We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"Ambient Loop for Vancouver (2004) is a single, full length track (53'43"), with contributions from Alan Licht on guitar, Christian Marclay on turntables, and William Hooker on drums. It was originally assembled as the 'tape bed' for a performance in Vancouver, Canada of DRIFT, my collaborative film and music presentation with partner Leah Singer, in April 2004. This slowly changing, low volume ambience has since been used in various performance, reading and installation situations over the y…
*In process of stocking. 2022 stock.* Larry Ochs may be best known as one-quarter of the Rova Saxophone Quartet, the Bay-area group, which, in its near-40 year history, has created large-scale works with composers as diverse as Terry Riley and Barry Guy. Ochs’ projects outside of Rova have often been just as noteworthy. He first assembled The Fictive Five for a performance at his 2013 residency at The Stone and this recent recording testifies to the way the band’s strengths realize Ochs’ composi…
2024 small repress. "Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned this piece from Éliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the premiere of Adnos I (IMPREC 028CD) in San Francisco in 1974, a group of French students introduced Éliane Radigue to Tibetan Buddhism. When she returned t…
Guitarist and singer-songwriter Ryley Walker discovered the 1972 private press LP in a Chicago record store, loved what he heard, and teamed with Tompkins Square to produce the reissue. John Hulburt (1947-2012) was a member of legendary mid-60's Chicago garage rock band The Knaves, whose records were recently reissued by Sundazed. Opus III showcases his exceptional talent on the acoustic guitar, proving somewhat of an anomaly in a city not known for its solo guitar recordings during this era. W…
In one of the last projects he conceived, interrupted by his premature death, Davide Mosconi chose to absolutize as ‘concrete’ sonic data the complete cycle of Wagner’s “Ring”. Mosconi, an artist equally divided between the sonic universe and the visual sphere, perhaps could not resist the temptation of picking up the torch to intentionally fan the flame of he who made the Gesamtkunstwerk one of the theoretical groundings of his futuristic ideology and therefore inspiring a never-more-to-be-soot…
2021 restock. "Includes liner notes & archival photographs. 1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful s…
restocked, Mindblowing reissue!! "The impact of Carter's music stems from his ability to straddle freely the old and the new - combining a genuine melodic/rhythmic impulse with explorations of a more purely rhythmic/harmonic nature. His tone on his instruments, especially the clarinet, is round and wooden like a song, yet there's a certain revelry in sound - textural and timbral - for its own sake. He likes to work with contrast, moving in and out of tempo, altering the flow through dynam…
Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
**restocked**A mind-expanding journey undertaken on church organ! Buoyed by slow changes that create illusions of movement, the experience of listening to this CD is one of floating between parallel worlds of harmony and noise. Schlingen-Blangen evolved out of a number of events Charlemagne held in L.A. in 1970 and ’71 that he called “Meditative Sound Environments.” In these performances he would sustain a chord on an organ in a Unitarian church by inserting pieces of cardboard between the keys …
2013 release. CD reissue of a cult LP from a early 80s weird Japanese oddity, an amalgam of synthesizer and vocoder processed vocals reciting Missa Ordinarum (!) dusted with bright electronic sound and plenty of reverb. Includes a 16-page booklet with Latin lyrics and Japanese translations, a discussion between Shigeaki Saegusa and Hiroyuki Namba, and liner notes by Shigeaki Saegusa and Hiroyuki Namba
**CD version** Eraldo Volonté is a veteran of italian jazz: he is one of those characters that are always seen wherever there is good jazz to play or listen to. With a difference from many pioneers, however, Volonté has never lost even a shred of his enthusiasm, even if he has been playing professionally for more than a quarter of a century and like almost all of is colleagues, in Italy, has had to adapt and be part of an infinite number of bands playing all types of music. His enthusiasm has ke…
Milestone reissue!! Here's the much needed reprint of Rolf Julius’ first and only (and almost impossible to find) LP from 1985 / Rolf Julius was the archetypal “sound artist“. He painted with sound, he colored with pitch, and his work demands the attention and open-mindedness of those who embrace modern art. He collected found sounds, and mixed them with prerecorded single tone notes which were then, electronically modified and filtered through tiny loudspeakers, transformed into music. De…
This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic un…
This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic un…
For years now Hanno Leichtmann has been one of the most prolific protagonists of Berlin's electronic music scene and beyond: as experimental percussionist and electronic artist Leichtmann has released several albums under his real name, aliases such as Static and The Vulva String Quartet or in bands like Groupshow (with Jan Jelinek and Andrew Pekler) or Denseland (with David Moss and Hannes Strobl) on labels like City Centre Offices, Karaoke Kalk, M=Minimal, Dekorder and Staubgold. Leichtmann al…
Bomb! 500 copies. After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of their own making, which relies on a staggering density of ideas, chops to burn and a preternatural responsiveness. Live At Maya Recordings Festival, captured at Winterthur, Switzerland in 2011 forms another t…
A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. There are times when one fantasises about the possible collaborations that might have been: Hendrix with Miles Davis, Jeffrey Lee Pierce with R.L Burnside, Capt. Beefheart with Sun Ra ― imagination is a wonderful thing. But when a vault somewhere pops open and a collaboration of two of improvised music's ti…
"Don Cherry, more than any other artist in the jazz of his era, pioneered the music's internationalist nature that has now come to be commonly accepted as an integral part of its character. The individuality of Cherry's contribution to the history of jazz has often been unfairly obscured by his admittedly important association with the music ofOrnette Coleman. While the (pocket) trumpeter's position as Coleman's front line partner in the altoist's first revolutionary quartet was indeed a major o…
Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…
50th Anniversary Edition on "Esperanto-Green" colored vinyl. In the Spring of 1966, ESP was given a grant by the New York State Council on the Arts, to tour the five colleges in the state with music departments. Artists for this tour included the Sun Ra Arkestra, Burton Greene, Patty Waters, Giuseppi Logan and Ran Blake. Accompanied by an all star backup group from among the participants, Patty's performances resulted in the album, College Tour, her second recording for ESP-Disk'. The album expa…