We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Industrial veterans Satøri (with notable releases on Broken Flag) soundtrack a broken society. The endless attempt to document humanity's failings continue with their third album for Cold Spring. More noise. More anger. Just more.
"They think it. Sometimes you think it. A black oppression that takes over; consuming your very soul. The pointlessness of existence. Your single-minded fight against a world and what seems to be an entire population who invalidate everything you believe or stand for, …
** This bundle includes both volumes of James Tenney's "Postal Pieces" on Blume in a green cotton tote bag printed with the names of the suite's eleven dedicatees: - James Tenney "Postal Pieces" (LP, BLUME 022) - James Tenney "Postal Pieces" (LP, BLUME 027). The first volume has been sold out for a long time: the copies in this bundle come from a small return from a distributor and are the last available. **
Between 1965 and 1971, James Tenney wrote eleven short compositions on the backs of post…
Blume returns to James Tenney's "Postal Pieces" with a second volume: three "Swell Pieces" and "Koan", written for Alison Knowles, Pauline Oliveros, La Monte Young and Malcolm Goldstein, on vinyl for the first time from one of the key suites of 20th Century avant-garde music.
Big tip! Forty years of cassette releases, pressed for the first time on vinyl. First of two instalments exploring the previously unreleased sonic archives of one of Poland’s most enigmatic living artists - with its first volume focused on his deep listening practice and spiritual reverie (recorded 1990–2013). The last time Andrzej Dudek-Dürer took a banknote bearing the face of the Polish anarchist Jarosław Dąbrowski from his pocket to trade it for a pair of shoes was in 1969. He bought them fo…
Jazz recordings by the Malaysian trumpeter and composer Johari Salleh from the 1970s: modal grooves and jazz funk with Malay folk themes, until now available only on a few dozen locally pressed copies.
First release on Audible Beauty, Habibi Funk's sister label: eleven jazz pieces by the Malaysian pianist and arranger Alfonso Soliano, recorded for Radio Television Malaysia and pressed in only a few dozen copies.
Ten tracks from Lebanon's private press cassette scene of the late 1970s and 1980s, many tied to Ziad Rahbani's Bypass Studio circle: disco, soul, jazz, bossa and AOR, some tapes issued in tiny runs and some never released at all.
Compilation of Ara Kekedjian, singer born in 1946 in Bourj Hammoud and a central figure of Beirut's Armenian pop scene in the 1960s and 70s: Armenian rhythms, hard drums, funky guitars and organ, compiled with Darone Sassounian.
Habibi Funk's third compilation, drawn from the Libyan cassette scene of the late 1980s to early 2000s: reggae, synth disco, pop, house and funk, much of it recovered from the TK7 cassette factory in Sousse.
Collection of songs by Tripoli singer Ibrahim Hesnawi, credited with making reggae popular in Libya from the late 1970s: Jamaican reggae merged with traditional Libyan rhythms, with funk, jazz and disco touches, sung mostly in Libyan Arabic.
Songs from the mid 2000s by Benghazi-born singer and producer Ahmed Ben Ali: heavy Libyan reggae with synthesized grooves, mixing Jamaican rhythms with Libyan folk rhythms and oriental melodies, following his 12" Subhana.
The only album by Egyptian singer Maha, vocalist with Salah Ragab's Cairo Jazz Band, recorded in Cairo in 1979 and issued on cassette by Sout El Hob: jazz and Egyptian vocal tradition over funk, Latin and soul, produced with Hany Shenoda.
The 1978 album by Beirut group Ferkat Al Ard, led by singer Issam Hajali with arrangements by Ziad Rahbani: Arabic song, jazz, folk and bossa nova on poems by Mahmoud Darwish and Samih Al Qasem, first issued on cassette, then on vinyl in 1979.
Songs Libyan-born singer and producer Hamid El Shaeri recorded for the Egyptian cassette label SLAM! between 1983 and 1988, after moving to Cairo via London: synth-heavy Arabic pop and funk, including his track Ayonha.
A selection of works by Algerian-born Amazigh singer Majid Soula: Kabyle music mixed with disco, highlife and funk over synths, driving drums and repetitive guitar lines, with lyrics tied to his defence of Berber culture and Tamazight.
Songs written and recorded by Lebanese singer-songwriter Rogér Fakhr in Beirut in the late 1970s: English-language folk with touches of other genres, partly from his cassette Fine Anyway, hand copied in about 200 copies, partly never released.
Second Habibi Funk compilation of lesser-known music from North Africa and the Middle East: Egyptian organ funk, Moroccan disco, Libyan reggae, political songs from Lebanon and Algerian soundtrack music, with Fadoul, Ahmed Malek and Ibrahim Hesnawi.
Recordings by Sharhabil Ahmed, born in 1935 and crowned king of Sudanese jazz: from the 1960s he blended Sudanese and East African harmonies with electric guitar, horns, surf, rock n roll, funk and Congolese music.
Debut album by Issam Hajali, singer of the Lebanese band Ferkat Al Ard, recorded in a single day in Paris in 1977 during his exile: jazz and folk with Arabic and Iranian influences, first issued on just 75 cassettes.
Full reissue of the rare album by Khartoum band The Scorpions with singer Saif Abu Bakr, recorded in the 1970s: Sudanese jazz with strong horn arrangements and funky drums, crime-film style instrumentals, traditional rhythms and a soukous excursion.