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*300 clopies limited edition. 2022 stock* "Obscure solo venture of Heinz Christian Wilp (founder of Der Schwarze Kanal, as well as ZU guitarrist and occasional member, as percussionist, of Das Synthetische Mischgewebe), which was active from 1984 to 1987. “Katatonia”, originally put out by italian cult label ADN (as the Zona Industriale reissue in this batch), is probably the release most people associate with the project, and an absolutely essential document of 80s tape culture that Narcolepsia…
** Limited edition housed in a die cut craft sleeve, flooded pocket, in printed inner sleeve, with insert ** Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know. Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with man…
Tip! "Bloody spooky though. I hope the place don't fill up with goggle eyed weirdos now, wandering around and muttering."In 2015 I edited various pieces of music I had written on an EMS Synthi and a tape echo, into one hour long piece. I didn't know what to do with it. I knew Will (Goddard) from his Supreme Vagabond Craftsman records. I liked his writing style, always a bit twisted. I also knew that he wouldn't be put off by my atonal discordant Synthi burblings. So I asked him to write a sci-fi…
*In process of stocking. 300 copies limited edition* "This is probably one of the most industrial Merzbow's records that he ever made. For an album in transitional period between his early musique concrète/sound collage pieces and later harsh noise works that he's best known for, it's nothing surprising. Nevertheless fact remains that Antimonument sounds pretty different from any other of his records, but instead of explaining it by the former way, I'd rather see it as a very intentional artisti…
*In process of stocking. 200 copies limited edition* "It's actually surprising that this album ends up feeling quite a bit different in comparison to Enclosure, considering that they both have used the same source material, raw material from Ecobondage. This one is much more subdued, a series of industrial/musique concréte-like improv pieces evoking Nurse With Wound with its warbly, echoing, factory-like atmosphere, dominated by tape/vinyl scratches, speedups/slowdowns and homemade percussion fr…
*In process of stocking. 200 copies limited edition* "An odd release that doesn't seem to follow any sort of a recognizable theme or singular approach to noise, just three random tracks pasted together. In the first track there's not much interesting variation within it. The second track is a cool Music for Films evoking electronic drone that's also 56 seconds long. The main course here is the third track, which is a massive beast of thick fuzz that has a very strange, "rattly" effect to it, ach…
*In process of stocking* Mortar is Moreno Daldosso / Murder Corporation. Originally released on cassette in 1995 by Slaughter Produktions. Remastered from original tape. Limited edition of 100 copies in oversized fold-out cover.
Twin Cosmos is not only the name of the musical output of fraternal twins Morihito & Yasuhito Ito, but more philosophically, an album that encapsulates, “the universe of twins”.
The pair were born 1953 in Yokkaichi, Mie Prefecture. A port city 50 kilometres west of Nagoya, famous for its chemical plants. Despite their surroundings, they grew up in an environment that fostered learning and self-expression. From an early age, they began to carve out their own paths.
Morihito was fascinated with sc…
Heads have been after Otakar Olšaník and Jan Martiš's Advanced Process for a long time. That's because "coincidentally-cosmic disco" packed with spaced-out, smacky-synth dynamite tends to become sought-after. Originally slipping out on the mighty Coloursound in 1986, the label described the sound as "contemporary synthesizer underscores played by computers; depicting future technologies in today's process." If they'd just added "acid-drenched", they'd have been closer to nailing it.The A-Side is…
Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record. Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop…
The Plains at Gordium was composed from June to August 2004 and is dedicated to Charlotta Kotik. The incentive to compose the piece came from a percussion group in Brno, Czech Republic, who asked me for a piece of music. Not being a commission-disciplined composer, I wrote a piece for six percussionists, while the Czech group, DAMA-DAMA had only four members and could not perform it. The size of the piece also defies the scale of a standard percussion piece, 1,290 measures over a 108-page score.…
Reissue of all the three unobtainable tapes from MMM Records in a double cassette box set together with a fourth unreleased album "Love Letters" by Aloe Vera. The now defunct record label described itself as: "We want pieces of music that are inspiring, universal, blah-blah-blah, da-da-da, optimistic, futuristic and sentimental."
Complete rendition of the saxophonist’s famed divinely inspired suite was recorded at Seattle’s Penthouse in 1965. Despite being John Coltrane’s most celebrated album, and one of the most beloved jazz albums of all time, A Love Supreme wasn’t a record that the saxophonist touched on much in the live setting. Up until now, most Coltrane enthusiasts have only ever heard a single live performance of the literally divinely inspired four-movement suite that makes up the LP. That will change in Octobe…
Reissue of an obscure Italian minimal album from the 80s. Recorded in Northern Italy in 1989 by Michele Tadini, this release effortlessly fuses ambient and library overtones with the influence of early digital electronic music, underlined by an ethereal atmosphere eerily reminiscent of the best soundtracks by John Carpenter. Seemingly unplaceable in time and space, it is both Italian and world-spanning.
A young, free-reined musician with a rich music vocabulary and avant-garde sensibilities pour…
* Edition of 500 + 16-page booklet *By the mid-1990s, there was a quietly thriving underground in Wellington, New Zealand, made up of a number of loosely aligned operatives - Surface of The Earth and their World Resources imprint; Fever Hospital and 8 Dec, and the music made by the members of The Garbage & the Flowers after that group temporarily dissolved in 1992..." One of those rather short-lived groups was Dress, who on record consisted of Yuri Frusin and Helen Johnstone from The Garbage & t…
Tip! Despite the title of the album, it is the Tullio De Piscopo's third work, recorded in 1976. Comprising nine tracks in total across its two sides, “Vol. 2” falls somewhere between fusion and prog, straddling darker, brooding temperaments with joyous, funky lines. Predictably, as is nearly the case with music of this sort, the playing and artistry is top-notch, the band locked together with remarkable precision, but the journey that “Vol. 2” takes is far from expected. Interspersed throughout…
2022 Repress expected to ship early November - Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood’s privately-pressed opus of 1975.Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score …
Originally released in 1973. One of the rarest and most enigmatic LPs in the Brazilian discography, Prá Quem Sabe das Coisas is a collective album that gathered a group of students from São Paulo Law School, supported by the organist/pianist Renato Mendes, one of samba-jazz's most important names. Released in 1973 by the label EBRAU, finally has a refined reissue and its mysteries revealed, exactly half a century later, considering that it was recorded in 1971 but put in the market as LP only t…
This seminal, eponymous post-punk album by Japanese group Aunt Sally, fronted by experimental singer Phew, was first released by the iconic Vanity Records label in 1979. Over the past forty-plus years, Phew has forged a singular path through a wide range of styles - from free improvisation to pop - and has collaborated with the likes of Ryuichi Sakamoto, members of Can, DAF, Einstürzende Neubauten, The Raincoats and more. But Aunt Sally is where she got her start and, despite the members’ young…