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After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together and The Ultimate—both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album—1969’s unfettered post-bop exploration Poly-Currents—Jones expanded his ensemble with additional woodwinds and percussion while still maintaining …
Recorded in Paris in 1966, this double album by Cecil Taylor explores avant-garde free jazz improvisations with Jimmy Lyons, Alan Silva and Andrew Cyrille. Taylor, with his percussive playing, goes beyond the limits of traditional jazz, offering an intense and revolutionary sonic experience, marking his contribution to the genre. Double LP in blue and white, limited to 1,000 copies.
Released in October 1967, We Are Ever So Clean was the wonderful debut album by Blossom Toes, one of Britain’s most imaginative bands of the late 1960s. Originally known as The Ingoes, the band featured Brian Gooding (guitar, vocals, keyboards), Jim Cregan (guitar, vocals), Brian Belshaw (bass, vocals) and Kevin Westlake (drums, percussion). Signing to Giorgio Gomelsky’s newly formed Marmalade Records in 1967, the band recorded their debut masterpiece throughout the Summer of that year.
Upo…
2025 stock 180g virgin vinyl limited edition - the complete LP + 2 bonus track. The only album ever reuniting pianist Cecil Taylor and saxophonist John Coltrane, Stereo Drive was released in 1959. Taylor wanted to use Ted Curson on trumpet, but the recording company insisted on using Kenny Dorham. Relations between Taylor, who favoured a very avant-garde approach, and Dorham, who verbally disapproved of Taylor's "way-out" tendencies, were strained, and the session is a unique tour the force.
2025 stock Self-released by Julianna Barwick second EP from 2009. Composed using a loop station and pedals to create minimalist repetition accompanied by layers of vocals and synthesizers.
2025 stock Trading Places present a reissue of Gilli Smyth's Mother, originally released in 1978. The London-born vocalist and former Sorbonne lecturer Gilli Smyth became known as the "space whisperer" for the poems she performed in Gong, formed in Paris in 1967 with her Australian-born partner, Daevid Allen of Soft Machine, with whom she also performed. Debut solo album Mother, released by French label Charly in 1978, featured her breathy suppositions on motherhood, the cosmic lifeforce, and th…
The 1968 debut album from Norwegian guitar legend Terje Rypdal stands as a significant entry in the late 1960s jazz landscape, exemplifying the transition from psychedelic rock to a more intricate, freeform blend of jazz elements. Collaborating with legendary musicians like Jan Garbarek, Rypdal's work on this album showcases his innovative talent.
Recorded during three sessions in Oslo in 1968, Bleak House marks Rypdal’s departure from the psychedelic group The Dream as he ventured into new musi…
Several important jazz groups and projects emerged in the early 70s, among them were Platina, featuring Arale Kaminsky and Roman Kunsman, and Jazz Workshop. Jazz Workshop are best known for their landmark fusion of jazz, Hebrew and Arabic musical forms on the album 'Mizare Israel Yekabtzenu', released in 1972. Another key group that emerged during this crucial febrile period was Oasis, fronted by jazz guitar maestro Avery Sharon. He was joined by bass player Yossie Menachem, drummer Ickie Levy &…
Tip! By the 1960s, the popularity of big bands had waned considerably. The heyday of the 30s and 40s big bands had been superseded in the 1950s by smaller modern and traditional jazz units, skif e and, ultimately, rock and roll, and the prominence they once enjoyed were a fading memory. Although there were still several very ne big bands playing and recording during this time, the economics of the big band in the age of the pop group always put it at a disadvantage. There was, of course, the lea…
Far Out Recordings proudly presents a landmark discovery in Brazilian jazz: the long lost album by drumming pioneer Edison Machado. Recorded in New York City in early 1978 but never released, Edison Machado & Boa Nova captures a pivotal figure in Brazilian music history at the height of his artistic powers.
Combining North and South American jazz traditions with Machado's revolutionary samba innovations, Edison Machado & Boa Nova represents a triumph against the odds. After facing persecution un…
Far Out Recordings proudly presents a special Record Store Day 2025 reissue of L’Ora del Cocktail, an exquisite and rare gem by the legendary Italian composer and multi-instrumentalist Alessandro Alessandroni. Originally released in the golden era of Italian library music, L’Ora del Cocktail is a sonic masterpiece that encapsulates the sophistication of mid-century cocktail culture with Alessandroni’s unmistakable flair for magical melody and otherworldly brilliance.
Renowned for his work on ico…
A massive speaker-smashing release, decades overdue. It's been bootlegged - shamefully so, many times over the years - but finally we present the first ever officially licensed reissue of this truly special Afro-disco-not-disco LP from 1979. A favourite of Harvey, Antal, Young Marco and, er, every great DJ to ever play deep records ever, basically. It's not hard to see - or, indeed, *feel* why.
Gem after gem of relentless, irresistibly funky gold, it's an incredibly revelatory album with endless…
Over the last five decades, Krautrock forerunners Guru Guru have been breaking boundaries, experimenting with free jazz, rock’n’roll, Indian, South East Asian and African rhythms and scales to create their own brand of psychedelic cosmic rock. Guru Gurus’s most iconic album now available on 180g crimson vinyl
Featuring guitarist Roland Schaeffer making his band debut, Tango Fango was recorded by Guru Guru’s favourite sound engineer and co-producer, Conny Plank, who managed to create an almost ‘l…
The 1st release by Third Ear Band from the UK. Shorter tracks than found on later albums, the band here makes excursions into improvised chamber music. Guitar meets recorder and violin in a disharmonic free jazz summit that fades away before building into a trancy mini-crescendo. Reissued with a pasted gatefold hardboard sleeve.
Cruel Sister was an album recorded in 1970 by folk-rock band Pentangle. It was the most folk-based of the albums recorded by the band, with all the tracks being versions of traditional songs. Whereas their previous album had been produced by Shel Talmy and featured quite a heavily produced, commercial sound, Cruel Sister was produced by Bill Leader, noted for his recordings of folk musicians. 180 gram deluxe gatefold vinyl. Package features trading cards, lost photos and lyric sheets.
Huge Tip! Recorded 67 years ago, reissued in Shirley Collins's 90th year in this universe. 'Sweet England' along with its sister album 'False True Lovers', was recorded in the spring of 1958 when I was twenty-two years old. I had been living for the previous two years in London with Alan Lomax, the American folklorist, working for him as editorial assistant on his book The Folk Songs of North America and on his field recordings from America, Great Britain, Italy and Spain. The tracks that make u…
First vinyl reissue since its original release in 1980! Track A2 - Cloudy is featured in our WAMONO A to Z Vol. I - Japanese Jazz Funk & Rare Groove 1968-1980 (Selected by DJ Yoshizawa Dynamite & Chintam) compilation.A rich groove crafted by a rhythm section featuring Harvey Mason on drums and eight trombones. This Jazz Funk/Fusion album is a mix of original compositions by Chikara Ueda and covers of Boz Scaggs' tracks.
Drums: Harvey Mason - Trombone: Shigeharu Mukai (A-1, 2) - Flute, Sopran…