Reissues
Earle Brown Contemporary Sound Series Vol. 3
Wergo presents the third volume of the Earle Brown Contemporary Sound Series. Recorded between 1960 and 1973, the original LPs from which these CDs were taken have long been collector's items. These rare and historically important recordings of international avantgarde music have been carefully digitized and remastered by the Earle Brown Music Foundation. The series presents the extraordinary world of contemporary and avant-garde music that fl ourished in Europe, the United States, Latin …
Earle Brown Contemporary Sound Series Vol. 1
Featuring The Manhattan Percussion Ensemble, John Cage (conductor), Paul Price (conductor), Christoph Caskel (percussion), David Tudor (piano), Aloys Kontarsky (piano), Bernhard Kontarsky (celesta), MEV (Ala Bryant, Alvin Curran, Frederic Rzewski, Richard Teitelbaum & Ivan Vandor), AMM (Cornelius Cardew, Lou Gare, Christopher Hobbs, Eddie Prevost & Keith Rowe). "Wergo's Earle Brown Contemporary Sound Series focuses on the extraordinary world of contemporary and avant-garde music that flou…
Collected Works Of
BOX edition: Psychedelic drone sounds, experimental electro-acoustics, minimal music and deep listening from the years 2000 - 2007 by Ilya Monosov, who is a member of the Frogpeak artist collective and one-half of the psychedelic noise group The Shining Path and the improv duo Monosov/Swirnoff. Ilya Monosov has collaborated with Bob Cobbing, Charles Curtis, Duane Pitre, Marc Schulz (in Ben Patterson's installation at the 40th Anniversary of Fluxus), Larry Polansky, Andrew Deutsch (with Pau…
Sleeping City
“Sleeping City” is the highly anticipated and Anna’s second release in co-operation with the Mannequin label from Rome, Italy. Intelligence Dept. were Davide Carlotti (synthesisers, sax, backing vocals), Susanna Zaghi (vocals, lyrics), Stefano Panzera (bass) and Gian Paolo Di Federico (synthesisers, drum machine programming) from Ferrara, Italy. They only ever officially released three, yet totally amazing tracks on the “A White Chance” LP compilation in 1984 (White Studio Recording, WS 001; Wh…
Desert Navigation
2017 remastered edition, with new standard glossy jackets. Texture and
feeling of 1975 with boosted audiophile sound quality. Black vinyl
version. Previously unreleased album by German trio Sand,
recorded 1973-1982. Live events in the quarry and an archaic sound
formed the background music of the young atomic age. In the meantime,
after endless trance garage sessions, Sand drifted from the mythical
landscapes to Berlin and mingled with various oriental influences.
Vultures were scudding a…
Electronic Works 3
Until Spring was first conceived in 1975 on the Buchla synthesizer using only analog techniques. “It was about 10 years from Silver Apples to Until Spring,” Subotnick explains, “and I’d evolved a whole concept and a technique, but I had gone as far as I could go with it. I could do everything I wanted to do, but I couldn’t do it in real time.” As computers and software developed in the coming decades, Morton Subotnick created a software-based instrument that he felt could allow him to compl…
Dolmen Music
Meredith Monk and her vocal troupe cut a line between experimental theatre and music, marking a passage through the Ancient Greek tragedy, the opera, world-music, the archaic ritual and the mystical chant. It started with "Gotham Lullaby", presenting a contralto over a desolate and stark piano sonata. Then "Travelling" set a feverish gypsy dance, a wild ritual stirring the primeval forces at play. The sonata returned in "The Tale", as the backbone to an offbeat pantomime/ theatrical performance.…
Sacred Hymns
A series of piano transcriptions of some solemn, now-dark, now-affirmative religious hymns by one G.I. Gurdjieff, with none of the usual flourishes and heady flights usually associated with Keith Jarrett's solo records. Jarrett assumes the proper devotional position, playing with a steady tread but always with attention to dynamic extremes, producing a gorgeously rich piano tone with plenty of bass.
Jimmy Polaris – Live at Henie Onstad Art Centre
This release documents the music Masselys made for the commisioned audio-visual piece, Jimmy Polaris, by visual artist Christopher Nielsen, animator Matt Willis-Jones and Masselys.Nielsen and Willis-Jones worked together on Norway’s most expensive animation film; Slipp Jimmy Fri from 2006. For Jimmy Polaris they used early raw animation snippets from the film’s preproduction phase. Nielsen and Willis-Jones then real-time manipulated these sketches into a psychedelic visual overload, which Massel…
Samla Mammas Manna
Exacting reissue of the 1970 debut album by this trailblazing Swedish quartet, led by composer/pianist/organist/accordionist/vocalist Lasse "Lars" Hollmer, just prior to any knowledge of anything called "RIO" (Rock In Opposition). Formed in the late late '60s in Uppsala, SMM canvassed the festival circuit (appearing on the same bill that Träd Gräs och Stenar recorded their mammoth Live Gardet 1970 album) to popular and critical appeal. Later SMM would team up with groups like Henry Cow and …
Coldwater basin
* 180 copies * Anticipating Fluxus celebrations in 2012, alga marghen proudly presents one of the masterpieces from the glorious 60s, by master of ecstatic music Philip Corner. “Remember? When you made these things at home, on the best equipment you or your other poor friends could find? And you had that Japanese tape recorder with built-in mike; indeed that was the only piece of furniture on your tatami floor on the Lower East Side that summer of 1961”.A home recording of water running from a f…
Sirenes
Works from Volker Heyn, an outsider artist interested in acoustic process, tone gestures, friction, discontinuous movements
Your Past Comes Back to Haunt You
Subtitled: The Fonotone Years 1958-1965. More than 10 years in the making, this box set features the earliest recordings and the first book ever written about one of the most influential guitarists from the 1960s and '70s, John Fahey. The five CDs feature 115 tracks, most of which are available on CD for the first time. The audio was remastered from Joe Bussard's reel-to-reel tapes to achieve pristine sound quality. As for the accompanying book, the list of scholars who contributed essays includ…
Black Phoenix Blues
Black Phoenix Blues is the third Roaratorio collection of the best of Rodd Keith’s vast output. Dating from 1966 to 1974, the sixteen previously unreissued songs showcase the scope of his work: the should’ve-been-a-hit “You And I”; the elegant exotica of “I Love Lovely Chinese Gal”; the history lesson of “The Explosion Of Holden 22 Mine”; the harrowing psychokiller musings of the title track; “I’m Proud To Be A Hippie From Mississippi,” the stoner’s answer to Merle Haggard’s “Okie From Mu…
Black Man's Blues
Recorded 29th May 1977 at A Day in Solidarity with Soweto: A Fund Raiser, Harlem Fight-Back, 1 East 125th St., New York Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the precedin…
Crossing Points
A colossal encounter of drummer William Hooker and the late wind player Thomas Chapin performing at the 9th Street Gallery in NYC in 1992, 3 massive improvisations from the jazz underground. This is a monster duo! One of the greatest duo events of all time. There were a series of weekly duo encounters with William Hooker and different saxists at Jerome Cooper's loft during the summer in the early nineties. I caught two of these with Louie Belogenis and Thomas Chapin and both were incredible.I re…
Transamorem - Transmortem
Transamorem - Transmortem was premiered on March 9, 1974 at The Kitchen in NYC, where the music programmer at the time was Rhys Chatham - this was right before his guitar phase. During this period, 'Transamorem - Transmortem' was presented along with other compositions by Eliane Radigue in a linear mode of listening, although the piece had originally been conceived, during its composition, as a sound installation. Of course, both modes of listening are possible, and each works marvelously in its…
Guitar Solo
The Guitar Solo album was produced by Takeshi Fujii, the producer of the legendary jazz label "Three Blind Myth", in June 1981. Takayanagi responded to the request with "Lonely Woman" recorded in August 1982. As stated in the liner notes of this work, Takayanagi said: "In my two years of fighting against illness, my thoughts have changed, and now I'm thinking rather than making a group album. The form of solo would be appropriate to put it together" and he worked on the guitar solo as the first…
Lassie House / Jumble Massive
This CD compiles two long out of print, obscure vinyls by People Like Us. Almost all (maybe all) were recorded as commisions for Dutch radio. People Like Us plunders her way through the wastelands of vinyl nobody buys, collages them into mostly strange, and at times funny pieces of music. Unlike other plunderphonics, People Like Us keep the voice/spoken word segments to a minimum, which I most hearthly welcome. Extensive spoken words are usually hilarious, but after repeated listening don't hold…
Color Him Coma
The first CD in this set is a reissue of an obscure cassette release from 1983 that was originally released in a small edition on the London based, It’s War Boys label. This C60 consisted of 2 distinct halves. Side 1 was formed around several mixes of an experimental track, constructed from a room-sized 24 track loop. A version of this track first appeared on the LP Flagellation by The Just Measurers (who were C. D. Greyt, Yakkö Banovic and Narki Brillans).Side 2 is a collage of mostly unused (a…