Reissues
Interconnection
Big Tip! Unreleased session from 1975."Trumpeter Ted Daniel's Energy Module was a short-lived band. They played exactly two gigs in the course of one week in the fall of 1975-and never played again. They gelled quickly as a quintet, however, in large part because everyone knew each other from working in Daniel's big band, Energy. However, the Energy Module was a less formal affair than the large ensemble, in which they played Daniel's original compositions and arrangements. "We had a couple of r…
The World Of Cecil Taylor
Exact repro reissue of Cecil Taylor's first album for the Candid label, originally released in 1960. Featuring Cecil Taylor (piano), Buell Neidlinger (bass), Dennis Charles (drums), Archie Shepp (tenor saxophone).From the opening patterns of Denis Charles' drums on the title cut, the listener knows he/she is in for something special. One can only imagine what the reaction of the average jazz fan was in 1960 when this session was recorded. This is a wonderful document from early in Taylor's ca…
Fondements Bruitistes 2
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…
Fondements Bruitistes 1
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…
Sound Composition
A collection of writings with 2 CDs of sound examples, based on talks presented over several years, describing in some detail the compositional approaches and working methods involved in the production of many of Trevor Wishart's musical works. Includes a discussion of sound diffusion, and diffusion scores (with worked examples) for most of the electro-acoustics works. Sound Composition is a collection of writings with accompanying sound examples detailing the composition of musical works where …
Forms Of Forgetting
Forms of Forgetting is a studio construction investigating memory/forgetting and attention/inattention as catalysts for formal development in long-duration sound work. An extension of Seth Cluett’s gallery-based practice and created out of a sequence of materials developed for performance, the piece is the culmination of two years of in-situ live experimentation. Part site-specific performance, part modular, mobile form, this work employs techniques that aim to explore the fallibility of …
The Golden Hour
Portland guitar wizard Marisa Anderson's long-awaited solo guitar record. Marisa has been a fixture on many a music scene for years and years, playing with everyone from the Evolutionary Jass Band to Tara Jane O'Neil to The Dolly Ranchers. In any context, she can't escape her rag/blues/folk roots, no matter how hard she tries. On this LP featuring only guitar, no vocals, no overdubs, we are treated to a very intimate-sounding home recording filled with delicate grace. Comparisons to John F…
The Long Hot Summer/Interview Oct. 1969 /Waiting for Commercials
This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …
TV cello
Of the famous "TV Cello," conceived by Nam June Paik for Charlotte Moorman as a "living sculpture," this CD offers an in-situ recording released on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on the 11th, 12th and 14th of September in 1982. This version contains, respectively, the "TV Cello Duets" with Paul Garrin and the "Concerto for TV Cello and Videotapes," largely improvised, "including a tape collage by Ornette Coleman prepare…
Aachen Konzert, July 25th, 1966
This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…
WBAI Concert, New York, Sept. 12th 1964
This CD highlights an exceptional document, a performance recorded by radio station WBAI in New York on September 12th, 1964. This event superbly represents the type of repertoire that Charlotte Moorman and Nam June Paik cultivated and proposed in the U.S., in the years following their meeting, in their memorable "duo" exhibitions. The program of the concert presented several true war-horses of their exhibitions like "26'1.1499 for a String Player" by John Cage, "Duet II" by Toshi Ichiyana…
Surrealism Reviewed
Surrealism Reviewed is a collection of spoken word recordings by Surrealist artists, writers and poets. Made between 1929 and 1963, these historic audio recordings include poetry readings, interviews, lectures and manifestos. Most are in the English language, though some are in French (marked FR below). The remarkable contributions by Robert Desnos and Herbert Read were feared lost for several decades, unheard since they were cut onto acetate discs in the 1930s.
Running for 74 minutes, wit…
Le Groupe des Six: Selected Works 1915-1945
This 160 minute anthology features selected piano and orchestral works by Les Six composed between 1915 and 1945, including collaborations with Jean Cocteau, Guillaume Apollinaire, Max Jacob, Marcelle Meyer and Denise Duval. Highlights include a digitally remastered cast recording of the Surrealistic opera Les Mamelles de Tirésias, co-created by Francis Poulenc and Apollinaire, and new recordings of Dada-related works performed by Peter Beijersbergen van Henegouwen.
All selections were re…
Futurpiano
Futurpiano showcases three influential avant-garde composers associated with the Futurist movement, by way of piano music composed between 1913 and 1933.
Arthur-Vincent Lourie was the first Russian Futurist musician, and a signatory of the original St Petersburg Manifesto in 1914. The five Syntheses written that same year offer a form of dodecaphony, while Formes en l'air from 1915 is a Cubo-Futurist conception using an innovative form of notation, dedicated to Pablo Picasso.
Born in the Ukraine…
Par Hasard: Chance Composition 1913-1951
Par Hasard is a unique collection of avant-garde music by Marcel Duchamp, Francis Picabia, Georges Ribemont-Dessaignes and John Cage, all composed during the first half of the 20th century using chance techniques and operations.All selections are performed on piano. Iconic French conceptual artist Marcel Duchamp conceived both of his Musical errata in 1913. One consists of notes drawn at random from a hat; for the second, balls are dropped through a funnel into wagons drawn by a toy train. "Exec…
John Perreault
Long unavailable only documentation of the tape work by conceptual artist John Perreault on Slowscan's collectable artist's records series, limited to 300 copies.
REAL LIFE Magazine
REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists’ projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine t…
Bitter Music
It is an astonishing gift of fate when a creative artist, known to the world for a particular achievement, is suddenly shown in a quite different light thanks to the existence of a single document that has somehow escaped the ruthless culling mechanisms of time. Harry Partch's Bitter Music is such a document, a “diary of eight months spent in transient shelters and camps, hobo jungles, basement rooms, and on the open road”. This long-lost journal of Harry Partch's wanderings during the Great Dep…
Planes
Wah Wah Records proudly presents a luxury vinyl reissue of this rare 1974 private pressing. Cool long electronic experiments splitted in two tracks, one on each side. Recorded in one take and offering an astounding combination of synth drones, wordless vocals, ambiental electric organ and ethereal guitar arpeggios.An outstanding work that moves away of the more classical kraut cosmische sounds to walk darker paths, yet retaining some early Kluster reminiscences.The Wah Wah reissue comes to life …
Analog Archives
A leading figure in the UK’s electronic music scene, Mark Jenkins has played with White Noise, Arthur Brown and members of Can, Gong, Van Der Graaf Generator and Tangerine Dream. He is the author of the acclaimed books Analog Synthesizers and iPad Music (Jenkins became the first musician in the world to release a CD created entirely on the Apple iPad)."Analog Archives" is a collection of recordings from the early to mid eighties. Armed with his Moog Sonic Six, Sequential Prophet 600, EDP Wasp & …