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"Second in the trilogy of Drift albums released on SlaughterProductions, The Beyond takes on a minimal yet darker approach, sheding the dense cavernous aspect of the preceding album, Exile. Replaced, is a more introspective Autumnal Dark Ambient style, which will become Drift's trademark on following releases. However, Gabrielle Giuliani never abandons the isolationist atmosphere he previously established. The result is a masterwork in Ambient Industrial Noise.
Winds howl, rain soaked leaves ar…
"On Earthquake, the third and final cassette released on Slaughter Productions, Drift takes on a slightly different angle to the previous two cassettes. Where as The Beyond and Exile were firmly planted in pitch black ambient territory, the desolation on Earthquake is Saharan. Bright, Sirocco, and sun scorched. Afterall, who said Dark Ambient needs to be cold? In a sense, the listener is transported to an abandoned archaeogical dig while faint middle eastern tones waver in and out of the surfac…
On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.
It seems like it was only a few months ago that Jim O’Rourke changed everything with the release of the incredible Eureka. And if you actually think that, then by George, you’re the Rip van Winkle of 90s rock! It hasn’t even been a few months since Jim’s twin comebacks The Visitor and Simple Songs, his most recent albums in the mold of his classic “pop music” trilogy of Bad Timing, Eureka, and Insignificance. Those two are thirteen and seven years behind us already! O’Rourke freak or not, if you…
Created for the Centre for Fine Arts Brussels, "Sumerian Star Creatures" premiered in 2017 as a part of Spencer Clark (The Skaters / Monopoly Child Star Searchers / Pacific City Sound Visions) and Xavier Garcia Bardon's "Imagineers in the Underworld" Film Series. Typhonian Highlife and Corum made a slithery soundtrack to intersperse between the stories of South Africas former National Laureate, Credo Mutwa; who's early work magically catalogs folk histories of the Zulu people, and later, begins …
3/3 is best known as the precursor to Friction, one of the most influential bands in the history of Japanese rock. Despite the fact that their only album was originally selfproduced in 1975 in an extremely limited run of just ten copies, it has since come to be recognized as one of the most important and legendary recordings in Japanese rock history. For decades, the full scope of the album remained shrouded in mystery until P-Vine reissued it on CD in 2007, finally bringing this elusive recordi…
Arriving right on time for its 20th anniversary, Faun Fables’ musical theatre work The Transit Rider returns in a lovely 2xLP vinyl edition that dimensionally burnishes the bristling performances and elevated chamber/cabaret folk sounds of the original CD-only release. At once a work of theatre, allegory and autobiography, The Transit Rider amplifies Faun Fables’ distinctive electroacoustic wash of Anglo-European folk sounds, shimmering allusively from traditional to Kurt Weill to folk-rock and …
Electric Sandwich were founded in Bonn in 1967 and played sophisticated progressive rock. Their first gigs were in 1968. At a band competition on 16 October 1971, they shared second place with the Scorpions and impressed so much that they immediately received a contract from Metronome/Brain. The LP, recorded by Dieter Dierks, was released at the end of 1972 (Brain 1018) with an olive-green label. After several illegal reissues (on Germanofon, Hiatus, Ear Ass, Icon, etc.), this legitimate edition…
Lindwurm were formed in 1972 in Uelzen and played a somewhat rough-edged progressive rock. The reference to Hanover, which you sometimes come across, is not accurate. Nor should they be confused with the jazz-rock group of the same name from Jork-Moorende on the Lower Elbe (LP Im Windschatten, 1981). In 1976, the much-loved Lindwurm singer and guitarist Klaus Arndt was struck by a car on the motorway and killed. The band dissolved immediately and, in his memory, released an LP that is now pricel…
** Deluxe matte laminate gatefold sleeve and polylined paper inner sleeve ** Paris, August 1969. Sunny Murray books a studio for a single afternoon and walks in with thirteen musicians - among them three members of the Art Ensemble of Chicago, the working sextet built around Archie Shepp, and the singer Jeanne Lee. What they cut that day, Hommage To Africa, is one of the high-water marks of the legendary BYG Actuel catalogue, and one of the warmest and least abrasive records the free jazz moveme…
One of the great small-group dates in the Impulse! book, and a quietly perfect one. Cut February 5 and 8, 1962, produced by Bob Thiele, with an across-the-generations cast: drummer Manne steering with the lightest touch, the mighty Coleman Hawkins in a late-career surge that reminds you exactly why he invented the tenor saxophone as we know it, Eddie Costa and Hank Jones trading the piano chair, George Duvivier anchoring the bass. The whole thing breathes - duet, trio, quartet, the group shrinki…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
Caught at the exact moment the young trumpeter steps fully into his own. Recorded July 2, 1962, at Rudy Van Gelder's studio, released in 1963 on Impulse!, this is Hubbard with technique to burn but warmth to match - every line sculpted, every phrase rhythmically alive. Around him a ridiculous cast: John Gilmore (yes, the Sun Ra tenor man) shadowing Hubbard's lines with that crooked, unmistakable tone, Curtis Fuller and Tommy Flanagan filling out the harmony, Art Davis and Louis Hayes locking dow…
500 units, deluxe remastered edition. Some records are made in the present tense. The Civil Surface was made in the past perfect - a band returning from its own ending to commit to tape the music it had never quite managed to record. By the time these sessions took place at Worthing's Saturn Studios in the summer of 1974, Egg had already been finished for two years. The trio - organist Dave Stewart, bassist and horn player Mont Campbell, drummer Clive Brooks - had cut two singular albums of orga…
10" coloured vinyl edition. Ten tracks drawn from the 1954-56 Pacific Jazz sessions. Chet Baker Sings is a record that arrived too early for its own audience. In 1954 a twenty-four-year-old trumpet player set down his horn, leaned close to the microphone, and sang as if confiding something he wasn't sure he wanted overheard. What the era received as a flaw - a voice too soft, too high, too undefended for a man - is exactly what now sounds like the future turning up ahead of schedule.
There is al…
Recorded 1984-87 in Brooklyn and never before on vinyl, jazz pianist Masabumi Kikuchi's Rokudai cycle - Earth, Water, Fire, Wind, Air, Mind - turns synthesizers and a Shingon Buddhist framework into improvised electronic music. Remastered by Taylor Deupree. Complete six-2LP set.
On Spoki, Ingus Bauskenieks cracks open his private sonic world: homemade electronics, odd pop instincts and spectral melodies that refuse consensus, turning “ghosts” into solitary songs built strictly on his own terms.
Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi…