. While Anton LaVey held court at his Black House in San Francisco, issuing pronouncements and recording The Satanic Mass for a growing cult of devotees, a more obscure ceremony was being committed to tape somewhere in Los Angeles. No press releases. No magazine profiles. No celebrity weddings or baptisms for the cameras. Just a man named Robert Jamra, an unknown organist, and a series of rituals so b…
2nd Edition. Black vinyl. Somewhere in America, early 1960s. A tape recorder captures what no congregation was meant to hear. The voices of women possessed - or believed to be possessed - struggling against demons real or imagined while priests perform the ancient rite of exorcism. Screams. Prayers. Commands in Latin. The grinding friction between the sacred and the profane, committed to magnetic tape and then buried for decades.
Before The Exorcist made demonic possession a cultural phenomenon,…
* Includes a 28-page booklet with liner notes by Senri Miyazato in Japanese and English (English translation by Linda Havenstein) * Historical recording of the sacred Izaiho ritual, an inauguration ceremony of female priests held once in twelve years in Kudaka island, which is located approximately five kilometers east west from the Okinawa island. Izaiho ended in 1978 due to a lack of successors, and this is a recording of the final ritual.
"This masterful score fuses Western orchestration with ancient Eastern influences, creating a soundscape as tense and intricate as the film’s Cold War espionage. Bold, innovative, and rich in cultural texture, it remains a striking testament to Goldsmith's fearless approach to film music. " "In 1969, as Cold War tensions simmered, Jerry Goldsmith composed the score for 'The Chairman', a spy thriller starring Gregory Peck. Known for his genre-spanning versatility, Goldsmith had already impressed …
Edition of 250. Deluxe edition + insert. For eighteen months, between 1984 and 1985, Patrick Lysaght played flute, strings, and percussion inside the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque, New Mexico. His audience and collaborators: 150 birds of 42 species.
The result is one of the earliest and most radical documents of interspecies improvisation. Predating the current wave of sound ecology by decades, For The Birds sits comfortably alongside the biophonic research of Bernie …
On Things We Lost in the Fire, Low stretch slowcore until it glows, binding hushed harmonies, sudden noise and fragile lullabies into one prolonged reckoning with love, faith and mortality. What began as an “anti-rock” trio here becomes a devastatingly direct pop group, without sacrificing an inch of quiet intensity.
*100 copies limited edition* El-Hadra is more than ambient music - it’s a sonic ritual that leaves a permanent mark on the soul. This album has transformed the way many perceive sound, becoming a personal landmark for countless listeners. Originally recorded in the late 1980s, it fuses elements of Sufi trance with hypnotic tabla rhythms, meditative zither, and deep ambient drone to form a truly transcendent experience. Listening to El-Hadra is like entering a space beyond time - a journey one ca…
Ruins Of Xibalba (Sydney, AUS) bring avant-garde ritual dark ambient from down under. Deep within the past, the roots of "Shaman" branch into our world. Bent Window is proud to present this elegant and mystifying release in cassette format...
“Shaman is an album that challenges the lives of those who have lost touch with their roots, their existence marred by false beliefs and misconceptions. Shamanism is a gift to humanity, the sole path to truly understanding nature, accessing profound emotion…
Limited edition numbered to 500 copies. Transparent red vinyl format / 180 grams + CD. Lee Van Cleef had already defined the archetype twice over: once as the cold-eyed Angel Eyes in The Good, the Bad and the Ugly, once as the elegant Colonel Mortimer in For a Few Dollars More. But Gianfranco Parolini saw something else in that gaunt, reptilian face. Not a villain. Not a gentleman bounty hunter. Something slipperier. A con man with a rifle. A blackmailer in black. A gunfighter who'd rather outsm…
2xLP Transparent Magenta 180gr + CD | Limited Numbered Edition of 500 copies. April 1969. On screens across Europe, a film opens that looks like an American crime picture but feels like something else entirely. Giuliano Montaldo, the Italian director who would later give us Sacco e Vanzetti and Giordano Bruno, has crossed the Atlantic to shoot a heist thriller in San Francisco and Las Vegas. The cast reads like an inventory of New Hollywood royalty: John Cassavetes, fresh from Rosemary's Baby, a…