*In process of stocking. 200 copies limited edition* "An odd release that doesn't seem to follow any sort of a recognizable theme or singular approach to noise, just three random tracks pasted together. In the first track there's not much interesting variation within it. The second track is a cool Music for Films evoking electronic drone that's also 56 seconds long. The main course here is the third track, which is a massive beast of thick fuzz that has a very strange, "rattly" effect to it, achieved thanks to applying some rapid tremolo effect to fat bass synths and rapidly stereo panning them in a very liberal manner. As the track goes on, the noise gets harsher and the bass synths gradually rise in pitch and get faster until they become one with the noise and come crashing in a massive climax of sonic doom at the end. It must be said that despite sticking to the standard analog synth noise means of expression common to most of his '90s works, nothing else sounds quite like it in the Merzbow catalog whatsoever." - Rate Your Music